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John Bevan (born 3 August 1938) is a British clarinettist, saxophonist, conductor and orchestra leader who emigrated to Norway in 1969. Bevan now lives in Nesodden, Akershus, Norway.
John Bevan was born in Catshill, England, and showed interest for music at the early age of eight years, starting on the violin at Catshill Junior school. After a 3-year period, his interests were directed to the clarinet. At 12 years old, he was accepted as a part-time student at the Birmingham School of Music. He was fortunate to have received professional tuition from members of both Birmingham Symphony Orchestra (James Mathewson) and BBC Light Orchestra (Michael Saxton). His initial interests were directed towards classical music, and he was very active with several local amateur orchestras and also a regular feature in the theatre pit orchestras in the Birmingham area.
At the age of 14, John was an original member of the newly formed Worcestershire County Youth Orchestra under the batons of Eric Holt and Arther Benoy. At the age of 19 he was performed solo with the orchestra Concertino for Clarinet and Strings by Gorden Jacob at Kidderminster Town Hall. During this period, John also showed interest in the lighter side of music; he purchased his first alto saxophone at the age of 16. This was unique as it was an instrument made with plastic by the name of Grafton Acrylic. This was soon traded in after a 2-year period for the best instrument on the market at the time – a Selmer Mark VI Alto which he still owns. This instrument is now rated as the Stradivarius of saxophones by experienced players. A Dearmann baritone saxophone was also added to his collection of instruments which opened the market for him in many big bands of the time.
In 1959, he was conscripted into the army stationed at Woolwich, London, as a musician in the Royal Artillery Staff Band. This was short-lived due to a compassionate discharge owing to the unexpected death of his father at a very early age. This did not quell his interest for music, however, and he formed the John Bevan Quartet, which became popular in the Birmingham area and also was the regular feature at the Perry Hall Hotel, Bromsgrove for many years. Classical music at this time was not the forefront of his musical activities but an opportunity presented itself in 1962 when the Bromsgrove Music Festival invited him to perform. With able assistance from the Bromsgrove String Orchestra under the conductorship of Joseph Stones he performed Richard Strauss's Duo Concerto for Bassoon and Clarinet. John was honoured to partner with Harold Evans, principle bassoonist with the Birmingham Symphony Orchestra. [1]
After an eight-year period living at Windmill Avenue, Rubery, John and his wife, Joan, left England in 1969 with their two children, Andrew and Colin, and took up residence in Norway. Within a short period he was invited to join the Nesodden Amateur Orchestra. Within a four-year period he conducted the local youth and school bands and also the Oslo Post Office orchestra. From the connections he had established with local musicians he formed an eighteen piece combination which later became known as the John Bevan Big Band. From these very basic beginnings the band enjoyed a great deal of success in a relatively short time. It established a working arrangement with NADU (Norway's Amateur Dancing Association) and performed on several occasions for their National Championships. In 1978 Norway was allocated the World Championship in Latin American Dancing and the Bevan band were honoured to be chosen for this prestigious arrangement. Norway took both second and third places in this competition.
In 1980 Norway hosted the Paralympic Winter Games where the orchestra once again showed its skills in the international field.
In August 1986 the band was dealt a terrible blow. On returning from vacation after celebrating their Silver Wedding anniversary they were informed that Oslo's Rainbow Restaurant, the building where they would usually rehearse, had had a serious fire which damaged virtually everything within. The band's library of music was completely destroyed with the exception of the performing folders which were located at another store. This saved them and they got many new engagements. The library at that time had a total of 750 arrangements which is now somewhat depleted to a total of 550.
Due to their constant achievements the orchestra became very much in demand and developed to become one of Norway's leading and most extensively used orchestras. With this success it captivated the interest of many professional musicians, and the quality of the band also benefited from this. Many of the top Norwegian and international artists were accompanied; Georgie Fame, Vera Lynn, Kenny Clare, Jack Dailey, Jan Harrington, Lill Babs, Lennart Hyland, Garry Allcock and Putte Wickman are just some of the artists who performed with the band. Jimmy Staples, correspondent with the English jazz magazine Crescendo, was not only performing himself but also provided some excellent scores for the orchestra.
The orchestra was constantly engaged for dance occasions and broadcast transmissions for Norwegian radio and TV. In cooperation with arranger Erling Wicklund, the John Bevan Big Band produced their one and only LP entitled "The Great Walt Disney Film Tunes." This was extremely well received due to the professional expertise of Erling Wicklund, and Norway's leading jazz critic, Stein Kagge, gave the record top marks for the final production with the heading "a Norwegian Big Band in an international class".
Another milestone in their history was in 1984, when they were invited to perform for the Istanbul Music Festival accompanying the local Turkish vocalist IBO in the Istanbul Opera House. The band also had the honour of performing at a large Turkish wedding.
A musical ensemble, also known as a music group, musical group, or a band is a group of people who perform instrumental and/or vocal music, with the ensemble typically known by a distinct name. Some music ensembles consist solely of instrumentalists, such as the jazz quartet or the orchestra. Other music ensembles consist solely of singers, such as choirs and doo-wop groups. In both popular music and classical music, there are ensembles in which both instrumentalists and singers perform, such as the rock band or the Baroque chamber group for basso continuo and one or more singers. In classical music, trios or quartets either blend the sounds of musical instrument families or group instruments from the same instrument family, such as string ensembles or wind ensembles. Some ensembles blend the sounds of a variety of instrument families, such as the orchestra, which uses a string section, brass instruments, woodwinds, and percussion instruments, or the concert band, which uses brass, woodwinds, and percussion. In jazz ensembles or combos, the instruments typically include wind instruments, one or two chordal "comping" instruments, a bass instrument, and a drummer or percussionist. Jazz ensembles may be solely instrumental, or they may consist of a group of instruments accompanying one or more singers. In rock and pop ensembles, usually called rock bands or pop bands, there are usually guitars and keyboards, one or more singers, and a rhythm section made up of a bass guitar and drum kit.
An orchestra is a large instrumental ensemble typical of classical music, which combines instruments from different families. There are typically four main sections of instruments:
The saxophone is a type of single-reed woodwind instrument with a conical body, usually made of brass. As with all single-reed instruments, sound is produced when a reed on a mouthpiece vibrates to produce a sound wave inside the instrument's body. The pitch is controlled by opening and closing holes in the body to change the effective length of the tube. The holes are closed by leather pads attached to keys operated by the player. Saxophones are made in various sizes and are almost always treated as transposing instruments. A person who plays the saxophone is called a saxophonist or saxist.
A big band or jazz orchestra is a type of musical ensemble of jazz music that usually consists of ten or more musicians with four sections: saxophones, trumpets, trombones, and a rhythm section. Big bands originated during the early 1910s and dominated jazz in the early 1940s when swing was most popular. The term "big band" is also used to describe a genre of music, although this was not the only style of music played by big bands.
John Alexander Brymer OBE was an English clarinettist and saxophonist. The Times called him "the leading clarinettist of his generation, perhaps of the century". He was largely self-taught as a player and he performed as an amateur before being invited by Sir Thomas Beecham to join the Royal Philharmonic Orchestra in 1947. He remained with the orchestra until 1963, two years after Beecham's death.
A concert band, also called a wind band, wind ensemble, wind symphony, wind orchestra, symphonic band, the symphonic winds, or symphonic wind ensemble, is a performing ensemble consisting of members of the woodwind, brass, and percussion families of instruments, and occasionally including the harp, double bass, or bass guitar. On rare occasions, additional, non-traditional instruments may be added to such ensembles such as piano, synthesizer, or electric guitar.
The bass clarinet is a musical instrument of the clarinet family. Like the more common soprano B♭ clarinet, it is usually pitched in B♭, but it plays notes an octave below the soprano B♭ clarinet. Bass clarinets in other keys, notably C and A, also exist, but are very rare. Bass clarinets regularly perform in orchestras, wind ensembles and concert bands, and occasionally in marching bands, and play an occasional solo role in contemporary music and jazz in particular.
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B♭ (while the alto is pitched in the key of E♭), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F♯ key have a range from A♭2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists".
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