Jivin' in Be-Bop | |
---|---|
Directed by | Leonard Anderson Spencer Williams |
Written by | Powell Lindsay |
Produced by | William D. Alexander |
Starring | Dizzy Gillespie and His Orchestra Helen Humes |
Cinematography | Don Malkames |
Edited by | Gladys Brothers |
Production company | Alexander Productions |
Distributed by | Alexander Distributing Company Inc. |
Release date |
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Running time | 57 minutes |
Country | United States |
Language | English |
Jivin' in Be-Bop is a 1947 musical film produced by William D. Alexander and starring Dizzy Gillespie and His Orchestra, [1] which included notable musicians such as bassist Ray Brown, vibraphonist Milt Jackson, and pianist John Lewis. [2] It also features singers Helen Humes and Kenny "Pancho" Hagood, Master of Ceremonies Freddie Carter, and a group of dancers. [2]
The film consists of a plotless revue presented in a theatrical setting, offering a total of 19 musical and dance numbers. Gillespie and his band are shown performing eight songs, including "Salt Peanuts", "One Bass Hit", "Oop Bop Sh'Bam" and "He Beeped When He Should Have Bopped". The band plays off-camera while dancers perform during the remaining songs, which include "Shaw 'Nuff", "A Night in Tunisia", "Grosvenor Square" and "Ornithology". [2] [3]
The liner notes that accompany the DVD release suggest the tracks were prerecorded. [4] One of Gillespie's biographers confirms this, [5] although at least one critic believes the musicians were playing live. [4]
The dance sequences have been described as "dull and frequently silly" by writer Phil Hall, who wrote that Jivin' in Be-Bop includes "one of the worst ballets ever put on film". [6] Gillespie's dancing, on the other hand, is generally praised. One writer said "his unique technique is shown to great effect" in the film. [7] One biographer described Gillespie "skipping about the stage", [8] and another wrote that Gillespie was "quite happy to dance to the band's sounds, ... spinning around and mugging in front of the band". [5]
Between songs, Carter tells jokes and banters with Gillespie. Film historian Donald Bogle described the comic routines as "dull-witted". [9] Bogle went on: "There are only two redeeming factors here: namely Dizzy Gillespie and vocalist Helen Humes. Otherwise the proceedings are pretty dreary." [9]
A 1993 video, Things to Come, included the eight on-screen performances by Gillespie and the band from Jivin' in Be-Bop, together with some numbers from another Alexander-produced musical, Rhythm in a Riff, which featured Billy Eckstine. [10] [11]
Jivin' in Be-Bop was released on DVD in 2004. The between-song banter between Carter and Gillespie was cut. [6] [12] According to one reviewer, the DVD was produced from a badly damaged print, which made portions of the film "unwatchable". [4]
Bebop or bop is a style of jazz developed in the early to mid-1940s in the United States. The style features compositions characterized by a fast tempo, complex chord progressions with rapid chord changes and numerous changes of key, instrumental virtuosity, and improvisation based on a combination of harmonic structure, the use of scales and occasional references to the melody.
John Birks "Dizzy" Gillespie was an American jazz trumpeter, bandleader, composer, educator and singer. He was a trumpet virtuoso and improviser, building on the virtuosic style of Roy Eldridge but adding layers of harmonic and rhythmic complexity previously unheard in jazz. His combination of musicianship, showmanship, and wit made him a leading popularizer of the new music called bebop. His beret and horn-rimmed spectacles, scat singing, bent horn, pouched cheeks, and light-hearted personality have made him an enduring icon.
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Theodore "Fats" Navarro was an American jazz trumpet player and a pioneer of the bebop style of jazz improvisation in the 1940s. A native of Key West, Florida, he toured with big bands before achieving fame as a bebop trumpeter in New York. Following a series of studio sessions with leading bebop figures including Tadd Dameron, Bud Powell, and Kenny Clarke, he became ill with tuberculosis and died at the age of 26. Despite the short duration of his career, he had a strong stylistic influence on trumpet players who rose to fame in later decades, including Clifford Brown and Lee Morgan.
Helen Humes was an American singer. She was a blues, R&B and classic popular singer.
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Rhythm in a Riff is a 1947 medium length musical film produced by William D. Alexander and directed by Leonard Anderson. The film stars Billy Eckstine and his band performing as well as Ann Baker, Hortense Allen Jordan, Sarah Harris, and Emmett "Babe" Wallace. The film is extant. The film was.made in New York City. It was released by Astor Pictures. The film was targeted to am African American audience, features an African American cast, and was produced and directed by African Americans. The film is also known as Flicker Up.
Dizzy Gillespie at Newport is a 1957 live album by Dizzy Gillespie, featuring his big band, recorded at the 1957 Newport Jazz Festival.
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