John Halaka (born 1957) is an Egyptian-born American visual artist, documentary filmmaker, and Professor of Visual Arts at the University of San Diego in California. He is considered[by whom?] an expert in painting, drawing, photography, documentary filmmaking, oral history, and modern and contemporary Palestinian art.
Halaka was born in El Mansoura, Egypt, in 1957.[1][2] His father was Palestinian and his mother was Lebanese. They moved to the United States in 1970.[2]
His writing has appeared in edited anthologies, art catalogues, and academic journals, most often Jadaliyya.[4][5][6][7] He has also been interviewed for and profiled in journalistic and academic reports on contemporary Arab art.[8][9]
John Halaka (top right) among artists at the California African American Museum in 2009.
Artistic works
Halaka's artwork has been exhibited in Michigan; California; Alaska; Washington, D.C.; Palestine; Spain; and the United Kingdom.[3][10][11] He was featured in the inaugural exhibit of the Arab American National Museum.[12][13] He also participated in the ongoing "I Witness Silwan" mural project in Batan al Hawa[14][15] and contributed to the major exhibition (and subsequent book) The Map Is Not the Territory: Parallel Paths—Palestinians, Native Americans, Irish (2013).[16][17][18][19]
He is past recipient of a Fulbright award to Lebanon, where he conducted oral history interviews among Palestinian refugees of multiple generations.[20] He was also awarded a U.S. Scholar fellowship from the Palestinian American Research Center for 2018–2019 for his project Vanishing Harvest: Meditations on the End of Palestinian Agriculture.[21]
"Sketches from the Margins of Marginalized Communities: Lessons in survival, resilience and resistance acquired from Palestinian refugees," in Migration Across Boundaries: linking research to practice and experience, edited by Parvati Nair and Tendayi Bloom (2016).
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