Joseph Rosenberg

Last updated
Joseph Rosenberg
Jrosenberg.JPG
Born
Joseph Henry Rosenberg

28 August 1881
Hungary
Died29 Jun 1971 (age 89)
Los Angeles
NationalityAmerican
Education Yale University
OccupationBanker
Known formovie lending
Parent(s)Henry Rosenberg, Lottie Rosenberg
Familynever married

Joseph H. Rosenberg (1881-1971) was a bank executive credited with financing most of the Hollywood movie industry in its early days. Rosenberg, who served as an executive of Bank of America and Lehman Brothers, had a 61-year career in banking.

Contents

Early years

Joseph Rosenberg was born in Hungary, immigrated to the US (Cleveland, Ohio), age six. After studying engineering at Case School of Applied Science and graduating from Yale University (class of 1903), he was a surveyor of an ill-fated Mexican railroad construction venture, attempted a mining career in Arizona, and rode a horse 275 miles from Goldfield, Nevada, to Chloride, Arizona, in search of a job. This lone open-country ride, in which Indians ferried him across the Colorado River while the horse swam at the end of a rope, took two weeks. The trip was prolonged for two days because he was asked to stay by a family he met in his travels, who had not seen anyone for three months. [1] After seven unsuccessful years of engineering, Rosenberg was hired by the Arizona Central Bank (Kingman, Arizona with a branch in Chloride) in 1910. [2] In 1926 he joined Los Angeles Merchants National Bank. When Merchants was absorbed by Bank of America, Rosenberg became a vice president. With most banks skeptical about the movie industry as it tried to become big business, Bank of America financed many studio loans. The job of evaluating producers and movies fell to Rosenberg, who had total responsibility for approving movie lending. [3] [4]

Walt Disney

Walt Disney introduces each of the Seven Dwarfs in a scene from the original 1937 Snow White and the Seven Dwarfs theatrical trailer. Walt Disney Snow white 1937 trailer screenshot (13).jpg
Walt Disney introduces each of the Seven Dwarfs in a scene from the original 1937 Snow White and the Seven Dwarfs theatrical trailer.

Midway through making Snow White and the Seven Dwarfs, Walt Disney, after spending $1.25 million, needed another $250,000 to complete the film. Disney ran a rough cut for Rosenberg, who sat impassively during the showing. Then Rosenberg turned to the worried Disney and said, “Walt, that thing is going to make a hatful of money” and approved the loan. [5] In April 1941, work on The Adventures of Ichabod and Mr. Toad had begun as animators and writers had come off from Bambi , which was nearly complete. [6] When the Disney animators' strike was finished in October 1941, Rosenberg issued an ultimatum in which he would permit an absolute loan limit of $3.5 million, and in return, he ordered the studio to restrict itself to producing animation shorts and to finish features already in production— Dumbo , Bambi , and The Adventures of Ichabod and Mr. Toad —but no other feature film would begin work until they had been released and earned back their costs. In response, the studio's feature film production, including early versions of Alice in Wonderland and Lady and the Tramp , were heavily scaled back while The Adventures of Ichabod and Mr. Toad was kept in production as animation work had already begun. [7] However, after reviewing the animation footage, Disney decided to shelve the project deciding that "the quality was too far below the standard necessary to be successful on the market." [8]

Similarly, Rosenberg would later urge Walter Lantz, creator of Woody Woodpecker, to temporarily close his studio in 1949 due to Lantz's financial struggles with distributor United Artists. Once Lantz's loans were reduced, his studio would reopen in 1950.

Trial of Joseph Schenck

On 18 March 1941, Rosenberg described in court a $100,000 loan made to Joseph M. Schenck, which Schenck repaid within four days. Rosenberg, testifying in the trial of the film executive on income tax evasion charges, said that on June 22, 1937, four days after the loan was made, Schenck telephoned him just before the bank closed for the day and said he was coming over. Rosenberg said that Schenck appeared carrying a brown paper grocer's bag. In the bag was $100,000 in fifty and hundred dollar bills. The government described the $100,000 as a "mystery" sum and indicated testimony could be offered to show that through a series of business deals Schenck came out $100,000 ahead and allegedly failed to declare the $100,000 in his income tax return. Schenck was convicted of tax evasion, went to prison, and subsequently received a presidential pardon from Harry S. Truman. [9]

