John Morphew (died 1720) [1] was an English publisher. He was associated with significant literary and political publications of the early 18th century. At one point publishing for both Whig and Tory factions, [2] he later became identified with the Tories.
Morphew as trade publisher (distributor) and John Nutt (printer) took over the business of Edward Jones when he died; this was in 1706. Previously Morphew had been a journeyman for Jones. [3] [4] At this period (i.e. from 1706) [5] Morphew's name had replaced that of Nutt as imprint in most of Jonathan Swift's works. [6] In 1707 he began to publish periodicals. [7] He also had a long working relationship with Delarivier Manley. [8]
In 1709 Morphew was arrested by the government, with John Barber, and the publisher John Woodward; the charge arose from the publication of the second volume of Manley's New Atalantis. [9] [10] In 1710 he began publishing The Examiner for Swift. From 1710 also, Morphew, who was connected to the Tory administration, began working with Edmund Curll and producing political pamphlets. George Sewell, who had worked for Morphew as a hack writer, left to work for Curll. [11] He was also publisher of The Tatler , the real person mentioned alongside the fictitious Isaac Bickerstaff. [12]
Morphew associated with the Scriblerus Club, and had some status as printer to the Tory ministry of the last years of Queen Anne. [13] He took on, at some point, the publication of Abel Roper's Tory paper the Post Boy (1714). Shortly after the Hanoverian Succession in 1714 it gave offence to the government. At this juncture Roper denied active involvement; and Morphew backed him up by stating that for while he had not accounted for the Post Boy's profits to Roper. [14] Subsequently Morphew lost some of his predominance as trade publisher to James Roberts, who identified more with the Whig cause. [15] Material published in the Post Boy in the sensitive area of Anglo-Swedish relations, after the 1716 Jacobite plotting, caused Morphew to be arrested again in February 1717. [16]
Events from the year 1714 in literature.
This article contains information about the literary events and publications of 1722.
This article contains information about the literary events and publications of 1728.
This article contains information about the literary events and publications of 1707.
This article contains information about the literary events and publications of 1708.
This article contains information about the literary events and publications of 1709.
This article contains information about the literary events and publications of 1696.
A Tale of a Tub. Written for the Universal Improvement of Mankind. was the first major work written by Jonathan Swift, arguably his most difficult satire and perhaps his most masterly. The Tale is a prose parody divided into sections each delving into the morals and ethics of the English. Composed between 1694 and 1697, it was eventually published in 1704. A satire on the Roman Catholic and Anglican churches and English Dissenters, it was famously attacked for its profanity and irreligion, starting with William Wotton, who wrote that the Tale had made a game of "God and Religion, Truth and Moral Honesty, Learning and Industry" to show "at the bottom [the author's] contemptible Opinion of every Thing which is called Christianity." The work continued to be regarded as an attack on religion well into the nineteenth century.
Edmund Curll was an English bookseller and publisher. His name has become synonymous, through the attacks on him by Alexander Pope, with unscrupulous publication and publicity. Curll rose from poverty to wealth through his publishing, and he did this by approaching book printing in a mercenary and unscrupulous manner. By cashing in on scandals, publishing pornography, offering up patent medicine, using all publicity as good publicity, he managed a small empire of printing houses. He would publish high and low quality writing alike, so long as it sold. He was born in the West Country, and his late and incomplete recollections say that his father was a tradesman. He was an apprentice to a London bookseller in 1698 when he began his career.
Charles Leslie was a former Church of Ireland priest who became a leading Jacobite propagandist after the 1688 Glorious Revolution. One of a small number of Irish Protestants to actively support the Stuarts after 1688, he is best remembered today for his role in publicising the 1692 Massacre of Glencoe.
Charles Gildon, was an English hack writer who was, by turns, a translator, biographer, essayist, playwright, poet, author of fictional letters, fabulist, short story author, and critic. He provided the source for many lives of Restoration figures, although he appears to have propagated or invented numerous errors with them. He is remembered best as a target of Alexander Pope's in both Dunciad and the Epistle to Dr. Arbuthnot and an enemy of Jonathan Swift's. Gildon's biographies are, in many cases, the only biographies available, but they have nearly without exception been shown to have wholesale invention in them. Because of Pope's caricature of Gildon, but also because of the sheer volume and rapidity of his writings, Gildon has come to stand as the epitome of the hired pen and the literary opportunist.
Until the early 19th century, Grub Street was a street close to London's impoverished Moorfields district that ran from Fore Street east of St Giles-without-Cripplegate north to Chiswell Street. It was pierced along its length with narrow entrances to alleys and courts, many of which retained the names of early signboards. Its bohemian society was set amidst the impoverished neighbourhood's low-rent dosshouses, brothels and coffeehouses.
Delarivier "Delia" Manley was an English author, playwright, and political pamphleteer. Manley is sometimes referred to, with Aphra Behn and Eliza Haywood, as one of "the fair triumvirate of wit", which is a later attribution.
The New Atalantis was an influential political satire by Delarivier Manley published at the start of the 18th century. In it a parallel is drawn between exploitation of females and political deception of the public.
The British Critic: A New Review was a quarterly publication, established in 1793 as a conservative and high-church review journal riding the tide of British reaction against the French Revolution. The headquarters was in London. The journal ended publication in 1826.
Abel Roper (1665–1726) was an English journalist, who wrote in the Tory interest.
The Tatler was a British literary and society journal begun by Richard Steele in 1709 and published for two years. It represented a new approach to journalism, featuring cultivated essays on contemporary manners, and established the pattern that would be copied in such British classics as Addison and Steele's Spectator, Samuel Johnson's Rambler and Idler, and Goldsmith's Citizen of the World. The Tatler would also influence essayists as late as Charles Lamb and William Hazlitt. Addison and Steele liquidated The Tatler in order to make a fresh start with the similar Spectator, and the collected issues of Tatler are usually published in the same volume as the collected Spectator.
The Examiner was a newspaper edited by Jonathan Swift from 2 November 1710 to 1714. It promoted a Tory perspective on British politics, at a time when Queen Anne had replaced Whig ministers with Tories.
The terræ filius was a satirical orator who spoke at public ceremonies of the University of Oxford, for over a century. There was official sanction for personal attacks, but some of the speakers overstepped the line and fell into serious trouble. The custom was terminated during the 18th century. The comparable speaker at the University of Cambridge was called "prevaricator".
The Adventures of Rivella (1714) is the last novel written by eighteenth century English author Delarivier Manley. The work is a semi-autobiographical account of Manley's life seen through the fictional character of Rivella. Delarivier Manley's final novel, which was later edited and published by Edmund Curll, is centred around her life before, during, and after her treacherous marriage. The events and incidents incurred by the fictional character Rivella are narrated to the reader through a conversational dialogue between two male protagonists, being Sir Lovemore and Sir D'Aumont. The narrative tells that the young chevalier D'Aumont has left France in search of sexual partnership with Rivella and instead finds the rejected lover, Sir Charles Lovemore who does not assist the Frenchman in arranging contact with Rivella, but tells her life story instead, both as it relates in public gossip and her personal writings.