Johan Baptista or Hans van Uther (died 1597) was a Dutch Renaissance painter, active in Sweden.
No personal details are known about Johan Baptista van Uther, and no signed works by his hand survive. He is thought to have been born in either Antwerp or Utrecht. [1] He was active in Sweden, from 1562 as court painter. Several portraits have been attributed to him, notably portraits of King John III of Sweden, dowager Queen Catherine Stenbock and the future King of Poland and Grand Duke of Lithuania, Sigismund III Vasa. [2]
Stylistically, portraits attributed to Johan Baptista van Uther show influences from the refined court style of Antonis Mor. In turn, Johan Baptista van Uther taught and influenced court portraitist Holger Hansson and, possibly, Cornelius Arendtz. [2]
Sofonisba Anguissola, also known as Sophonisba Angussola or Sophonisba Anguisciola, was an Italian Renaissance painter born in Cremona to a relatively poor noble family. She received a well-rounded education that included the fine arts, and her apprenticeship with local painters set a precedent for women to be accepted as students of art. As a young woman, Anguissola traveled to Rome where she was introduced to Michelangelo, who immediately recognized her talent, and to Milan, where she painted the Duke of Alba. The Spanish queen, Elizabeth of Valois, was a keen amateur painter and in 1559 Anguissola was recruited to go to Madrid as her tutor, with the rank of lady-in-waiting. She later became an official court painter to the king, Philip II, and adapted her style to the more formal requirements of official portraits for the Spanish court. After the queen's death, Philip helped arrange an aristocratic marriage for her. She moved to Sicily, and later Pisa and Genoa, where she continued to practice as a leading portrait painter.
Jan van Eyck was a painter active in Bruges who was one of the early innovators of what became known as Early Netherlandish painting, and one of the most significant representatives of Early Northern Renaissance art. The surviving records indicate that he was born around 1380–1390, most likely in Maaseik, in present-day Belgium. He took employment in the Hague around 1422 when he was already a master painter with workshop assistants, and was employed as painter and valet de chambre with John III the Pitiless, ruler of Holland and Hainaut. After John's death in 1425, he was later appointed as court painter to Philip the Good, Duke of Burgundy, working in Lille until he moved to Bruges in 1429 where he lived until his death. He was highly regarded by Philip and undertook a number of diplomatic visits abroad, including to Lisbon in 1428 to explore the possibility of a marriage contract between the duke and Isabella of Portugal.
Bernard van Orley, also called Barend or Barent van Orley, Bernaert van Orley or Barend van Brussel, was a versatile Flemish artist and representative of Dutch and Flemish Renaissance painting, who was equally active as a designer of tapestries and, at the end of his life, stained glass. Although he never visited Italy, he belongs to the group of Italianizing Flemish painters called the Romanists, who were influenced by Italian Renaissance painting, in his case especially by Raphael.
David Teniers III, also referred to as David Teniers junior was a Flemish painter and tapestry designer who was mainly active in Antwerp, Madrid and Brussels. He is known for his portraits, religious compositions and genre scenes.
Michiel Janszoon van Mierevelt, often abbreviated as Michiel Jansz. and the surname also spelled Miereveld or Miereveldt, was a Dutch Golden Age painter and draftsman.
Jan Mostaert was a Dutch Renaissance painter who is known mainly for his religious subjects and portraits. One of his most famous creations was the Landscape with an Episode from the Conquest of America.
Swedish art refers to the visual arts produced in Sweden or by Swedish artists. Sweden has existed as country for over 1,000 years, and for times before this, as well as many subsequent periods, Swedish art is usually considered as part of the wider Nordic art of Scandinavia. It has, especially since about 1100, been strongly influenced by wider trends in European art. After World War II, the influence of the United States strengthened substantially. Due to generous art subsidies, contemporary Swedish art has a big production per capita.
Joos van Cleve was a leading painter active in Antwerp from his arrival there around 1511 to his death in 1540 or 1541. Within Dutch and Flemish Renaissance painting, he combines the traditional techniques of Early Netherlandish painting with influences of more contemporary Renaissance painting styles.
Jan van Kessel the Younger or Jan van Kessel II, known in Spain as Juan Vanchesel el Mozo or el Joven, was a Flemish painter who after training in Antwerp worked in Spain. Known mainly for his portraits he became a court painter to the King and Queen of Spain. A few landscapes and mythological and allegorical scenes have also been attributed to him. He was formerly believed to have been active as a still life painter, but this is now no longer generally accepted.
Lucas Horenbout, often called Hornebolte in England (c.1490/1495–1544), was a Flemish artist who moved to England in the mid-1520s and worked there as "King's Painter" and court miniaturist to King Henry VIII from 1525 until his death. He was trained in the final phase of Netherlandish illuminated manuscript painting, in which his father Gerard was an important figure, and was the founding painter of the long and distinct English tradition of portrait miniature painting. He has been suggested as the Master of the Cast Shadow Workshop, who produced royal portraits on panel in the 1520s or 1530s.
Uther was a legendary king of sub-Roman Britain and the father of King Arthur.
Adriaen Hanneman was a Dutch Golden Age painter best known for his portraits of the exiled British royal court. His style was strongly influenced by his contemporary, Anthony van Dyck.
Carl Frederik von Breda was a Swedish painter who studied in and spent much of his career in Britain before becoming painter to the Swedish court. He was born in Stockholm in 1759, and moved to Britain where he was a student of Joshua Reynolds. Breda specialized in painting portraits and was called "the van Dyck of Sweden". He returned to Sweden 1796 where he became Professor at the Academy of Arts, a popular portraitist, and a court painter. Breda married at age 22 and his son, Johan Fredrik, was also a painter, who studied under his father. Breda died in Stockholm in 1818. Breda painted James watt</ref>
Per Krafft the Elder was a Swedish portraitist. He was the father of the artists Per Krafft the Younger and Wilhelmina Krafft.
Jakob Björck was a Swedish portrait painter and copyist.
Cornelis van Cleve, Cornelis van Cleef or Cornelis van der Beke, nickname Sotte Cleve was a Flemish Renaissance painter active in Antwerp who is known for his religious compositions and portraits. Starting his career in Antwerp in the workshop of his father Joos van Cleve, he later worked for a while in London. When he failed to achieve success in England, he became insane and stopped painting.
Johan Hörner was a Swedish-born Danish portrait painter.
Adam de Colone, or Adam Louisz. de Colonia, was a Dutch Golden Age painter active in Scotland during the reigns of James VI and I and Charles I of England.
Hans Knieper was a Flemish painter and draughtsman. He became a court painter and tapestry cartoon designer at the Royal Danish Court and ran a tapestry weaving shop in Denmark.
Jooris van der Straeten, known as Jorge de la Rúa in Spain and in France as Georges van der Straeten, was a Flemish portrait and history painter. Originally from Ghent he travelled abroad and became portrait painter to the ruling houses in Portugal, Spain and France. A polyglot, van der Straeten was a versatile courtier, who worked primarily as a portraitist for queens.
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