Claudio Coello was a Spanish Baroque painter. Coello is considered the last great Spanish painter of the 17th century.
Jacopo Ligozzi (1547–1627) was an Italian painter, illustrator, designer, and miniaturist. His art can be categorized as late-Renaissance and Mannerist styles.
Franciszek Ksawery Lampi, also known as Franz Xaver Lampi, was a Polish Romantic painter born in Austria of ethnic Italian background. He was associated with the aristocratic circle of the late Stanisław II Augustus, the last Polish king before the foreign partitions of Poland. Lampi settled in Warsaw around 1815 at the age of 33, and established himself as the leading landscape and portrait artist in Congress Poland soon after Napoleon's defeat in Russia.
Heinrich Friedrich Füger was a German classicist portrait and historical painter.
Francesco Galli, called Francesco da Bibiena, a member of the theatrical Galli da Bibiena family and younger brother of Ferdinando Galli, was born at Bologna in 1659. He first studied under Lorenzo Pasinelli; but he was afterwards instructed in the school of Carlo Cignani. His knowledge of architecture and perspective was considerable; but he excelled in figures. Francesco worked at Piacenza, Parma, and Rome, and then became ducal architect at Mantua. After a stay in Genoa and Naples he was called to Vienna, where he built a large theatre. He worked successively for the Emperors Leopold I and Joseph I, and was invited to Madrid by Philip V, who appointed him his principal architect. He died in 1739.
Joseph Karl Stieler was a German painter. From 1820 until 1855 he worked as royal court painter of the Bavarian kings. He is known for his Neoclassical portraits, especially for the Gallery of Beauties at Nymphenburg Palace in Munich, as well as his emblematic portrait of Ludwig van Beethoven, which has become one of his most famous works.
Johann Baptist von Lampi the Elder was an Austrian-Italian historical and portrait painter. He settled in the Russian Empire after the third and final partition of Poland, enticed by an extremely generous offer from the Tsar.
Johann Baptist von Lampi the Younger was an Austrian portrait painter.
Giuseppe Camerata (1718–1803) was an Italian miniaturist painter and engraver.
Michael Bryan was an English art historian, art dealer and connoisseur. He was involved in the purchase and resale of the great French Orleans Collection of art, selling it on to a British syndicate, and owned a fashionable art gallery in Savile Row, London. His book, Biographical and Critical Dictionary of Painters and Engravers, first published in 1813–1816, was a standard reference work throughout the 19th century, and was last republished in 1920; however it is now badly outdated.
Martin van Meytens was a Swedish-Austrian painter who painted members of the Royal Court of Austria such as Marie Antoinette, Maria Theresa of Austria, Francis I, Holy Roman Emperor, the Emperor's family and members of the local aristocracy. His painting style inspired many other painters to paint in a similar format.
August Querfurt was an Austrian painter.
Martin Ferdinand Quadal was a Moravian-Austrian painter and engraver. Quadal is a representative of the Austrian school of painting, working all across Europe in England, Italy, Austria, Holland, Germany, France, and Russia.
Franz Joseph Zoll was born at Möhringen an der Donau, in Baden, in 1772, and was first instructed by his father, a sculptor and painter. In his fourteenth year he went to Trostenberg in Bavaria, to an uncle who was a fresco painter, and then spent two years at Munich, studying under Johann Dorner and Joseph Hauber at the Academy. He visited Paris, Vienna, and Rome. In 1821 he became professor of design at Freiburg University, and in 1823 director of the Mannheim Gallery. He died in 1833. A Hercules and Hebe by him is in the Karlsruhe Gallery, and a Resurrection in the church of his birthplace. His early works were chiefly portraits.
Karl Josef Aigen was a landscape painter, born at Olomouc.
Georg Desmarées or Des Marées, was a Swedish-born German portrait painter.
Anton Einsle (1801–1871), an Austrian portrait painter, was born at Vienna 30 January 1801. He studied at the Academy of that city, and was largely patronized by the court and nobility. He died at Vienna 10 March 1871.
Johann Franz Ermels, a German painter and engraver, a pupil of Holtzman, was born in Reilkirch. He resided at Nuremberg, and painted for the church of St. Sebald in that city a picture of the Resurrection; he was more successful, however, as a painter of landscapes, in which he imitated the style of Jan Both. He died at Nuremberg, aged 52. In the Städel Gallery at Frankfort is a Landscape by him, with figures by J. H. Roos; and in the Vienna Gallery is a Landscape with Fishermen by him. A Landscape is also in the Milan Gallery. There are by him a few etchings of landscapes, after Waterloo, Breenbergh, etc., executed with spirit and taste.
Gisbert Hipolit August Flüggen was a German genre painter. He was sometimes referred to as the "German Wilkie".
Marten Jozef Geeraerts (1707–1791) was a Flemish historical painter. Born at Antwerp, he was intended for the law, and studied in the Jesuits' College. Preferring art, however, he became a pupil of Abraham Godijn, and was made free of the Guild of St. Luke in 1731. In 1741 he became one of the six directors of the Academy of Antwerp, who filled that office gratuitously. He died at Antwerp in 1791. He excelled in grisaille painting in imitation of bas-reliefs, of which there are the following examples:
