Jody Folwell-Turipa (born 1942, Santa Clara Pueblo, New Mexico) is a Puebloan potter and artist.
One of nine children in the Naranjo family of Santa Clara potters and other artists, Folwell is one of the best-known avant-garde Pueblo potters. Lee Cohen, the late owner of Gallery 10 in Santa Fe and Scottsdale, referred to Folwell as the "first impressionist potter" for her "innovative, off-round, uneven-lipped, asymmetrical polished pots". Folwell is known for her use of social commentary and satire in her pots. [1]
In 1984, she collaborated with Chiricahua Apache sculptor Bob Haozous to create a pot that received the Best of Show award at Santa Fe Indian Market. [2] Fowler's pots are in the permanent collection of the Smithsonian Institution's National Museum of the American Indian.
Folwell has two daughters, Susan Folwell [3] and Polly Rose Folwell, who are both accomplished potters. In 2009 and 2010 the Heard Museum featured works by all three women in their Mothers & Daughters: Stories in Clay exhibition. [4] Folwell's mother, Rose Naranjo, [5] was also a respected Santa Clara potter. [2]
Of her work, Folwell has said, "I think of each piece as an artwork that has something to say on its own, a statement about life. I think of myself as being a contemporary potter and a traditionalist at the same time. Combining the two is very emotional and exciting to me." [1]
Santa Clara Pueblo "Singing Water Village", also known as "Village of Wild Roses" is a census-designated place (CDP) in Rio Arriba County, New Mexico, United States and a federally recognized tribe of Native American Pueblo people.
Maria Poveka Montoya Martinez was a Puebloan artist who created internationally known pottery. Martinez, her husband Julian, and other family members, including her son Popovi Da, examined traditional Pueblo pottery styles and techniques to create pieces which reflect the Pueblo people's legacy of fine artwork and crafts. The works of Maria Martinez, and especially her black ware pottery, are in the collections of many museums, including the Smithsonian, the Metropolitan Museum of Art, the Denver Art Museum, and more. The Penn Museum in Philadelphia holds eight vessels – three plates and five jars – signed either "Marie" or "Marie & Julian".
Lucy Martin Lewis was a Native American potter from Acoma Pueblo, New Mexico. She is known for her black-on-white decorative ceramics made using traditional techniques.
Maria Margarita "Margaret" Tafoya was the matriarch of Santa Clara Pueblo potters. She was a recipient of a 1984 National Heritage Fellowship awarded by the National Endowment for the Arts, which is the United States government's highest honor in the folk and traditional arts.
Anita Louise Suazo is a Native American potter from Santa Clara Pueblo, New Mexico, United States.
Nathan Youngblood is a Native American potter from Santa Clara Pueblo, New Mexico, United States.
Nora Naranjo Morse is a Native American artist and poet. She currently resides in Española, New Mexico just north of Santa Fe and is a member of the Santa Clara Pueblo, part of the Tewa people. Her work can be found in several museum collections including the Heard Museum in Phoenix, Arizona, the Minneapolis Institute of Art in Minnesota, and the National Museum of the American Indian in Washington, DC, where her hand-built sculpture piece, Always Becoming, was selected from more than 55 entries submitted by Native artists as the winner of an outdoor sculpture competition held in 2005. In 2014, she was honored with a NACF Artist Fellowship for Visual Arts and was selected to prepare temporal public art for the 5x5 Project by curator Lance Fung.
Roxanne Swentzell is a Santa Clara Tewa Native American sculptor, ceramic artist, Indigenous food activist, and gallerist. Her artworks are in major public collections and she has won numerous awards.
Jody Naranjo is a contemporary Tewa pottery maker from the Santa Clara Pueblo, New Mexico in the United States. She comes from a family of traditional Tewa potters. She learned the craft of pottery from her mother, Dolly Naranjo, and other female relatives. She attended the Institute of American Indian Arts. Naranjo was selling her artwork at age fifteen at the New Mexico History Museum. Her style is identifiable and showcases her keen sense of humour. Jody has 3 daughters and maintains her connections to her heritage and friends. She is represented by Blue Rain Gallery in Santa Fe.
