John Killacky | |
---|---|
Member of the VermontHouseofRepresentatives from the Chittenden-7-3 district | |
In office 2019–2022 | |
Personal details | |
Other political affiliations | Democratic |
Spouse | Lawrence Connolly [1] |
John R. Killacky is an American politician, former arts administrator, and artist. He was elected to the Vermont House of Representatives in 2019 and served two terms. Before his retirement in 2018, Killacky was the head of the Flynn Center for the Performing Arts in Burlington, Vermont. [2] Killacky also was an arts program officer with the San Francisco Foundation. [3]
He has written numerous publications on the arts and written and directed several award-winning short films and videos. His videos have been screened in festivals, galleries, museums, hospitals, and universities world-wide and are in the collections of numerous libraries and universities. His work has been televised locally in Houston, Minnesota, and Vermont, and nationally on Free Speech TV, PBS, and Cultura24 in Holland. [4]
He curated a retrospective photography exhibition, Dona Ann McAdams: Performative Acts, that toured to five venues in Vermont (2019–2021). Champlain College Art Gallery hosted a retrospective of eight of his videos, Embodied Voice (2018) and he was artist-in-residence there co-curating FluxFest (2023). [5] At Fabric Workshop and Museum (2024), he worked onsite with production staff on his intermedia installation, stillpoint, on view through August 2025. [6]
Douglas Gordon is a Scottish artist. He won the Turner Prize in 1996, the Premio 2000 at the 47th Venice Biennale in 1997 and the Hugo Boss Prize in 1998. He lives and works in Berlin, Germany.
Wayne Thiebaud was an American painter known for his colorful works depicting commonplace objects—pies, cakes, lipsticks, paint cans, ice cream cones, pastries, and hot dogs—as well as for his landscapes and figure paintings. Thiebaud is regarded as one of the United States' most beloved and recognizable artists. Thiebaud is associated with the pop art movement because of his interest in objects of mass culture, although his early works, executed during the fifties and sixties, slightly predate the works of the classic pop artists. Thiebaud used heavy pigment and exaggerated colors to depict his subjects, and the well-defined shadows characteristic of advertisements were almost always included in his work.
Ron Athey is an American performance artist associated with body art and with extreme performance art. He has performed in the U.S. and internationally. Athey's work explores challenging subjects like the relationships between desire, sexuality and traumatic experience. Many of his works include aspects of S&M in order to confront preconceived ideas about the body in relation to masculinity and religious iconography.
Edwin Parker "Cy" Twombly Jr. was an American painter, sculptor, and photographer.
David C. Driskell was an American artist, scholar and curator recognized for his work in establishing African-American Art as a distinct field of study. In his lifetime, Driskell was cited as one of the world's leading authorities on the subject of African-American Art. Driskell held the title of Distinguished University Professor of Art Emeritus at the University of Maryland, College Park. The David C. Driskell Center at the University of Maryland, is named in his honor.
Sir Norman Rosenthal is a British independent curator and art historian. From 1970 to 1974 he was Exhibitions Officer at Brighton Museum and Art Gallery. In 1974 he became a curator at the Institute of Contemporary Arts, London, leaving in 1976. The following year, in 1977, he joined the Royal Academy in London as Exhibitions Secretary where he remained until his resignation in 2008. Rosenthal has been a trustee of numerous different national and international cultural organisations since the 1980s; he is currently on the board of English National Ballet. In 2007, he was awarded a knighthood in the Queen's Birthday Honours List. Rosenthal is well known for his support of contemporary art, and is particularly associated with the German artists Joseph Beuys, Georg Baselitz, Anselm Kiefer and Julian Schnabel, the Italian painter Francesco Clemente, and the generation of British artists that came to prominence in the early 1990s known as the YBAs.