Later years

At the age of 65 in 1946, the bank forced Rosenberg to retire, and he started a second career. He joined Lehman Brothers as a senior partner and opened their Los Angeles office a month after leaving Bank of America. [10] Even at the age of 89 he was still working when he became ill. He died at Good Samaritan Hospital (Los Angeles) and is interred in Home of Peace Cemetery (East Los Angeles). In later years he often criticized companies for forcing managers to retire at 65. He called it a waste of the country's most productive resource. Rosenberg outlived his three brothers, who managed Milwaukee woolen mills in which Rosenberg held an interest. [11] Three nieces who lived in Milwaukee survived him. [12]

Philanthropy

In 1968, the Hebrew Union College's new California school, adjacent to University of Southern California at 32nd and Hoover Streets, included the Joseph H. Rosenberg Center of the American Jewish Archives. The Center collected documents pertaining to the origins and development of Western Jewry that made history. Dr. Nelson Glueck, college president, said that the Center was being named for its donor, who at 86 was still a general partner in the Los Angeles office of Lehman Brothers. Rosenberg had long been active on behalf of the California school and was chairman of its budget and finance committee. Dr. Glueck added that the Rosenberg Center would be the West Coast depository of copies of documents, numbering about three million pages, in the American Jewish Archives on the Cincinnati campus of the 93-year-old rabbinical seminary. The Archives, said Dr. Glueck, were a Jewish counterpart of the National Archives in Washington, D.C., and devoted to the systematic collection and preservation of material shedding light on the Jewish experience in the Western Hemisphere. The new California school, for which land had recently been purchased, was to replace inadequate facilities at 8745 Appian Way in the Hollywood Hills, part of the four-campus college, which also had schools in New York and Jerusalem to train rabbis, cantors and Jewish educators. [13] [14]

Related Research Articles

<span class="mw-page-title-main">Golden age of American animation</span> Period of animation where theatrical sound cartoons were common and popular

The golden age of American animation was a period in the history of U.S. animation that began with the popularization of sound synchronized cartoons in 1928 and gradually ended in the 1960s when theatrical animated shorts started to lose popularity to the newer medium of television. Animated media from after the golden age, especially on television, were produced on cheaper budgets and with more limited techniques between the 1960s and 1980s.

<span class="mw-page-title-main">Walter Lantz Productions</span> American animation studio

Walter Lantz Productions was an American animation studio. It was in operation from 1928 to 1972 and was the principal supplier of animation for Universal Pictures.

John Frederick Hannah was an American animator, writer and director of animated shorts.

<span class="mw-page-title-main">Walter Lantz</span> Italian American animator (1899–1994)

Walter Benjamin Lantz was an American cartoonist, animator, producer and director best known for founding Walter Lantz Productions and creating Woody Woodpecker.

<span class="mw-page-title-main">Marc Davis (animator)</span> American artist and animator (1913–2000)

Marc Fraser Davis was a prominent American artist and animator for Walt Disney Animation Studios. He was one of Disney's Nine Old Men, the famed core animators of Disney animated films, and was revered for his knowledge and understanding of visual aesthetics. After his work on One Hundred and One Dalmatians he moved to Walt Disney Imagineering to work on rides for Disneyland and Walt Disney World before retiring in 1978.

<span class="mw-page-title-main">Ollie Johnston</span> American animator (1912-2008)

Oliver Martin Johnston Jr. was an American motion picture animator. He was one of Disney's Nine Old Men, and the last surviving at the time of his death from natural causes. He was recognized by The Walt Disney Company with its Disney Legend Award in 1989. His work was recognized with the National Medal of Arts in 2005.

Robert Fred Moore, was an American artist and animator for Walt Disney Animation Studios. Often called "Freddie," he was born and raised in Los Angeles, California. Despite limited formal art training, he rose to prominence at Disney very quickly in the early 1930s, due to his great natural talent and the tremendous appeal of his drawings. His drawings are still greatly admired by animators and animation fans.

