Ferdinand Joseph LaMothe, known professionally as Jelly Roll Morton, was an American ragtime and jazz pianist, bandleader, and composer. Morton was jazz's first arranger, proving that a genre rooted in improvisation could retain its essential characteristics when notated. His composition "Jelly Roll Blues", published in 1915, was one of the first published jazz compositions. Morton also wrote "King Porter Stomp", "Wolverine Blues", "Black Bottom Stomp", and "I Thought I Heard Buddy Bolden Say", the last tribute to New Orleans musicians from the turn of the 20th century.
Joseph Nathan "King" Oliver was an American jazz cornet player and bandleader. He was particularly recognized for his playing style and his pioneering use of mutes in jazz. Also a notable composer, he wrote many tunes still played today, including "Dippermouth Blues", "Sweet Like This", "Canal Street Blues", and "Doctor Jazz". He was the mentor and teacher of Louis Armstrong. His influence was such that Armstrong claimed, "if it had not been for Joe Oliver, Jazz would not be what it is today."
Edward "Kid" Ory was an American jazz trombonist and bandleader. He was born on Woodland Plantation, near LaPlace, Louisiana.
Johnny Dodds was an American jazz clarinetist and alto saxophonist based in New Orleans, best known for his recordings under his own name and with bands such as those of Joe "King" Oliver, Jelly Roll Morton, Lovie Austin and Louis Armstrong. Dodds was the older brother of the drummer Warren "Baby" Dodds, one of the first important jazz drummers. They worked together in the New Orleans Bootblacks in 1926. Dodds is an important figure in jazz history. He was the premier clarinetist of his era and, in recognition of his artistic contributions, he was posthumously inducted into the Jazz Hall of Fame. He has been described as "a prime architect in the creation of the Jazz Age."
Warren "Baby" Dodds was a jazz drummer born in New Orleans, Louisiana. He is regarded as one of the best jazz drummers of the pre-big band era, and one of the most important early jazz drummers. He varied his drum patterns with accents and flourishes, and he generally kept the beat with the bass drum while playing buzz rolls on the snare. Some of his early influences included Louis Cottrell, Sr., Harry Zeno, Henry Martin, and Tubby Hall. Dodds was among the first drummers to be recorded improvising while performing.
Jimmie Noone was an American jazz clarinetist and bandleader. After beginning his career in New Orleans, he led Jimmie Noone's Apex Club Orchestra, a Chicago band that recorded for Vocalion and Decca. Classical composer Maurice Ravel acknowledged basing his Boléro on an improvisation by Noone. At the time of his death Noone was leading a quartet in Los Angeles and was part of an all-star band that was reviving interest in traditional New Orleans jazz in the 1940s.
George Clarence Brunies, a.k.a.Georg Brunis, was an American jazz trombonist, who was part of the dixieland revival. He was known as "The King of the Tailgate Trombone".
Edwin Branford "Eddie" Edwards was an early jazz trombonist who was a member of the Original Dixieland Jass Band.
Tom Brown, sometimes known by the nickname Red Brown, was an early New Orleans dixieland jazz trombonist. He also played string bass professionally.
Jazz standards are musical compositions that are an important part of the musical repertoire of jazz musicians, in that they are widely known, performed, and recorded by jazz musicians, and widely known by listeners. There is no definitive list of jazz standards, and the list of songs deemed to be standards changes over time. Songs included in major fake book publications and jazz reference works offer a rough guide to which songs are considered standards.
New Orleans Records was an American record label based in New Orleans, Louisiana and active from 1949 until the early 1980s. Originally founded by Orin Blackstone in 1949 and revived by Clive Wilson in 1972, the label specialized in New Orleans jazz.
Laten John Adams Jr., was an American blues, jazz and gospel singer, known as "The Tan Canary" for the multi-octave range of his singing voice, his swooping vocal mannerisms and falsetto. His biggest hits were his versions of "Release Me" and "Reconsider Me" in the late 1960s.
Kenneth Colyer was an English jazz trumpeter and cornetist, devoted to New Orleans jazz. His band was also known for skiffle interludes.
Joseph Hilton "Nappy" Lamare was an American jazz banjoist, guitarist, and vocalist.
Arthur Hazel, better known as Monk Hazel, was a jazz drummer.
Lionel Charles Ferbos was an American jazz trumpeter. He was from New Orleans, Louisiana.
Henry "Kid" Rena was an American jazz trumpeter who was an early star of the New Orleans jazz scene.
Arthur Budd Scott was an American jazz guitarist, banjoist and singer. He was one of the earliest musicians associated with the New Orleans jazz scene. As a violinist he performed with James Reese Europe's Clef Club Orchestra at a historic 1912 concert at Carnegie Hall, and the following year worked with Europe's ensemble on the first jazz recordings on the Victor label.
Dixieland, sometimes referred to as traditional jazz, is a style of jazz based on the music that developed in New Orleans at the start of the 20th century. The 1917 recordings by the Original Dixieland Jass Band, fostered popular awareness of this new style of music.
