Jonathan Lopez (writer)

Last updated

Jonathan Lopez (born 1969) is an American writer and art historian. He was educated in the public schools of New York City, including the Bronx High School of Science, and in Cambridge, Massachusetts at Harvard University.

Formerly a correspondent for The Boston Globe and the Associated Press as well as an art critic and book reviewer for the Wall Street Journal , he is now a book author. He also contributes academic reviews to the Burlington Magazine .

Lopez's first book, The Man Who Made Vermeers (2008), a biography of the Dutch art forger Han van Meegeren, [1] was praised in The New Yorker by Peter Schjeldahl as "profoundly researched, focused and absorbing". [2] The Man Who Made Vermeers, has been made into a feature film The Last Vermeer (2021) starring Guy Pearce and produced by Ridley Scott.

Lopez has lectured at the Metropolitan Museum of Art, New York, the Museum of Fine Arts, Boston, the National Gallery of Art, Washington, D.C., and the Louvre, Paris, among other venues.

From 2008 to 2012 Lopez wrote a monthly column for Art & Antiques called "Talking Pictures" and was thereafter named editor at large of the magazine.

He has long been a contributor to London-based Apollo, the international magazine of the arts. His noted December 2007 Apollo article "Gross False Pretences" related the details of an acrimonious 1908 dispute between the art dealer Leonardus Nardus (a.k.a. Leo Nardus) and the wealthy industrialist Peter Arrell Brown Widener of Philadelphia. [3] Shortly after publication "Gross False Pretences" was praised as "fascinating" and "revelatory" in the British newspaper The Guardian . [4]

Lopez is writing a book on Vincent van Gogh’s on-again, off again religious obsessions and how they interacted both with the painter’s art and mental health.

Lopez lives in Manhattan with his wife, who is an art critic and professor of art history.

Related Research Articles

<span class="mw-page-title-main">Johannes Vermeer</span> Dutch painter (1632–1675)

Johannes Vermeer was a Dutch Baroque Period painter who specialized in domestic interior scenes of middle-class life. He is considered one of the greatest painters of the Dutch Golden Age. During his lifetime, he was a moderately successful provincial genre painter, recognized in Delft and The Hague. He produced relatively few paintings, primarily earning his living as an art dealer. He was not wealthy; at his death, his wife was left in debt.

<span class="mw-page-title-main">Han van Meegeren</span> Dutch painter and art forger (1889–1947)

Henricus Antonius "Han" van Meegeren was a Dutch painter and portraitist, considered one of the most ingenious art forgers of the 20th century. Van Meegeren became a national hero after World War II when it was revealed that he had sold a forged painting to Reichsmarschall Hermann Göring during the Nazi occupation of the Netherlands.

<span class="mw-page-title-main">Forgery</span> Process of making, adapting, or imitating objects to deceive

Forgery is a white-collar crime that generally refers to the false making or material alteration of a legal instrument with the specific intent to defraud. Tampering with a certain legal instrument may be forbidden by law in some jurisdictions but such an offense is not related to forgery unless the tampered legal instrument was actually used in the course of the crime to defraud another person or entity. Copies, studio replicas, and reproductions are not considered forgeries, though they may later become forgeries through knowing and willful misrepresentations.

<span class="mw-page-title-main">Art forgery</span> Creation and trade of falsely credited art

Art forgery is the creation and sale of works of art which are falsely credited to other, usually more famous artists. Art forgery can be extremely lucrative, but modern dating and analysis techniques have made the identification of forged artwork much simpler.

Edward Ishmael Dolnick is an American writer, formerly a science writer at the Boston Globe. He has been published in Atlantic Monthly, The New York Times Magazine, and The Washington Post, among other publications.

<span class="mw-page-title-main">Dennis Cooper</span> American writer (born 1953)

Dennis Cooper is an American novelist, poet, critic, editor and performance artist. He is best known for the George Miles Cycle, a series of five semi-autobiographical novels published between 1989 and 2000 and described by Tony O'Neill "as intense a dissection of human relationships and obsession that modern literature has ever attempted." Cooper is the founder and editor of Little Caesar Magazine, a punk zine, that ran between 1976 and 1982.

