John McIlwraith (commentator)

Last updated

John McIlwraith
Born
Died30 June 2006
Occupation(s)Newspaper columnist
Radio broadcaster

John McIlwraith (died 30 June 2006) was a Scottish-Canadian humorist, radio broadcaster, newspaper columnist, and commentator.

Early life and career

McIlwraith was born in Glasgow, Scotland, but moved to Vancouver, British Columbia as a young adult. His jobs included working as a coal-stoker on a ferry operated by the Canadian Pacific Railway.

McIlwraith hosted a morning radio program in Seattle and wrote columns for newspapers and magazines. From 1990 to 2001, he recorded commentaries for National Public Radio's All Things Considered .

After Carnegie Mellon University announced that it would begin offering a degree in the playing of bagpipes, McIlwraith commented that the bagpipe was created as an instrument of war, and should not be treated as a musical instrument. McIlwraith said:

The Scots are a race not noted for their music. The favorite instrument in Scotland is the piano accordion, followed by the fiddle. The next favorite would be the harmonica. Even the Scots consider the bagpipes to be an instrument of torture, of warfare, its practitioners huge, red-faced farmer types who have switched from pig sticking to bagpipe playing.

Bagpipes are a strange instrument. The only reason they were invented is the Scots needed some kind of noise to rally the clans when the English crossed the border. They could have bought a bell or a whistle, but being a thrifty people they took a pig's bladder and stuck a reed in it and the rest is history. For some reason, great masses of people have mistaken bagpipes for a musical instrument.

After each commentary, the All Things Considered host noted that McIlwraith lived on a houseboat in San Diego, California.

Other commentaries by McIlwraith include:

He was married twice, to Bridie and then to Dixie. He had four children.[ citation needed ]

McIlwraith's death resulted from complications arising from dementia with Lewy bodies.

Years after McIlwraith's death, his brother-in-law wrote a column for the Chicago Reader questioning whether McIlwraith's stories were strictly factual. [1]

Related Research Articles

<span class="mw-page-title-main">Bagpipes</span> Woodwind instrument

Bagpipes are a woodwind instrument using enclosed reeds fed from a constant reservoir of air in the form of a bag. The Great Highland bagpipes are well known, but people have played bagpipes for centuries throughout large parts of Europe, Northern Africa, Western Asia, around the Persian Gulf and northern parts of South Asia.

<span class="mw-page-title-main">Great Highland bagpipe</span> Type of bagpipe native to Scotland

The great Highland bagpipe is a type of bagpipe native to Scotland, and the Scottish analogue to the great Irish warpipes. It has acquired widespread recognition through its usage in the British military and in pipe bands throughout the world.

<span class="mw-page-title-main">Northumbrian smallpipes</span> Bellows-blown bagpipes from North East England

The Northumbrian smallpipes are bellows-blown bagpipes from North East England, where they have been an important factor in the local musical culture for more than 250 years. The family of the Duke of Northumberland have had an official piper for over 250 years. The Northumbrian Pipers' Society was founded in 1928, to encourage the playing of the instrument and its music; Although there were so few players at times during the last century that some feared the tradition would die out, there are many players and makers of the instrument nowadays, and the Society has played a large role in this revival. In more recent times the Mayor of Gateshead and the Lord Mayor of Newcastle have both established a tradition of appointing official Northumbrian pipers.

<span class="mw-page-title-main">Music of Scotland</span>

Scotland is internationally known for its traditional music, which remained vibrant throughout the 20th century and into the 21st when many traditional forms worldwide lost popularity to pop music. Despite emigration and a well-developed connection to music imported from the rest of Europe and the United States, the music of Scotland has kept many of its traditional aspects and has influenced many other forms of music.

<span class="mw-page-title-main">Battlefield Band</span> Scottish traditional music group

Battlefield Band is a Scottish traditional music group. Founded in Glasgow in 1969, they have released over 30 albums and undergone many changes of lineup. As of 2010, none of the original founders remain in the band.

Pibroch, piobaireachd or ceòl mòr is an art music genre associated primarily with the Scottish Highlands that is characterised by extended compositions with a melodic theme and elaborate formal variations. Strictly meaning 'piping' in Scottish Gaelic, piobaireachd has for some four centuries been music of the great Highland bagpipe.

Rufus Harley Jr. was an American jazz musician known primarily as the first jazz musician to adopt the Great Highland bagpipe as his primary instrument.