Willoughby Sharp was an American artist, independent curator, independent publisher, gallerist, teacher, author, and telecom activist. Avalanche published interviews they conducted with contemporary artists such as Vito Acconci, Dennis Oppenheim and Yvonne Rainer. Sharp also was contributing editor to four other publications: Impulse (1979–1981); Video magazine (1980–1982); Art Com (1984–1985), and the East Village Eye (1984–1986). He published three monographs on contemporary artists, contributed to many exhibition catalogues, and wrote on art for Artforum, Art in America, Arts magazine, Laica Journal, Quadrum and Rhobo. He was editor of the Public Arts International/Free Speech documentary booklet in 1979. Sharp received numerous grants, awards, and fellowships; both as an individual or under the sponsorship of non-profit arts organizations.
Sam Borenstein was a Canadian painter. During his forty-year career he painted numerous scenes of Montreal and Laurentian villages and Quebec landscapes bustling with human activity, using brilliant colours and exuberant brushwork. Borenstein was best known for his expressionistic cityscapes and rural scenes, but also produced numerous portraits and still lifes.
Rasheed Araeen is a Karachi-born, London-based conceptual artist, sculptor, painter, writer, and curator. He graduated in civil engineering from the NED University of Engineering and Technology in 1962, and has been working as a visual artist bridging life, art and activism since his arrival in London from Pakistan in 1964.
David Altmejd is a Canadian sculptor who lives and works in Los Angeles. He creates highly detailed sculptures that often blur the distinction between interior and exterior, surface and structure, the beautiful and grotesque, figurative representation and abstraction.
Gregor Muir is Director of Collection, International Art, at Tate, having previously been the Executive Director of the Institute of Contemporary Arts in London from 2011 to 2016. He was the director of Hauser & Wirth, London, at 196a Piccadilly, from 2004 to 2011. He is also the author of a 2009 memoir in which he recounts his direct experience of the YBA art scene in 1990s London.
Jimmy DeSana was an American artist, and a key figure in the East Village punk art and New Wave scene of the 1970s and 1980s. DeSana's photography has been described as "anti-art" in its approach to capturing images of the human body, in a manner ranging from "savagely explicit to purely symbolic". DeSana was close collaborators with photographer Laurie Simmons and writer William S. Burroughs, who wrote the introduction to DeSana's self-published collection of photographs Submission. His work includes the album cover for the Talking Heads album More Songs about Buildings and Food as well as John Giorno’s LP, You’re The Guy I Want To Share My Money With.
Geoffrey Farmer is best known for extensive multimedia installations made of cut-out images which form collages.
Massimiliano Gioni is an Italian curator and contemporary art critic based in New York City, and artistic director at the New Museum. He is the artistic director of the Nicola Trussardi Foundation in Milan as well as the artistic director of the Beatrice Trussardi Foundation. Gioni was the curator of the 55th Venice Biennale in 2013.
Angela Washko is an American new media artist and facilitator based in New York. After nine years as a professor of art at Carnegie Mellon University, she is currently the Catherine B. Heller Collegiate Professor of Art at University of Michigan. Washko mobilizes communities and creates new forums for discussions of feminism where they do not exist.
Mario García Torres is a visual and conceptual artist. He has used various media, including film, sound, performance, ‘museographic installations’ and video as a means to create his art.
Larry Miller is an American artist, most strongly linked to the Fluxus movement after 1969. He is "an intermedia artist whose work questions the borders between artistic, scientific and theological disciplines. He was in the vanguard of using DNA and genetic technologies as new art media." Electronic Arts Intermix, a pioneering international resource for video and new media art has said, "Miller has produced a diverse body of experimental art works as a key figure in the emergent installation and performance movements in New York in the 1970s... His installations and performances have integrated diverse mediums [sic] and materials."
Michael Joo is a contemporary artist known for using a combination of scientific language, processes and complex structures that speak to liminality, access, and transmission. Much like Joseph Beuys, Joo uses various media such as sculpture, photography, printmaking, and painting, further referencing cultural heritage, identity, and natural history. He currently lives and works in New York, New York, as a Senior Critic in Sculpture at Yale University. He also teaches at Columbia University in the MFA program.
John Scott was a Canadian multimedia painter, sculptor, and installation artist.
Raymond Henry "Sandy" Adsett is a New Zealand visual artist and educator. He is acknowledged for championing the art of kōwhaiwhai painting, creating a context for the artform within the development of contemporary Māori art.