Joseph Celli (born March 19, 1944) is an American musician and composer specializing in contemporary and improvised music for oboe and English horn. [1] In addition, he plays the Yamaha WX7 MIDI breath controller, as well as double reed instruments from several Asian cultures, including the Korean hojok and piri , and the Indian mukha vina.
Celli is Italian American, both of his parents having been born in Italy (from Ripi, Frosinone, Lazio, central Italy) and immigrated to the U.S. in the early 1920s. His early training was as a jazz saxophonist which allowed him to work his way through college performing with rhythm and blues and jazz groups as he began specializing in experimental performance for the oboe and English horn. He studied oboe with Ray Still of the Chicago Symphony Orchestra and members of the New York Philharmonic, the Boston Symphony Orchestra, and other leading oboists. Subsequently, he received a Fulbright Award to study piri with National Living Treasure Chung Jae-Gook (hangul: 정재국; hanja: 鄭在國, b. 1942; Important Intangible Cultural Property no. 46) in South Korea and the hichiriki at the Imperial Court gagaku in Tokyo, Japan.
Celli has conducted much work in the field of experimental music, both as a performer and presenter, and has worked with Jin Hi Kim, John Cage, Ornette Coleman, Phill Niblock, Alvin Curran, Pointless Orchestra, Roberto Carnevale and the Kronos Quartet. [2] [3] [4] He has performed internationally in over 40 countries. With Jerry Hunt, Celli presented the first live satellite performance in the United States. [3] As a concert presenter he has been involved in over 3,000 events including world premieres by Steve Reich, John Cage, and many others. He presented the U.S. premieres of Spiral and Solo by Karlheinz Stockhausen in addition to over 50 works composed for him by various composers.[ vague ]
Celli served as a co-director with Mary Luft of Tigertail Productions for two New Music America festivals in Hartford, Connecticut and Miami, Florida. He is a founding member of the No World Improvisations ensemble and Executive Director of the Black Rock Art Center in Bridgeport, Connecticut, United States. He is also the founder and director of O. O. Discs, a CD label devoted to new music that has released over 70 discs. He is also the founder and director of O. O. Discs, a CD label devoted to new music that has released over 70 discs with world-wide distribution.
Celli can play on both the western oboe and on non-western oboes. [5]
An electronic musical instrument or electrophone is a musical instrument that produces sound using electronic circuitry. Such an instrument sounds by outputting an electrical, electronic or digital audio signal that ultimately is plugged into a power amplifier which drives a loudspeaker, creating the sound heard by the performer and listener.
MIDI is a technical standard that describes a communications protocol, digital interface, and electrical connectors that connect a wide variety of electronic musical instruments, computers, and related audio devices for playing, editing, and recording music. The specification originates in the paper Universal Synthesizer Interface published by Dave Smith and Chet Wood of Sequential Circuits at the 1981 Audio Engineering Society conference in New York City. A MIDI recording is not an audio signal, as with a sound recording made with a microphone. It is more like a piano roll, indicating the pitch, start time, stop time and other properties of each individual note, rather than the resulting sound.
Digital music technology encompasses digital instruments, computers, electronic effects units, software, or digital audio equipment by a performer, composer, sound engineer, DJ, or record producer to produce, perform or record music. The term refers to electronic devices, instruments, computer hardware, and software used in performance, playback, recording, composition, mixing, analysis, and editing of music.
A music sequencer is a device or application software that can record, edit, or play back music, by handling note and performance information in several forms, typically CV/Gate, MIDI, or Open Sound Control (OSC), and possibly audio and automation data for DAWs and plug-ins.
General MIDI is a standardized specification for electronic musical instruments that respond to MIDI messages. GM was developed by the American MIDI Manufacturers Association (MMA) and the Japan MIDI Standards Committee (JMSC) and first published in 1991. The official specification is available in English from the MMA, bound together with the MIDI 1.0 specification, and in Japanese from the Association of Musical Electronic Industry (AMEI).
The Digital Horn is a musical instrument produced by Casio in the mid-1980s.
