Portraits of Joseph Philmpre,Henry Clay"}},"i":0}}]}" id="mwBA">.mw-parser-output .infobox-subbox{padding:0;border:none;margin:-3px;width:auto;min-width:100%;font-size:100%;clear:none;float:none;background-color:transparent}.mw-parser-output .infobox-3cols-child{margin:auto}.mw-parser-output .infobox .navbar{font-size:100%}body.skin-minerva .mw-parser-output .infobox-header,body.skin-minerva .mw-parser-output .infobox-subheader,body.skin-minerva .mw-parser-output .infobox-above,body.skin-minerva .mw-parser-output .infobox-title,body.skin-minerva .mw-parser-output .infobox-image,body.skin-minerva .mw-parser-output .infobox-full-data,body.skin-minerva .mw-parser-output .infobox-below{text-align:center}@media screen{html.skin-theme-clientpref-night .mw-parser-output .infobox-full-data:not(.notheme)>div:not(.notheme)[style]{background:#1f1f23!important;color:#f8f9fa}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .infobox-full-data:not(.notheme) div:not(.notheme){background:#1f1f23!important;color:#f8f9fa}}@media(min-width:640px){body.skin--responsive .mw-parser-output .infobox-table{display:table!important}body.skin--responsive .mw-parser-output .infobox-table>caption{display:table-caption!important}body.skin--responsive .mw-parser-output .infobox-table>tbody{display:table-row-group}body.skin--responsive .mw-parser-output .infobox-table tr{display:table-row!important}body.skin--responsive .mw-parser-output .infobox-table th,body.skin--responsive .mw-parser-output .infobox-table td{padding-left:inherit;padding-right:inherit}}
John Neagle | |
---|---|
Born | John B. Neagle November 4, 1796 |
Died | September 17, 1865 68) Philadelphia, Pennsylvania, US | (aged
Notable work | Pat Lyon at the Forge Portraits of Joseph Philmpre, Henry Clay |
John Neagle (November 4, 1796 – September 17, 1865) was a fashionable American painter, primarily of portraits, during the first half of the 19th century in Philadelphia.
Neagle was born in Boston, Massachusetts. His training in art began with instruction from the drawing-master Pietro Ancora and an apprenticeship to Thomas Wilson, a well-connected painter of signs and coaches in Philadelphia. Wilson introduced him to the painters Bass Otis and Thomas Sully, and Neagle became a protégé of the latter. In 1818 Neagle decided to concentrate exclusively on portraits, setting up shop as an independent master. [1]
Aside from brief sojourns in Lexington, Kentucky, and New Orleans, Louisiana, he spent his career in Philadelphia, Pennsylvania, where he died. In May 1826 he married Sully's stepdaughter Mary, and for a time the son-in-law and father-in-law dominated the field of portraiture in the city. Neagle served as Director of the Pennsylvania Academy of the Fine Arts, and was also a founder and president (1835–43) of the Artist's Fund Society of Philadelphia. [2]
Neagle's sitters included society figures, politicians, professionals and merchants, all of whom he treated with an incisive attention to psychology and an often dazzling brushwork derived (by way of Sully and Sir Thomas Lawrence) ultimately from van Dyck. His most impressive works are, arguably, the full-length allegorical Portrait of Henry Clay (Union League, Philadelphia), and the unconventional and brutally heroic Pat Lyon at the Forge (Pennsylvania Academy of the Fine Arts). [3]
Other Neagle sitters included Vice President Richard Mentor Johnson, Governor John Jordan Crittenden of Kentucky, Congressman James Harper and his wife Charlotte, the Marquis de Lafayette, Bishop William Meade, Dr. William Potts Dewees, author James Fenimore Cooper, fellow painter Gilbert Stuart, actor Edwin Forrest and the architects William Strickland, John Haviland and Thomas Ustick Walter as well as Pawnee Indian and hero of the whites Petalesharo. [4] : 190 His papers are housed at the Historical Society of Pennsylvania, which hosted a retrospective exhibition of his work in 1989 (with scholarly catalogue by Robert Torchia).
Sixteen paintings of actors in character by Neagle are housed in the library at The Players in New York City.[ citation needed ]
Gilbert Stuart was an American painter born in the Rhode Island Colony who is widely considered one of America's foremost portraitists. His best-known work is an unfinished portrait of George Washington, begun in 1796, which is usually referred to as the Athenaeum Portrait. Stuart retained the original and used it to paint scores of copies that were commissioned by patrons in America and abroad. The image of George Washington featured in the painting has appeared on the United States one-dollar bill for more than a century and on various postage stamps of the 19th century and early 20th century.
