Jones & Stephenson is a Belgian music duo mainly focusing on harder styles of electronic dance music. Jones' real name is Frank Sels (also known as Franky Jones) and Stephenson's full name is Axel Stephenson.
In 1993 they made the classic hardcore techno/hard trance record "The First Rebirth", released on Bonzai Records. The titular song is considered one of the foundations of the Dutch gabber/hardcore music genre. When it was re-released in 2002 it reached the number 1 spot in the Belgian dance charts. [1]
Breakbeat hardcore is a music genre that spawned from the UK rave scene during the early 1990s. It combines four-on-the-floor rhythms with breakbeats usually sampled from hip hop. In addition to the inclusion of breakbeats, the genre also features shuffled drum machine patterns, hoover, and other noises originating from new beat and Belgian techno, sounds from acid house and bleep techno, and often upbeat house piano riffs and vocals.
Happy hardcore, also known as 4-beat or happycore, is a subgenre of hardcore dance music or "hard dance". It emerged both from the UK breakbeat hardcore rave scene, and Belgian, German and Dutch hardcore techno scenes in the early 1990s.
Hardcore is a genre of electronic dance music that originated in the Netherlands, Belgium, and Germany in the early 1990s. It is distinguished by faster tempos and a distorted sawtooth kick, the intensity of the kicks and the synthesized bass, the rhythm and the atmosphere of the themes, the usage of saturation and experimentation close to that of industrial dance music. It would spawn subgenres such as gabber.
Bonzai Records, also known as Bonzai Music or Bonzai Progressive, is a Belgium-based record label specializing in techno, trance, hard trance, Goa trance, rave music and hardcore music.
2 Unlimited are a Belgian-Dutch dance music act, founded by Belgian producers/songwriters Jean-Paul De Coster and Phil Wilde in 1991 in Antwerp, Belgium. From 1991 to 1996, Dutch rapper Ray Slijngaard and Dutch vocalist Anita Doth fronted the act. During these five years, 2 Unlimited enjoyed worldwide mainstream success. They scored a total of sixteen international chart hits, including "Get Ready for This", "Twilight Zone", "No Limit", and "Tribal Dance". The act has sold eighteen million records worldwide. Although they enjoyed less mainstream recognition in the United States than in Europe, several of their tracks became popular themes in American sporting series, mainly in the NBA and NHL.
Hardstyle is an electronic dance genre that emerged in the late 1990s, with origins in the Netherlands, Belgium and Italy. Hardstyle mixes influences from techno, new beat and hardcore.
"Doctor Jones" is a song by Danish dance-pop group Aqua, released as the fourth single from their debut album, Aquarium (1997). It was the follow-up to their most successful song, "Barbie Girl", and first released as a single in most of Europe in October 1997 by Universal Records. In December 1997, "Doctor Jones" was released in Australia and peaked at No. 1 for seven consecutive weeks. In January 1998, the song was released in the United Kingdom and became the group's second No. 1 single, topping the chart for three weeks. Throughout the rest of Europe, the song reached the top 10 in 11 countries, topping the charts of Croatia and Ireland. Its music video, directed by Peder Pedersen, continued the same cinematic style as in "Barbie Girl", this time using Indiana Jones characters from the film series of the same name.
Hard trance is a subgenre of trance music that originated in Belgium, Germany and the Netherlands in the early 1990s as the Breakbeat hardcore production community began to diversify into new and different styles of electronic music, all influenced by Hard house, New beat, Happy hardcore and Jungle music. The popularity of hard trance peaked during the late 1990s and has since then faded in scope of newer forms of trance.
Terror is an American hardcore punk band from Los Angeles, formed in 2002. The band has undergone several line-up changes, all overseen by founding members Scott Vogel and Nick Jett (drums). Its current lineup also features guitarists Martin Stewart and Jordan Posner, as well as bassist Chris Linkovich. The band has released eight studio albums – the most recent of which, Pain Into Power, was released in May 2022. The band are noted as one of the most influential modern bands within beatdown hardcore and hardcore punk, with Stereogum describing Terror as "an institution within their genre".
