1996 Diploma in Design (Jewellery) Unitec Institute of Technology
Knownfor
Jewellery and sculpture
Awards
2011 Antarctic Fellow: Artists in Antarctica Programme
Early life and education
Sheehan has been carving since his early teens. His father is an American jade carver who emigrated to Nelson in the 1970s.[2]:87 Sheehan worked in his father's business, which supplied jade carvings to the tourism market in Rotorua.[3]
Sheehan works with pounamu, which is a material of great significance in Māoriculture. Some of Sheehan's works explore "the value placed on pounamu as a commodity, rather than a material of cultural importance".[6] In others he uses pounamu in unexpected ways, for example carving ballpoint pens, a tape cassette, or a lightbulb.[3] Sheehan has also made works that question New Zealand's 'clean, green' image.[2]:87 He says 'A lot of contemporary carving is retrospective looking. I wanted my stuff to relate to the current social environment but also reference the particular way our carving industry has developed'.[2]:87
Limelight, his second exhibition, was a solo show at Objectspace in 2005, following a solo show at Avid Gallery in Wellington the previous year.[7] In 2006 Sheehan was one of the Arts Foundation of New Zealand's inaugural New Generation Awards recipients.[5] In 2008 he was selected to participate in the 28th São Paulo Art Biennial; in 2011 he travelled to Antarctica as an Antarctic Arts Fellow under the Artists in Antarctica Programme.[8][9] In 2012 he had his first survey exhibition, 'Joe Sheehan: Other Stories', at Pataka Art + Museum in Porirua, New Zealand.[10][11]
Sheehan was commissioned by the Wellington Sculpture Trust to produce Walk the Line, a site-specific sculpture, for the refurbishment of the Wellington cenotaph. Sheehan carved over 300 nephrite discs that travel across the space, marking the original bed of the Wai Piro stream.[12][13][14]
Damian Skinner and Kevin Murray, Place and adornment: a history of contemporary jewellery in Australia and New Zealand, Honolulu: University of Hawaiʻi Press, 2014. ISBN9781454702771
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