Puirt à beul is a traditional form of song native to Scotland that sets Gaelic lyrics to instrumental tune melodies. Historically, they were used to accompany dancing in the absence of instruments and to transmit instrumental tunes orally.

Cornish bagpipes are the forms of bagpipes once common in Cornwall in the 19th century. Bagpipes and pipes are mentioned in Cornish documentary sources from c.1150 to 1830 and bagpipes are present in Cornish iconography from the 15th and 16th centuries.

<span class="mw-page-title-main">Welsh bagpipes</span>

Welsh bagpipes The names in Welsh refer specifically to a bagpipe. A related instrument is one type of bagpipe chanter, which when played without the bag and drone is called a pibgorn (English:hornpipe). The generic term pibau (pipes) which covers all woodwind instruments is also used. They have been played, documented, represented and described in Wales since the fourteenth century. A piper in Welsh is called a pibydd or a pibgodwr.

<span class="mw-page-title-main">Electronic bagpipes</span>

The electronic bagpipes is an electronic musical instrument emulating the tone and/or playing style of the bagpipes. Most electronic bagpipe emulators feature a simulated chanter, which is used to play the melody. Some models also produce a harmonizing drone(s). Some variants employ a simulated bag, wherein the player's pressure on the bag activates a switch maintaining a constant tone. As with other electronic musical instruments, they must be plugged into an instrument amplifier and loudspeaker to hear the sound. Some electronic bagpipes are MIDI controllers that can be plugged into a synth module to create synthesized or sampled bagpipe sounds.

<span class="mw-page-title-main">English bagpipes</span>

When bagpipes arrived in England is unknown, there is some evidence to suggest Anglo-Saxon times, however the oldest confirmed proof of the existence of bagpipes anywhere in the world comes from three separate sources in the 13th century. Two of them English; the Tenison Marginalie Psalter from Westminster and an entry into the accounts books of Edward the I of England recording the purchase of a set of bagpipes. The third from the Cantigas Del Santa Maria published in Spain. From the 14th century onwards, bagpipes start to appear in the historical records of European countries, however half the mentions come from England suggesting Bagpipes were more common in England.

Hugh Robertson (1730–1822) was a Scottish wood and ivory turner and a master crafter of woodwind instruments such as pastoral pipes, union pipes, and great Highland bagpipes.

It is unclear whether Lincolnshire bagpipes refer to a specific type of pipes native to Lincolnshire, England, or to the popularity of a more general form of pipes in the region. Written records of bagpipes being associated with Lincolnshire date back to 1407, but it is difficult to find certain proof that any regional variation of the bagpipe existed which was peculiar to Lincolnshire. Despite the lack of evidence for a uniquely local instrument, it is clear that the bagpipe was enjoyed by the people of Lincolnshire.

<span class="mw-page-title-main">Great Irish warpipes</span> Woodwind instrument native to Ireland

Irish warpipes are an Irish analogue of the Scottish great Highland bagpipe. "Warpipes" is originally an English term. The first use of the Gaelic term in Ireland was recorded in a poem by Seán Ó Neachtain, in which the bagpipes are referred to as píb mhór.

The mashak is a type of bagpipe found in Northern India, Uttarakhand, Sudurpaschim Province of Nepal and parts of Pakistan and Afghanistan. The pipe was associated with weddings and festive occasions. In India it is historically found in Kumaon and Garhwal in Uttarakhand, Rajasthan and Uttar Pradesh. This bagpipe uses single reeds, and can be played either as a drone or as a melody instrument.

<span class="mw-page-title-main">Tsampouna</span> Greek traditional music instrument

The tsampouna is a Greek musical instrument and part of the bagpipe family. It is a double-chantered bagpipe, with no drone, and is inflated by blowing by mouth into a goatskin bag. The instrument is widespread in the Greek islands. The word is a reborrowing of zampogna, the word for the Italian double chantered pipes. Tsampouna is etymologically related to the Greek sumfōnia, meaning "concord or unison of sound" and applied later to a type of bagpipe.

The oaten pipe are a rare type of English and Scottish reedpipe made from the straw of the oat plant or similar natural materials, commonly associated with pastoral culture. An 1898 dictionary described the instrument as "The simplest form of a reed pipe, a straw with a strip cut to form the reed, at the end closed by the knot". Similar instruments are made across a variety of cultures, while the specific term "oaten pipe" is found in English literature, connoting pastoral imagery.

References

  1. Michael Miner (18 May 2012). "On David Sedaris, John McIlwraith, and NPR monologues". Chicago Reader . Archived from the original on 10 August 2020.