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John Howkins | |
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Personal details | |
Born | 3 August 1945 |
Website | www |
John Anthony Howkins (born 3 August 1945) is a British author and speaker on Creative Industries, particularly the development of this economic sector in China. He is the visiting professor of University of Lincoln, England, and vice dean and the visiting professor of Shanghai School of Creativity, Shanghai Theater Academy, China. [1]
Howkins was awarded a BA in International Relations at Keele University and a Diploma in Urban Design at the Architectural Association School of Architecture.
Howkins' media career spans TV, film, digital media, publishing and consulting with companies including HandMade plc, Hotbed Media, HBO and, from 1982 to 1996, Time Warner. He is a former chairman of the London Film School and is a former Executive Director of the International Institute of Communications, an independent, non-profit membership organization that focusses on critical policy and regulatory issues in the telecom and media. He was Executive Director of the International Institute of Communications, with members in over 100 countries, from 1985 to 1990. He was the Conference Coordinator of the European Audiovisual Conference, co-hosted by the European Commission and the UK Government, in 1998.
In 2006 he became chairman of the John Howkins Research Centre on the Creative Economy, launched by the Shanghai Municipal Government at the Shanghai School of Creativity, Shanghai Theatre Academy. He is an adviser to the Shanghai Creative Industries Association and the Shanghai Creative Industry Centre. Since 2007 he has chaired BOP Consulting, an independent research and strategy consultancy who maximise the potential of culture, media and creativity, in parallel with his independent consulting work.
He also worked as a journalist for many years on Frendz , Time Out , The Sunday Times , Harpers & Queen and The Economist . He was editor of InterMediate, Vision (the BAFTA journal) and The National Electronics Review.
He has a BA in International Relations (Keele University) and a AA (Dip) and MA in Urban Design (Architectural Association).
The original, essential book [2] on the creative economy, first published in 2001 and updated in 2007 and 2013. Covers the nature of creativity, how to be creative, business models, intellectual property, managing a creative company, the 22 largest sectors, online opportunities, creative capital and more.
Creative destruction is a concept in economics that describes a process in which new innovations replace and make obsolete older innovations.
The creative industries refers to a range of economic activities which are concerned with the generation or exploitation of knowledge and information. They may variously also be referred to as the cultural industries or the creative economy, and most recently they have been denominated as the Orange Economy in Latin America and the Caribbean.
Knowledge workers are workers whose main capital is knowledge. Examples include ICT professionals, physicians, pharmacists, architects, engineers, scientists, design thinkers, public accountants, lawyers, editors, and academics, whose job is to "think for a living".
The creative class is the posit of American urban studies theorist Richard Florida for an ostensible socioeconomic class. Florida, a professor and head of the Martin Prosperity Institute at the Rotman School of Management at the University of Toronto, maintains that the creative class is a key driving force for economic development of post-industrial cities in North America.
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Design management is a field of inquiry that uses design, strategy, project management and supply chain techniques to control a creative process, support a culture of creativity, and build a structure and organization for design. The objective of design management is to develop and maintain an efficient business environment in which an organization can achieve its strategic and mission goals through design. Design management is a comprehensive activity at all levels of business, from the discovery phase to the execution phase. "Simply put, design management is the business side of design. Design management encompasses the ongoing processes, business decisions, and strategies that enable innovation and create effectively-designed products, services, communications, environments, and brands that enhance our quality of life and provide organizational success." The discipline of design management overlaps with marketing management, operations management, and strategic management.
Conceptual economy is a term describing the contribution of creativity, innovation, and design skills to economic competitiveness, especially in the global context.
Sir Kenneth Robinson was a British author, speaker and international advisor on education in the arts to government, non-profits, education and arts bodies. He was director of the Arts in Schools Project (1985–1989) and Professor of Arts Education at the University of Warwick (1989–2001), and professor emeritus after leaving the university. In 2003, he was knighted for services to the arts.
Mark Cameron Burry is a New Zealand architect. He is the Foundation Director of Swinburne University of Technology’s Smart Cities Research Institute.
Creative entrepreneurship is the practice of setting up a business – or becoming self-employed - in one of the creative industries. The focus of the creative entrepreneur differs from that of the typical business entrepreneur or, indeed, the social entrepreneur in that they are concerned first and foremost with the creation and exploitation of creative or intellectual capital. Essentially, creative entrepreneurs are investors in talent – their own or other people’s.
A creative city is a city where creativity is a strategic factor in urban development. A creative city provides places, experiences, attractions, and opportunities to foster creativity among its citizens.
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The study of global communication is an interdisciplinary field focusing on global communication, or the ways that people connect, share, relate, and mobilize across geographic, political, economic, social, and cultural divides. Global communication implies a transfer of knowledge and ideas from centers of power to peripheries and the imposition of a new intercultural hegemony by means of the "soft power" of global news and entertainment...
Tom Wujec is the author and editor of several books, a fellow at Autodesk, an adjunct professor at Singularity University, a multiple TED Conference speaker and a pioneer in the emerging practice of business visualization.
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Creative Europe is a funding programme established by the European Union to support the cultural, creative, and audiovisual sectors across Europe. The main objectives of the programme are:
A creative economy is based on people's use of their creative imagination to increase an idea's value. John Howkins developed the concept in 2001 to describe economic systems where value is based on novel imaginative qualities rather than the traditional resources of land, labour and capital.: Compared to creative industries, which are limited to specific sectors, the term is used to describe creativity throughout a whole economy.
The creative industry in Brazil refers to various economic sectors of Brazil that depend on the talents and creativity to develop. In other words, these economic sectors generate wealth for the region through knowledge, culture and creativity, and contribute to sustainable development. The term 'creative industries' was coined by the United Kingdom in 1990 and, in 2001, was augmented by two important additions: by researcher John Howkins, who applied an entrepreneurial vision when focusing on the transformation of creativity in product; and professor Richard Florida, whose research focused on the professionals involved in the creative processes of production, and addressed the social aspects and the "potential contribution to the development" of the "creative class".
A state-owned enterpriseof China is a legal entity that undertakes commercial activities on behalf of an owner government.