Rembrandt Peale was an American artist and museum keeper. A prolific portrait painter, he was especially acclaimed for his likenesses of presidents George Washington and Thomas Jefferson. Peale's style was influenced by French neoclassicism after a stay in Paris in his early thirties.
William Rush was a U.S. neoclassical sculptor from Philadelphia, Pennsylvania. He is considered the first major American sculptor.
Thomas Sully was an English-American portrait painter. He was born in England, became a naturalized American citizen in 1809, and lived most of his life in Philadelphia, Pennsylvania, including in the Thomas Sully Residence. He studied painting in England under Benjamin West. He painted in the style of Thomas Lawrence and has been referred to as the "Sir Thomas Lawrence of America".
The Pennsylvania Academy of the Fine Arts (PAFA) is a museum and private art school in Philadelphia, Pennsylvania. It was founded in 1805 and is the first and oldest art museum and art school in the United States.
The Lansdowne portrait is an iconic life-size portrait of George Washington painted by Gilbert Stuart in 1796. It depicts the 64-year-old president of the United States during his final year in office. The portrait was a gift to former British Prime Minister William Petty, 1st Marquess of Lansdowne, and spent more than 170 years in England.
Thomas Satterwhite Noble was an American painter as well as the first head of the McMicken School of Design in Cincinnati, Ohio.
Robert Edge Pine was an English portrait and historical painter, born in London. He was the son of John Pine, the engraver and designer.
William Guy Wall (1792–1864) was an American painter of Irish birth.
Bass Otis, was an early American artist, inventor, and portrait painter. He painted hundreds of portraits including many of the best known Americans of his day, and produced the first American lithograph in 1819.
Thomas Birch was an English-born American portrait and marine painter.
Anna Claypoole Peale was an American painter who specialized in portrait miniatures on ivory and still lifes. She and her sister, Sarah Miriam Peale, were the first women elected academicians of the Pennsylvania Academy of the Fine Arts.
Jacob Eichholtz (1776–1842) was an early American painter, known primarily for his portraits in the Romantic Victorian tradition. Born in Lancaster, Pennsylvania in a family of prosperous Pennsylvania Germans, he spent most of his professional life in Philadelphia. A coppersmith by trade, he turned to painting and achieved both recognition and success despite being mainly self-taught as an artist. He is known to have painted over 800 portraits over the course of 35 years. Hundreds of his works are housed in art museums, historical societies, and private collections throughout the United States.
John McLure Hamilton was an Anglo-American artist.
Frank Benton Ashley Linton was an American portrait-painter and teacher. He was a student of Thomas Eakins, studied the École des Beaux-Arts, and won a bronze medal at the 1927 Salon Nationale in Paris. Likely a closeted gay man, he lived with pianist Samuel Meyers for more than thirty years.
William Thompson Russell Smith was a Scottish-American painter who produced iconic images of Pennsylvania's landscape inspired by the aesthetic of the Hudson River School.
John Frazee was an American sculptor and architect. The Smithsonian has a collection of many of his sculptures as well as paintings of Frazee by other artists including Asher B. Durand and Henry Colton Shumway.
James Bowman was an American itinerant artist and portrait painter. He was born in Allegheny County, Pennsylvania near Pittsburgh. Sometime between 1813 and 1815, James Bowman went to Chillicothe, Ohio, to learn to be a carpenter. There he met the itinerant painter Mr. J. T. Turner who taught him the rudiments of portrait painting. He gained considerable success when he started out professionally, painting in Pittsburgh and other communities in the early 1820s. He traveled to Philadelphia to learn from the masters there, but as a beginning artist could not make a living in that more cosmopolitan and competitive environment and became an itinerant portrait painter instead.
Patrick Lyon was a Scottish-born American blacksmith, mechanic and inventor. After being falsely accused and imprisoned for a 1798 bank robbery, he became a working class hero. A self-made businessman, he was among the foremost American makers of hand-pumped fire engines.
Joseph Harrison Jr. was an American mechanical engineer, financier and art collector. He made a fortune building locomotives for Russia, and was decorated by Czar Nicholas I for completing the Saint Petersburg-Moscow Railway.