Studio glass is the modern use of glass as an artistic medium to produce sculptures or three-dimensional artworks in the fine arts. The glass objects created are intended to make a sculptural or decorative statement, and typically serve no useful function. Though usage varies, the term is properly restricted to glass made as art in small workshops, typically with the personal involvement of the artist who designed the piece. This is in contrast to art glass, made by craftsmen in factories, and glass art, covering the whole range of glass with artistic interest made throughout history. Both art glass and studio glass originate in the 19th century, and the terms compare with studio pottery and art pottery, but in glass the term "studio glass" is mostly used for work made in the period beginning in the 1960s with a major revival in interest in artistic glassmaking.
Howard Ben Tré was an American glass artist. He worked with poured glass, creating small sculptures and large scale public artworks. Glass magazine has called Ben Tré a pioneer in the technique of using hot glass casting in fine art.
Ginny Ruffner is a pioneering American glass artist based in Seattle, Washington. She is known for her use of the lampworking technique and for her use of borosilicate glass in her painted glass sculptures.
Judy Jensen is an American artist who resides in Austin, Texas. She is best known for her reverse painting on glass, although she incorporates other mixed media into her glass pieces. According to Nancy Bless, Jensen's works "lie somewhere between a collage and a collection."
Harvey Littleton was an American glass artist and educator, one of the founders of the studio glass movement; he is often referred to as the "Father of the Studio Glass Movement". Born in Corning, New York, he grew up in the shadow of Corning Glass Works, where his father headed Research and Development during the 1930s. Expected by his father to enter the field of physics, Littleton instead chose a career in art, gaining recognition first as a ceramist and later as a glassblower and sculptor in glass. In the latter capacity he was very influential, organizing the first glassblowing seminar aimed at the studio artist in 1962, on the grounds of the Toledo Museum of Art. Imbued with the prevailing view at the time that glassblowing could only be done on the factory floor, separated from the designer at his desk, Littleton aimed to put it within the reach of the individual studio artist.
The Corning Museum of Glass is a museum in Corning, New York in the United States, dedicated to the art, history, and science of glass. It was founded in 1951 by Corning Glass Works and currently has a collection of more than 50,000 glass objects, some over 3,500 years old.
Albert Paley is an American modernist metal sculptor. Initially starting out as a jeweler, Paley has become one of the most distinguished and influential metalsmiths in the world. Within each of his works, three foundational elements stay true: the natural environment, the built environment, and the human presence. Paley is the first metal sculptor to have received the Lifetime Achievement Award from the American Institute of Architects. He lives and works in Rochester, New York with his wife, Frances.
Michael M. Glancy was an American glass and sculpture artist and arts educator.
Stanislav Libenský and Jaroslava Brychtová were Czech contemporary artists. Their works are included in many major modern art collections, such as the Metropolitan Museum of Art and the Victoria & Albert Museum.
David Scott Patchen is an American glass artist who uses the techniques of cane and murrine in an American style. Patchen's work is internationally known primarily for a combination of intricately patterned and vibrant color combinations in large scale blown glass. His work is in many private and public collections, featured in many publications and frequently in shows such as SOFA, Chicago, ART Shanghai, COLLECT London and ART Palm Beach. His work is shown in galleries and in museums in the U.S., and Europe. Patchen was awarded an artist residency in 2010 in Seto city, Japan where his visit was covered by the local media and included lectures, demonstrations and a show of his work at the Seto City Art Museum. Based on Patchen's expertise, his book is part of the permanent collection of Giorgio Cini Foundation's Centro Studi del Vetro library in Venice, Italy and the Rakow Library at the Corning Museum of Glass.
Preston Singletary is a Native American glass artist.
Dan Owen Dailey is an American artist and educator, known for his sculpture. With the support of a team of artists and crafts people, he creates sculptures and functional objects in glass and metal. He has taught at many glass programs and is professor emeritus at the Massachusetts College of Art, where he founded the glass program.
Liza Lou is an American visual artist. She is best known for producing large scale sculpture using glass beads. Lou ran a studio in Durban, South Africa from 2005 to 2014. She currently has a nomadic practice, working mostly outdoors in the Mojave Desert in southern California. Lou's work is grounded in domestic craft and intersects with the larger social economy.
Linda MacNeil is an American abstract artist, sculptor, and jeweler. She works with glass and metal specializing in contemporary jewelry that combines metalwork with glass to create wearable sculpture. Her focus since 1975 has been sculptural objets d’art and jewelry, and she works in series. MacNeil’s jewelry is considered wearable sculpture and has been her main focus since 1996.
Karen LaMonte is an American artist known for her life-size sculptures in ceramic, bronze, marble, and cast glass.
Katherine Gray is a Canadian glass artist and professor of art at California State University, San Bernardino. Her work includes vases, candelabras, and goblets, and some of her pieces are designed to fit inside each other.
The Rockwell Museum is a Smithsonian Affiliate museum of American art located in the Southern Tier region of New York in downtown Corning, New York. Frommer's describes it as "one of the best-designed small museums in the Northeast." In 2015, The Rockwell Museum was named a Smithsonian Affiliate, the first in New York State outside of New York City.
Beth Lipman is a contemporary artist working in glass. She is best known for her glass still-life compositions which reference the work of 16th- and 17th-century European painters.
Amber Cowan is an American artist and educator living and working in Philadelphia. Cowan creates fused and flameworked glass sculptures from cullet and recycled industrial glass.
Kit Paulson is an American artist known for glass flamework. She attended Alfred University and Southern Illinois University Carbondale. Paulson completed residencies at Salem State University in Salem, Massachusetts, the Museum of Glass in Tacoma, Washington, and the Penland School of Craft. She has taught at Penland as well as Bild-Werk Frauenau in Bavaria, Germany. Her work, Lungs, was acquired by the Smithsonian American Art Museum as part of the Renwick Gallery's 50th Anniversary Campaign.