Dextra Quotskuyva Nampeyo was a Native American potter and artist. She was in the fifth generation of a distinguished ancestral line of Hopi potters.
Tammy Garcia is a Santa Clara Pueblo sculptor and ceramic artist. Garcia translates Pueblo pottery forms and iconography into sculptures in bronze and other media.
Grace Medicine Flower is a potter, best known for her intricately carved miniature redware and blackware.
Rose B. Simpson is a Tewa sculptor of Khaʼpʼoe Ówîngeh is a mixed-media artist who works in ceramic, metal, fashion, painting, music, performance, and installation. She lives and works in Santa Clara Pueblo, New Mexico. Her work has been exhibited at SITE Santa Fe ; the Heard Museum ; the Museum of Contemporary Native Art, Santa Fe (2010); the National Museum of the American Indian, Smithsonian (2008); the Denver Art Museum; Pomona College Museum of Art (2016); Ford Foundation Gallery (2019); The Wheelwright Museum of the American Indian (2017); the Minneapolis Institute of Art (2019); the Savannah College of Art and Design (2020); the Nevada Museum of Art (2021); Whitney Museum of American Art, and the Norton Museum of Art (2024).
Susan Folwell is a Native American artist from Santa Clara Pueblo, New Mexico, known for her work in the ceramic industry. Her work ties in Native designs and history and has been used by Folwell to demonstrate her viewpoints on society and politics. Folwell has been described by the Heard Museum as an "innovator in Pueblo pottery".
Jason Garcia is a contemporary Native American artist in the United States, who was born in Santa Clara, New Mexico. His work has been exhibited the Smithsonian in Washington D.C, the Heard Museum in Phoenix, the Palm Springs Art Museum, and many more. He won the 2018 Mentor Fellowship Award under the Native Arts and Cultures Foundation amongst many others.
Helen Shupla (1928-1985) was an American potter from Santa Clara Pueblo, New Mexico.
Black-on-black ware is a 20th and 21st-century pottery tradition developed by Puebloan Native American ceramic artists in Northern New Mexico. Traditional reduction-fired blackware has been made for centuries by Pueblo artists and other artists around the world. Pueblo black-on-black ware of the past century is produced with a smooth surface, with the designs applied through selective burnishing or the application of refractory slip. Another style involves carving or incising designs and selectively polishing the raised areas. For generations several families from Kha'po Owingeh and P'ohwhóge Owingeh pueblos have been making black-on-black ware with the techniques passed down from matriarch potters. Artists from other pueblos have also produced black-on-black ware. Several contemporary artists have created works honoring the pottery of their ancestors.
Pueblo pottery are ceramic objects made by the Indigenous Pueblo people and their antecedents, the Ancestral Puebloans and Mogollon cultures in the Southwestern United States and Northern Mexico. For centuries, pottery has been central to pueblo life as a feature of ceremonial and utilitarian usage. The clay is locally sourced, most frequently handmade, and fired traditionally in an earthen pit. These items take the form of storage jars, canteens, serving bowls, seed jars, and ladles. Some utility wares were undecorated except from simple corrugations or marks made with a stick or fingernail, however many examples for centuries were painted with abstract or representational motifs. Some pueblos made effigy vessels, fetishes or figurines. During modern times, pueblo pottery was produced specifically as an art form to serve an economic function. This role is not dissimilar to prehistoric times when pottery was traded throughout the Southwest, and in historic times after contact with the Spanish colonialists.
Popovi Da (1923–1971) was a San Ildefonso Pueblo Native American potter. He was also known as Tony Martinez. As an artist he worked as a collaborative team with his mother, the noted Tewa potter, Maria Martínez, and also independently on his own works. He served six terms as Governor of San Ildefonso Pueblo beginning in 1952.
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Jody Folwell at Indian Market, 2009 | |
Sgraffito birds and spirit birds | |
Lizards and Wolf | |
Rabbit Dancer by Susan Folwell (scroll down) |