John D. Jowett is an English Shakespeare scholar and editor. [1] [2] He is the Professor of Shakespeare Studies at the University of Birmingham and Deputy Director of the Shakespeare Institute. [1]
Born in Lancashire, England, Jowett took his BA and MA at Newcastle-upon-Tyne, and was awarded a PhD from Liverpool University. His doctoral thesis was an edition of Henry Chettle's Tragedy of Hoffman (1983). He went to the Oxford University Press as an academic editor of the Oxford edition of Shakespeare's Complete Works (1986–87). He was lecturer at the University of Waikato in Hamilton, New Zealand, and taught for a year at the University of Glasgow. He was appointed to the Shakespeare Institute in 1993. [1] He is the general editor of the New Oxford Shakespeare [3] and general editor of Arden Early Modern Drama, a series that publishes non-Shakespearean drama of the early modern period; [4] and serves on the editorial board of the Malone Society [1] and the advisory board of Internet Shakespeare Editions. [2]
Thomas Middleton was an English Jacobean playwright and poet. He, with John Fletcher and Ben Jonson, was among the most successful and prolific of playwrights at work in the Jacobean period, and among the few to gain equal success in comedy and tragedy. He was also a prolific writer of masques and pageants.
This article presents a possible chronological listing of the composition of the plays of William Shakespeare.
Timon of Athens is a play written by William Shakespeare and likely also Thomas Middleton in about 1606. It was published in the First Folio in 1623. Timon lavishes his wealth on parasitic companions until he is poor and rejected by them. He then denounces all of mankind, and isolates himself in a cave in the wilderness.
Sir Thomas More is an Elizabethan play and a dramatic biography based on particular events in the life of the Catholic martyr Thomas More, who rose to become the Lord Chancellor of England during the reign of Henry VIII. The play is considered to be written by Anthony Munday and Henry Chettle and revised by several writers. The manuscript is particularly notable for a three-page handwritten revision now widely attributed to William Shakespeare.
A Yorkshire Tragedy is an early Jacobean era stage play, a domestic tragedy printed in 1608. The play was originally assigned to William Shakespeare, though the modern critical consensus rejects this attribution, favouring Thomas Middleton.
The Complete Works of William Shakespeare is the standard name given to any volume containing all the plays and poems of William Shakespeare. Some editions include several works that were not completely of Shakespeare's authorship, such as The Two Noble Kinsmen, which was a collaboration with John Fletcher; Pericles, Prince of Tyre, the first two acts of which were likely written by George Wilkins; or Edward III, whose authorship is disputed.
David Martin Bevington was an American literary scholar. He was the Phyllis Fay Horton Distinguished Service Professor Emeritus in the Humanities and in English Language & Literature, Comparative Literature, and the college at the University of Chicago, where he taught since 1967, as well as chair of Theatre and Performance Studies. "One of the most learned and devoted of Shakespeareans," so called by Harold Bloom, he specialized in British drama of the Renaissance, and edited and introduced the complete works of William Shakespeare in both the 29-volume, Bantam Classics paperback editions and the single-volume Longman edition. After accomplishing this feat, Bevington was often cited as the only living scholar to have personally edited Shakespeare's complete corpus.
Sir Andrew Jonathan Bate, CBE, FBA, FRSL, is a British academic, biographer, critic, broadcaster, scholar, and occasional novelist, playwright and poet. He specializes in Shakespeare, Romanticism and ecocriticism. He is Regents Professor of Literature and Foundation Professor of Environmental Humanities in a joint appointment in the Department of English in The College of Liberal Arts and Sciences and the School of Sustainability in the Global Futures Laboratory at Arizona State University, as well as a Senior Research Fellow at Worcester College, Oxford, where he holds the title of Professor of English Literature. Bate was Provost of Worcester College from 2011 to 2019. From 2017 to 2019 he was Gresham Professor of Rhetoric in the City of London. He was knighted in 2015 for services to literary scholarship and higher education. He is also Chair of the Hawthornden Foundation.
Sir Stanley William Wells, is an English Shakespearean scholar, writer, professor and editor who has been honorary president of the Shakespeare Birthplace Trust, professor emeritus at Birmingham University, and author of many books about Shakespeare, including Shakespeare Sex and Love, and is general editor of the Oxford Shakespeare and New Penguin Shakespeare series. He lives in Stratford-upon-Avon and was educated in English at University College London (UCL).
Shakespeare's plays are a canon of approximately 39 dramatic works written by the English poet, playwright, and actor William Shakespeare. The exact number of plays as well as their classifications as tragedy, history, comedy, or otherwise is a matter of scholarly debate. Shakespeare's plays are widely regarded as among the greatest in the English language and are continually performed around the world. The plays have been translated into every major living language.
Gary Taylor is an American academic, Robert Lawton Distinguished University Professor of English at Florida State University, author of numerous books and articles, and joint editor of The Oxford Shakespeare, The Oxford Middleton, and "The New Oxford Shakespeare."
The Oxford Shakespeare is the range of editions of William Shakespeare's works produced by Oxford University Press. The Oxford Shakespeare is produced under the general editorship of Stanley Wells and Gary Taylor.
The Arden Shakespeare is a long-running series of scholarly editions of the works of William Shakespeare. It presents fully edited modern-spelling editions of the plays and poems, with lengthy introductions and full commentaries. There have been three distinct series of The Arden Shakespeare over the past century, with the third series commencing in 1995 and concluding in January 2020. The fourth series is scheduled to commence publication in 2026.
The Downfall of Robert Earl of Huntington and The Death of Robert Earl of Huntington are two closely related Elizabethan-era stage plays on the Robin Hood legend, that were written by Anthony Munday in 1598 and published in 1601. They are among the relatively few surviving examples of the popular drama acted by the Admiral's Men during the Shakespearean era.
MacDonald Pairman Jackson FNZAH is a New Zealand scholar of English literature. Most of his work is on English Renaissance drama; he specialises in authorship attribution. He is also internationally recognised for his work on Shakespeare's texts.
Greenes, Groats-worth of Witte, bought with a million of Repentance (1592) is a tract published as the work of the Elizabethan author Robert Greene.
Katherine Dorothea Duncan-Jones, was an English literature and Shakespeare scholar and was also a Fellow of New Hall, Cambridge (1965–1966), and then Somerville College, Oxford (1966–2001). She was also Professor of English Literature at the University of Oxford from 1998 to 2001. She was a scholar of Shakespeare and his contemporaries.
Ewan Fernie is a British scholar and writer. He is professor, fellow and chair of Shakespeare Studies at the Shakespeare Institute, University of Birmingham. He is also director of the pioneering 'Everything to Everybody' Project, a collaboration between the University of Birmingham and Birmingham City Council.
Harold Jenkins, FBA is described as "one of the foremost Shakespeare scholars of his century".
Jeffrey A. Masten is an American academic specializing in Renaissance English literature and culture and the history of sexuality. He is the author and editor of numerous books and scholarly articles. Masten's book Queer Philologies was awarded the 2018 Elizabeth Dietz Prize for the best book in the field of early modern drama by the journal SEL: Studies in English Literature 1500–1900. He was named a Guggenheim Fellow in English Literature for 2022.