Jobete Music

Jobete Music Company, Inc.

Company type	Private
Industry	Music publishing
Founded	1959
Founder	Berry Gordy
Headquarters	Detroit, Michigan, U.S.
Key people	Berry Gordy, Raynoma Liles Gordy Singleton
Parent	Motown Record Corporation (1959–1980s)

Jobete Music Company, Inc. (commonly Jobete) is the music publishing division originally founded by Berry Gordy in 1959 in Detroit, Michigan. As the publishing arm of the Motown Record Corporation, Jobete was responsible for the publishing, administration, and licensing (copyright) of the songwriting output created by Motown’s staff of songwriters, composers, and artists. Over the following decades, Jobete grew into one of the most valuable popular music publishing catalogues in the world, controlling the rights to most of Motown’s best-known songs. ^[1]

History

Foundation (1959)

Berry Gordy established Jobete Music in 1959 as part of his broader strategy to integrate songwriting, publishing, and recording within his business empire. He incorporated the company in Michigan and moved quickly to register copyrights for songs written by himself and early Motown artists. By the end of the company’s first year, Gordy had applied for copyrights on more than seventy titles. Jobete operated alongside Gordy’s in-house labels, Tamla Records, Motown Records, Gordy Records, Soul Records, and V.I.P. Records. Jobete soon became the primary publisher for the entire Motown catalogue.

Growth during the 1960s and 1970s

During the 1960s, as Motown rose to national prominence, Jobete expanded rapidly. It became the publishing home for material written by in-house songwriters such as Smokey Robinson, the prolific hitmaking team of Holland–Dozier–Holland, (Brian Holland, Lamont Dozier, Eddie Holland), Norman Whitfield, and Ashford & Simpson (Nicolas Ashford and Valerie Simpson). Other notable in-house producers and arrangers contributed to the vast Jobete holdings, including Earl Van Dyke, Sylvia Moy, Lionel Richie, Janie Bradford, Paul Riser, and Ron Miller.

Centralizing licensing and administration under Jobete allowed Motown to maximize performance and royalty income, as well as synchronization of music placements in film, television, and advertising.

Name and identity

The name "Jobete" is derived from a combination of the first two letters from the names of Gordy’s three children by his first wife Thelma Louise Coleman. Their names: Hazel "Joy" Gordy, Berry Gordy III, and Terry Gordy (originally rendered “Jo-Be-Te”). Jobete’s name appeared on countless record labels and copyright registrations during the 1960s and 1970s, often as the sole publisher for Motown releases.

In her autobiography, Raynoma Liles Gordy, Berry Gordy's second wife, wrote of this: "In January of 1959 I went to the City-County Building in downtown Detroit to pick up registration papers again. Berry and I were now establishing two more partnerships. While we filed legally for Tamla Records, we also registered our publishing company, Jobete Music, named with affection for Berry's three kids - Joy, Berry, and Terry." ^{[2] [3]}

From its inception in early 1959, Raynoma Gordy had been placed in the leadership role at Jobete and, along with the assistance of at least two of her personal family members, guided the publishing operation through its earliest formative years. This continued essentially for the next five years, or until Mrs. Gordy ultimately departed Motown in 1964. The top position was then passed to Mr. Gordy's older sister Loucye Gordy-Wakefield, who remained in that role just over a year, or until her untimely death from brain cancer in 1965. At this point, Berry Gordy appointed his younger brother Robert Louis Gordy as Jobete's General Manager and Vice President, remaining as leader of the division for about twenty years, until 1985. ^[4]

Operations and catalogue

Jobete’s primary functions included registering copyrights, issuing mechanical and synchronization licenses, collecting royalties from performing-rights organizations, and negotiating placements for Motown songs. Its catalogue includes thousands of titles by artists such as Diana Ross and The Supremes, Stevie Wonder,The Temptations, Marvin Gaye, Smokey Robinson and the Miracles, The Four Tops, and the early recordings of The Jackson 5, featuring Michael Jackson. With this lineup, among many other stellar performers on the Motown roster, Jobete became one of the most significant and lucrative popular music publishing catalogues of the 20th century.

Ownership changes

From the 1980s onward, Berry Gordy sold portions of his publishing interests. In 1997, EMI Music Publishing acquired controlling interest in the Jobete catalogue in a deal widely reported in the music industry press, reflecting the catalogue’s immense commercial value. ^[5] Subsequent sales and mergers during the 2000s and 2010s placed Jobete’s repertoire within larger corporate publishing structures. ^[6]

Notable songs

Jobete’s catalogue encompasses many of Motown’s best-known hits, including (but not limited to):

• “Shop Around”
• “My Girl”
• “Where Did Our Love Go?”
• “I Heard It Through the Grapevine”
• “Ain't No Mountain High Enough”
• “Cloud Nine”
• “Uptight (Everything's Alright)”

A comprehensive list is maintained in publisher and discographic databases.

Legacy

Jobete’s establishment allowed Berry Gordy and Motown to retain ownership of their creative output, generating long-term revenues through licensing and royalties. The catalogue has continued to generate revenue through new media uses, film soundtracks, commercials, and anthologies, and remains central to the legacy of Motown.

See also

• Berry Gordy  – American music executive and record producer (born 1929)
• EMI Music Publishing  – British music publishing company
• Holland–Dozier–Holland  – American songwriting and production team
• Motown Records  – American record labelPages displaying short descriptions of redirect targets
• Motown  – American record label
• Music publishing
• Tamla Records  – American record labelPages displaying short descriptions of redirect targets

Bibliography

• Singleton, Raynoma (1990), Berry, Me and Motown: The Untold Story , Contemporary Books, ISBN   978-0809243402 .

• Gordy, Berry (1994), To Be Loved: The Music, The Magic, The Memories of Motown: An Autobiography , Warner Books.

• Fakir, Duke (2022), I'll Be There: My Life With The Four Tops , Omnibus Press, ISBN   978--1-913172-59-6 .

References

1. Cruz, Gilbert (January 12, 2009). "A Brief History of Motown". Time. Archived from the original on February 5, 2021. Retrieved October 24, 2025.
2. Gordy Singleton, Raynoma (1990). "Detroit". Berry, Me and Motown (First ed.). Chicago: Contemporary Books. pp.  . ISBN   0-8092-4340-7.
3. Ben Sisario (March 8, 1937). "Raynoma Gordy Singleton, an Early Motown Force, Dies at 79". The New York Times . Retrieved October 24, 2025.
4. Gordy, Berry (1994). "Motown: 1959-1960". To Be Loved: The Music, The Magic, The Memories of Motown (First ed.). New York: Headline Book Publishing. pp. 109–137. ISBN   0-7472-1417-4. Because of her knowledge of music and lead sheets, I put her in charge of the publishing operation, where she got tremendous help from her mother, Mike Ossman, and Janie Bradford, our first receptionist.
5. Sorkin, Andrew Ross (July 2, 1997). "Berry Gordy Sells EMI a Stake In Catalogue of Motown Songs". New York Times. Vol. 146, no. 50, 841. p. D5. Retrieved October 30, 2025.
6. Brandle, Lars (March 31, 2004). "EMI Completes Acquisition of Jobete Catalog". Billboard. Retrieved October 30, 2025.