A MIDI controller is any hardware or software that generates and transmits Musical Instrument Digital Interface (MIDI) data to MIDI-enabled devices, typically to trigger sounds and control parameters of an electronic music performance. They most often use a musical keyboard to send data about the pitch of notes to play, although a MIDI controller may trigger lighting and other effects. A wind controller has a sensor that converts breath pressure to volume information and lip pressure to control pitch. Controllers for percussion and stringed instruments exist, as well as specialized and experimental devices. Some MIDI controllers are used in association with specific digital audio workstation software. The original MIDI specification has been extended to include a greater range of control features.
A sound module is an electronic musical instrument without a human-playable interface such as a piano-style musical keyboard. Sound modules have to be operated using an externally connected device, which is often a MIDI controller, of which the most common type is the musical keyboard. Another common way of controlling a sound module is through a sequencer, which is computer hardware or software designed to record and playback control information for sound-generating hardware. Connections between sound modules, controllers, and sequencers are generally made with MIDI, which is a standardized interface designed for this purpose.
Jin Hi Kim is a composer and performer of komungo and electric komungo, and a Korean music specialist.
The taepyeongso is a Korean double reed wind instrument in the shawm or oboe family, probably descended from the Persian sorna and closely related to the Chinese suona. It has a conical wooden body made from yuja (citron), daechu (jujube), or yellow mulberry wood, with a metal mouthpiece and cup-shaped metal bell. It originated during the Goryeo period (918–1392).
EWI is a type of wind controller, an electronic musical instrument. The EWI was invented by Nyle Steiner, his second electronic wind instrument design. Steiner originally brought to market a brass style fingering analogue wind synthesizer instrument known as the EVI in the 1970s. Steiner then went on to develop the EWI which had a unique fingering system closer to the woodwind style. These instrument designs first working models appeared in the 1970s, with the EWI appearing commercially during the early 1980s.
A wind controller, sometimes referred to as a wind synthesizer, is an electronic wind instrument. It is usually a MIDI controller associated with one or more music synthesizers. Wind controllers are most commonly played and fingered like a woodwind instrument, usually the saxophone, with the next most common being brass fingering, particularly the trumpet. Models have been produced that play and finger like other acoustic instruments such as the recorder or the tin whistle. The most common form of wind controller uses electronic sensors to convert fingering, breath pressure, bite pressure, finger pressure, and other gesture or action information into control signals that affect musical sounds. The control signals or MIDI messages generated by the wind controller are used to control internal or external devices such as analog synthesizers or MIDI-compatible synthesizers, synth modules, softsynths, sequencers, or even non-instruments such as lighting systems.
Robert Dick is a flutist, composer, teacher and author.
Shelley Hirsch is an American vocalist, performance artist, composer, improviser, and writer. She won a DAAD Residency Grant in Berlin 1992, a Prix Futura award in 1993, and multiple awards from Creative Capital, the Foundation for Contemporary Arts, the New York State Council for the Arts, Four from NYFA and six from Harvestworks Digital Media Arts Center. She was a recipient of the Guggenheim Fellowship in Music Composition in 2017.
Disklavier is the brand name for a family of high-tech reproducing pianos made by Yamaha Corporation. The first Disklavier was introduced in the United States in 1987.
Roger John Goeb was an American composer.
Hi Kyung Kim is a South Korean composer.
Richard David Carrick is an American composer, pianist and conductor. He was a Guggenheim Fellow in Music Composition for 2015–16 while living in Kigali, Rwanda. His compositions are influenced by diverse sources including traditional Korean Gugak music, the flow concept of Mihaly Csikszentmihalyi, Gnawa Music of Morocco, Jazz, experimental music, concepts of infinity, the works of Italo Calvino and Ludwig Wittgenstein, and his work as improviser.
The Wind Quintet, Op. 26, is a chamber music composition by Arnold Schoenberg, composed in 1923–24. It is one of the earliest of Schoenberg's compositions to use twelve-tone technique.