Life and career
In 1974, O'Neal moved to Birmingham, Alabama, where he worked as a full-time musician. In Birmingham he worked with local jazz musicians, such as Jerry Grundhofer, Dave Amaral, Cleveland Eaton, and Ray Reach. He moved to New York City to perform with Clark Terry in 1981, and also landed a regular job at the Blue Note, accompanying such musicians as Dizzy Gillespie, Ray Brown, Nancy Wilson, Joe Pass and Kenny Burrell. He was a member of Art Blakey and the Jazz Messengers for two years from 1982 to 1983 and made his Carnegie Hall debut in 1985.
On the recommendation of Oscar Peterson, O'Neal portrayed Art Tatum in the 2004 movie Ray , recreating Tatum's sound on the song "Yesterdays".
A 2006 DVD Tight, captured O'Neal at the height of his powers. Included is an interview with pianist Mulgrew Miller, who stated,
In my generation of musicians there are two who are probably the most naturally talented. They both happen to be from Detroit. One is Kenny Garrett, the well-known saxophonist. The other is pianist Johnny O'Neal.
Oscar Emmanuel Peterson was a Canadian jazz pianist and composer. Considered a virtuoso and one of the greatest jazz pianists of all time, Peterson released more than 200 recordings, won eight Grammy Awards, as well as a lifetime achievement award from the Recording Academy, and received numerous other awards and honours. He played thousands of concerts worldwide in a career lasting more than 60 years. He was called the "Maharaja of the keyboard" by Duke Ellington, simply "O.P." by his friends, and informally in the jazz community, "the King of inside swing".
Arthur Tatum Jr. was an American jazz pianist who is widely regarded as one of the greatest ever. From early in his career, fellow musicians acclaimed Tatum's technical ability as extraordinary. Tatum also extended jazz piano's vocabulary and boundaries far beyond his initial stride influences, and established new ground through innovative use of reharmonization, voicing, and bitonality.
Hard bop is a subgenre of jazz that is an extension of bebop music. Journalists and record companies began using the term in the mid-1950s to describe a new current within jazz that incorporated influences from rhythm and blues, gospel music, and blues, especially in saxophone and piano playing.
Arthur Blakey was an American jazz drummer and bandleader. He was also known as Abdullah Ibn Buhaina after he converted to Islam for a short time in the late 1940s.
Oscar Pettiford was an American jazz double bassist, cellist and composer. He was one of the earliest musicians to work in the bebop idiom.
Raymond Matthews Brown was an American jazz double bassist, known for his extensive work with Oscar Peterson and Ella Fitzgerald. He was also a founding member of the group that would later develop into the Modern Jazz Quartet.
Boniface Ferdinand Leonard "Buddy" DeFranco was an Italian-American jazz clarinetist. In addition to his work as a bandleader, DeFranco led the Glenn Miller Orchestra for almost a decade in the 1960s and 1970s.
Kenneth Earl Burrell is an American jazz guitarist known for his work on numerous top jazz labels: Prestige, Blue Note, Verve, CTI, Muse, and Concord. His collaborations with Jimmy Smith were notable, and produced the 1965 Billboard Top Twenty hit Verve album Organ Grinder Swing. He has cited jazz guitarists Charlie Christian, Oscar Moore, and Django Reinhardt as influences, along with blues guitarists T-Bone Walker and Muddy Waters.
Sonny Stitt was an American jazz saxophonist of the bebop/hard bop idiom. Known for his warm tone, he was one of the best-documented saxophonists of his generation, recording more than 100 albums. He was nicknamed the "Lone Wolf" by jazz critic Dan Morgenstern because of his tendency to rarely work with the same musicians for long despite his relentless touring and devotion to the craft. Stitt was sometimes viewed as a Charlie Parker mimic, especially earlier in his career, but gradually came to develop his own sound and style, particularly when performing on tenor saxophone and even occasionally baritone saxophone.
Mulgrew Miller was an American jazz pianist, composer, and educator. As a child he played in churches and was influenced on piano by Ramsey Lewis and then Oscar Peterson. Aspects of their styles remained in his playing, but he added the greater harmonic freedom of McCoy Tyner and others in developing as a hard bop player and then in creating his own style, which influenced others from the 1980s on.
Dennis Irwin was an American jazz double bassist. He toured and recorded with John Scofield and the Vanguard Jazz Orchestra among others, and played on over 500 albums.
Niels Lan Doky is a Danish jazz pianist, composer and producer. He is the older brother of jazz bassist Chris Minh Doky.
Ronald Mathews was an American jazz pianist who worked with Max Roach from 1963 to 1968 and Art Blakey's Jazz Messengers. He acted as lead in recording from 1963 and 1978–79. His most recent work was in 2008, as both a mentor and musician with Generations, a group of jazz musicians headed by veteran drummer Jimmy Cobb. He contributed two new compositions for the album that was released by San Francisco State University's International Center for the Arts on September 15, 2008.
The Alabama Jazz Hall of Fame (AJHF) is an organization and museum in Birmingham, Alabama, United States. It was founded in 1978, and opened as museum on September 18, 1993, with a mission "to foster, encourage, educate, and cultivate a general appreciation of the medium of jazz music as a legitimate, original and distinctive art form indigenous to America. Its mission is also to preserve a continued and sustained program of illuminating the contribution of the State of Alabama through its citizens, environment, demographics and lore, and perpetuating the heritage of jazz music."
The W. C. Handy Jazz All-Stars is a group of jazz musicians who play annually at the W. C. Handy Music Festival in Florence, Alabama. During the last week of July each year, these musicians travel from all over the United States to gather in Florence and perform in various combinations. In addition to performing jazz, members of the W. C. Handy Jazz All-Stars serve as the resident faculty of the W. C. Handy Jazz Camp, also teaching the "A B Cs of Jazz, Blues and Beyond".
The Way I Really Play is a 1968 album by jazz pianist Oscar Peterson. It is the third part of Peterson's Exclusively for My Friends series.
James Williams was an American jazz pianist.
Action is an album by Oscar Peterson, the first volume of his Exclusively for My Friends series. Originally released by MPS Records, it was later released by Prestige Records as Easy Walker.
The Touch of Your Lips" is a romantic ballad written by Ray Noble in 1936. The original version of the song, which has become a standard, was by Al Bowlly accompanied by Ray Noble and His Orchestra.
The Jazz Messengers were a jazz combo that existed for over thirty-five years beginning in the early 1950s as a collective, and ending when long-time leader and founding drummer Art Blakey died in 1990. Blakey led or co-led the group from the outset. "Art Blakey" and "Jazz Messengers" became synonymous over the years, though Blakey did lead non-Messenger recording sessions and played as a sideman for other groups throughout his career.
"Yes sir, I'm gonna to stay with the youngsters. When these get too old, I'm gonna get some younger ones. Keeps the mind active."