<i>F for Fake</i> 1974 film by Orson Welles

F for Fake is a 1973 docudrama film co-written, directed by, and starring Orson Welles who worked on the film alongside François Reichenbach, Oja Kodar, and Gary Graver. Initially released in 1974, it focuses on Elmyr de Hory's recounting of his career as a professional art forger; de Hory's story serves as the backdrop for a meandering investigation of the natures of authorship and authenticity, as well as the basis of the value of art. Far from serving as a traditional documentary on de Hory, the film also incorporates Welles's companion Oja Kodar, hoax biographer Clifford Irving and Orson Welles as himself. F for Fake is sometimes considered an example of a film essay.

<span class="mw-page-title-main">Lawrence Weschler</span>

Lawrence Weschler is an author of works of creative nonfiction.

<span class="mw-page-title-main">Leo Castelli</span> Italian-American founder of contemporary art gallery system (1907–1999)

Leo Castelli was an Italian-American art dealer who originated the contemporary art gallery system. His gallery showcased contemporary art for five decades. Among the movements which Castelli showed were Surrealism, Abstract Expressionism, Neo-Dada, Pop Art, Op Art, Color field painting, Hard-edge painting, Lyrical Abstraction, Minimal Art, Conceptual Art, and Neo-expressionism.

<span class="mw-page-title-main">Peter Schjeldahl</span> American art critic, poet, and educator (1942–2022)

Peter Charles Schjeldahl was an American art critic, poet, and educator. He was noted for being the head art critic at The New Yorker, having earlier written for The Village Voice, ARTnews, and The New York Times.

<span class="mw-page-title-main">Peter Saul</span> American painter (born 1934)

Peter Saul is an American painter. His work has connections with Pop Art, Surrealism, and Expressionism. His early use of pop culture cartoon references in the late 1950s and very early 1960s situates him as one of the fathers of the Pop Art movement. He realised about 800 paintings during his career.

<span class="mw-page-title-main">Jacques van Meegeren</span> Dutch painter

Jacques Henri Emil van Meegeren was a Dutch illustrator and painter.

<span class="mw-page-title-main">Leonardus Nardus</span> Dutch fencer (1868–1955)

Leonardus Nardus was a Dutch fencer, impressionist painter and art collector of Jewish origin whose considerable collection was looted by the Nazis. He won a bronze medal in the team épée event at the 1912 Summer Olympics. Nardus had connections to the chess world as well.

<span class="mw-page-title-main">Theo van Wijngaarden</span> Dutch painter

Theo van Wijngaarden was a Dutch art forger.

<i>Hyperallergic</i> Online arts magazine, based in Brooklyn, New York

Hyperallergic is an online arts magazine, based in Brooklyn, New York. Founded by the art critic Hrag Vartanian and his husband Veken Gueyikian in October 2009, the site describes itself as a "forum for serious, playful, and radical thinking".

List of published works of Peter Schjeldahl, American poet and art critic.

Achille Frederic Boitel was a French industrialist and Nazi collaborator in Paris during the Second World War. He manufactured aircraft engines, traded with the Germans, and played a pivotal role in a collaborationist art syndicate. He was killed by the French resistance.

<i>The Last Vermeer</i> 2019 American film

The Last Vermeer is a 2019 American drama film directed by Dan Friedkin from a screenplay by John Orloff, Mark Fergus, and Hawk Ostby. It is based on the 2008 book The Man Who Made Vermeers by Jonathan Lopez, and tells the story of Han van Meegeren, an art maker who swindles millions of dollars from the Nazis, alongside Dutch Resistance fighter Joseph Piller.

Eduard Plietzsch was a German art historian and dealer investigated in connection to Nazi-looted art.

<span class="mw-page-title-main">Johannes Vermeer in popular culture</span>

Johannes Vermeer was a Dutch Baroque Period painter who specialized in domestic interior scenes of middle class life. His works have been a common theme in literature and films in popular culture since the rediscovery of his works by 20th century art scholars.

References

  1. Jonathan Lopez, The Man Who Made Vermeers (New York: Harcourt, 2008). ISBN   978-0-15-101341-8.
  2. "Peter Schjeldahl, "The Dutch Master: The Forger who Became a National Hero," in The New Yorker (October 20, 2008): 82-86". newyorker.com. 2008-10-20. Retrieved 2012-05-01.
  3. "Jonathan Lopez, "Gross False Pretences: The Misdeeds of Art Dealer Leo Nardus," in "Apollo: The International Magazine of the Arts" 347 (December 2007): 79-86". Scribd.com. 2021-05-01. Retrieved 2021-05-01.
  4. "Old Master criminals | James Fenton on robber barons in the art market". The Guardian . September 8, 2007. p. 26. Retrieved 2021-05-01.