Baby D is an English breakbeat hardcore and house music group, best known for their hit single "Let Me Be Your Fantasy" which hit number 1 on the UK chart in 1994.
Klubbheads is a team of dance music producers and DJs from the Netherlands. They have more than 40 aliases for their recordings, including Hi_Tack, DJ Disco and Drunkenmunky.
"No Good (Start the Dance)" is a song by English electronic music group the Prodigy. Written and produced by group member Liam Howlett, it was released on 16 May 1994 by XL Recordings as the second single from the group's second studio album, Music for the Jilted Generation (1994). Commercially, the track was presented with the slogan, "Hard dance with attitude" and is built around a repeated vocal sample from "You're No Good for Me", a song released by American singer Kelly Charles in 1987. Howlett initially had doubts whether to use the sample because he thought it was too pop for his taste. The song also contains samples from "Funky Nassau" by Bahamian funk group the Beginning of the End. It was certified Gold in Germany for 250,000 sold copies. The music video for the song was directed by Walter Stern and filmed in London.
"Do What's Good for Me" is a song Belgian-Dutch Eurodance band 2 Unlimited, released in October 1995 via Byte and ZYX Records as the first single from the band's first greatest hits compilation album, Hits Unlimited (1995). Co-written by bandmembers Anita Dels and Ray Slijngaard, the song was a hit in Europe, reaching the top 10 in Finland and Spain. Its music video was directed by Nigel Simpkiss.
Thunderdome is a concept in hardcore techno and gabber music that was mainly used for a series of parties and CD albums. It was organized by the Dutch entertainment company ID&T. The first party was organized in 1992 and the party held in December 2012 was advertised as being the end of Thunderdome. The party was brought back in 2017 for the 25th anniversary with a 2019 edition announced the following year. In 2022, Thunderdome celebrated its 30th anniversary at the Jaarbeurs convention centre, Utrecht.
Nukleuz is a dance record label based in the Clapham area of London, UK. Nukleuz is the home to many artists and compilation series in various genres including trance, UK hardcore, tech house and hard house.
Ultratop is an organization which generates and publishes the official record charts in Belgium. Ultratop is a non-profit organization, created in 1995 on the initiative of the Belgian Entertainment Association (BEA), the Belgian member organization of the International Federation of the Phonographic Industry. Two parallel sets of charts are concurrently produced and published, one on behalf of Belgium's mainly Dutch-speaking Flanders region, and the other catering to the nation's mainly French-speaking region of Wallonia.
The Bloody Beetroots is an Italian electronic music project of musician and producer Bob Rifo. Established in late 2006, the Bloody Beetroots were initially a duo consisting of Bob Rifo and Tommy Tea, who later left in 2012.
Q-dance is a Dutch company that organizes events and festivals that focuses on the harder styles of dance music – mainly hardstyle, hardcore, and hard trance. Popular events and festivals organized by Q-dance are Defqon.1 Festival, Qlimax, Qapital, Impaqt, EPIQ, and X-Qlusive. The events of Q-dance are easily identified by the letter “Q” on the event names. The logo of Q-dance is inspired by the knobs on DJ mixers, which if turned 120 degrees to the right creates the letter “Q”.
New beat is a Belgian electronic dance music genre that fuses elements of new wave, hi-NRG, EBM and hip hop. It flourished in Western Europe during the late-1980s.
Belgian hardcore techno is an early style of hardcore techno that emerged from new beat as EBM and techno influences became more prevalent in this genre. This particular style has been described as an "apocalyptic, almost Wagnerian, bombastic techno", due to its use of dramatic orchestral stabs and menacing synth tones that set it apart from earlier forms of electronic dance music. It flourished in Belgium and influenced the sound of early hardcore from Netherlands, Germany, Italy, UK and North America during the early-1990s, as a part of the rave movement during that period.