<i>The Adventures of Ichabod and Mr. Toad</i> 1949 animated Disney film

The Adventures of Ichabod and Mr. Toad is a 1949 American animated anthology film produced by Walt Disney Productions and released by RKO Radio Pictures. It consists of two segments: the first based on Kenneth Grahame's 1908 children's novel The Wind in the Willows and narrated by Basil Rathbone, and the second based on Washington Irving's 1820 short story The Legend of Sleepy Hollow and narrated by Bing Crosby. The production was supervised by Ben Sharpsteen, and was directed by Jack Kinney, Clyde Geronimi, and James Algar.

<span class="mw-page-title-main">Wolfgang Reitherman</span> German-American animator (1909–1985)

Wolfgang Reitherman, also known and sometimes credited as Woolie Reitherman, was a German–American animator, director and producer and one of the "Nine Old Men" of core animators at Walt Disney Productions. He emerged as a key figure at Disney during the 1960s and 1970s, a transitionary period which saw the death of Walt Disney in 1966, with him serving as director and/or producer on eight consecutive Disney animated feature films from One Hundred and One Dalmatians through The Fox and the Hound.

Edward Robert Sears was an American animator during the Golden Age of American animation. Sears worked for the Fleischer Studios in the late-1920s and early-1930s, and was hired away from Max Fleischer to work at the Walt Disney studio in 1931.

Al Bertino was an American animator best remembered for his work with the Walt Disney Company

Ken Southworth was an English animator, cartoonist and animation instructor who worked for a number of major animation studios throughout his nearly 60-year career, including Walt Disney Studios, Hanna-Barbera, Filmation, Warner Bros. Animation, the Metro-Goldwyn-Mayer cartoon studio, Walter Lantz Productions and Clokey Productions. His credits included Disney's Alice in Wonderland and Legend of Sleepy Hollow, as well as Hanna-Barbera's The Flintstones, Space Ghost and Dino Boy, Scooby-Doo, Where Are You! and The Smurfs among others.

Walt Stanchfield was an American animator, writer and teacher. Stanchfield is known for work on a series of classic animated feature films at Walt Disney Studios and his mentoring of Disney animators.

Calvin Henry Howard was an American cartoon story artist, animator and director mostly remembered for his work at Walter Lantz Productions and Warner Bros. Cartoons. He was also the voice actor of Gabby Goat in Get Rich Quick Porky and Meathead Dog in Screwball Squirrel.

Mel Shaw was an American animator, design artist, writer, and artist. Shaw was involved in the animation, story design, and visual development of numerous Disney animated films, beginning with Bambi, which was released in 1942. His other animated film credits, usually involving animation design or the story, included The Rescuers in 1977, The Fox and the Hound in 1981, The Black Cauldron in 1985, The Great Mouse Detective in 1986, Beauty and the Beast in 1991, and The Lion King in 1994. He was named a Disney Legend in 2004 for his contributions to The Walt Disney Company.

Donald Ross "Don" Lusk was an American animator and director.

Events in 1916 in animation.

Events in 1911 in animation.

Events in 1904 in animation.

Events in 1903 in animation.

References

  1. Rosenberg succumbs at 89. Western Pioneer. B'nai B'rith Messenger. 9 July 1971
  2. JH Rosenberg to take management Arizona Central Bank. Mohave County Miner and Our Mineral Wealth (Kingman, Arizona) 15 May 1920
  3. Rites set for banker, Joseph H. Rosenberg. LA Times, 1 July 1971
  4. JH Rosenberg, Banker, 89, dies. NY Times. July 1, 1971
  5. Bob Thomas. Walt Disney: An American Original. Simon & Schuster, 1976
  6. "James Bodero Interview". michaelbarrier.com (Interview). Interviewed by Milton Gray. Retrieved February 24, 2018.
  7. Gabler 2006, p. 376.
  8. Barrier 1999, p. 309.
  9. Banker tells about Schenck’s $100,000 in brown paper bag. LA Times, 19 Mar 1941
  10. Lehman office to open here. Daily News. Los Angeles 29 Aug 1946
  11. Returns from trip to middle west. Mohave County Miner and Our Mineral Wealth (Kingman, Arizona) 20 Oct 1922
  12. Joseph H. Rosenberg, former Milwaukeean, dies. Wisconsin Jewish Chronicle 9 July 1971
  13. School to collect Jewish Documents. Citizen News. Los Angeles, 14 Aug 1968
  14. Jews in US data compiled for archives. Valley News (Van Nuys, Calif) 6 Oct 1974 p34

Bibliography