Josip Klarica (born 1946) was a Croatian artist working in the mediums of film and photography. [1]
Klarica was born in Belgrade, PR Serbia, FPR Yugoslavia. He first studied photography and then attended the Film Academy in Prague (1975–77). As an art photographer he was interested in the history of photographic techniques and photo-chemical processes and has used old photographic techniques extensively in his work. Klarica experimented with the camera obscura and a replica of a panoramic camera (Paris, 1845) which he designed himself and adjusted to his needs. [2] He primarily shot portraits, landscapes and still life (Slaughter, Fair, Still Life). A small selection of Klarica's work can be seen on his official website.
Klarica had many solo exhibitions in Croatia and abroad, including: The Photographers' Gallery (London, 1982), the Museum of Contemporary Art, Zagreb, 1991, Centro Culturale San Fedele (Milan, 1994), Galerie Johannes Faber (Vienna, 2002), and the Klovićevi dvori Gallery (Zagreb, 2005). His works belong to several museum and gallery collections like the International Museum of Photography at George Eastman House (Rochester), Bibliotheque Nationale de France (Paris), the Museum of Contemporary Art (Zagreb), the Museum of Arts and Crafts (Zagreb), the Musée Nicéphore Niépce (Chalon-sur-Saône), and the Modern Gallery, Zagreb.
Giorgio Giulio Clovio or Juraj Julije Klović was an illuminator, miniaturist, and painter born in the Kingdom of Croatia, who was mostly active in Renaissance Italy. He is considered the greatest illuminator of the Italian High Renaissance, and arguably the last very notable artist in the long tradition of the illuminated manuscript, before some modern revivals.
Slava Raškaj was a Croatian painter, considered to be the greatest Croatian watercolorist of the late 19th and early 20th century. Deaf since birth, Raškaj was schooled in Vienna and Zagreb, where her mentor was the renowned Croatian painter Bela Čikoš Sesija. In the 1890s her works were exhibited around Europe, including at the 1900 Expo in Paris. In her twenties Raškaj was diagnosed with acute depression and was institutionalised for the last three years of her life before dying in 1906 from tuberculosis in Zagreb. The value of her work was largely overlooked by art historians in the following decades, but in the late 1990s and early 2000s interest in her work was revived.
Tarik Samarah is a Bosnian photographer who works in artistic and documentary photography. Samarah was born in 1965 in Zagreb to Bosnian and Sudanese parents. He spent years compiling the project "Srebrenica - genocide at the heart of Europe". He has widely exhibited his works most notably at the Holocaust Museum in Washington DC and United Nations building in New York. He is also renowned for his billboard campaign in Republic of Serbia. The campaign exhibited the images of Srebrenica massacre on large commercial billboards in the cities across Serbia as a method of raising awareness about event that took place during the Srebrenica Genocide.
Klovićevi Dvori Gallery is an art gallery in Zagreb, Croatia. Opened in 1982, the gallery is named after the 16th century Croatian-born artist Juraj Julije Klović, considered to be one of the greatest manuscript illuminators of the Italian Renaissance.
Hrvoje Slovenc is a Croatian/American fine art photographer based in New York City. He holds MS in Biochemistry from University of Zagreb and MFA in Photography from Yale University School of Art.
Tošo Dabac was a Croatian photographer of international renown. Although his work was often exhibited and prized abroad, Dabac spent nearly his entire working career in Zagreb. While he worked on many different kinds of publications throughout his career, he is primarily notable for his black-and-white photographs of Zagreb street life during the Great Depression era.
Ordan Petlevski was a prominent artist working in the media of painting, drawing, graphic arts and illustration.
Lovro Artuković is a contemporary Croatian painter and graphic artist who primarily paints large scale figurative canvases. He lives and works in Berlin, Germany.
Boris Cvjetanović is a Croatian photographer. He lives and works in Zagreb, Croatia.
Marino Tartaglia was a Croatian painter and art teacher, for many years a professor at the Academy of Fine Arts, Zagreb.
Josip Seissel was a Croatian architect and urban planner, who under the pseudonym of Jo Klek was a constructivist artist, graphical designer and theatrical designer. A member of the influential avant-garde Zenit movement of the 1920s, he is considered to be a pioneer of surrealism and abstract art in Croatia.
Vilko Gecan was a Croatian painter, influential in the Zagreb modern art scene of the 1920s and 1930s. He is best known for his expressionist paintings and drawings, and for his contributions to the local avantgarde magazine Zenit. He showed his work in many solo and group exhibitions in Croatia and abroad. In the Zagreb Spring Salon of the 1920s, he participated with Milivoj Uzelac, Marijan Trepše and Vladimir Varlaj, who together were known as the "Group of Four" or "The Prague Four". Trained in Prague, works of these young painters brought new expressionist ideas that went on to dominate the 1920s Croatian art scene.
Milivoj Uzelac (1897–1977) was a painter influential in the Zagreb modern art scene of the 1920s and 30s. During the Zagreb Spring Salon of the 1920s, he participated with Vilko Gecan, Marijan Trepše and Vladimir Varlaj as the Group of Four. Uzelac spent much of his professional life in France, and is best known for his portraits and interior scenes with bohemian characters.
Edo Kovačević was a Croatian artist, best known for his colourful landscapes and views of suburban Zagreb. He worked mainly in oils and pastels, using subtle colour harmonies and lively brush strokes to bring out the natural beauty of ordinary subjects. Kovačević also designed theatrical stage sets for the Croatian National Theatre, the Drama Theatre and the Puppet Theatre, for many years, taught art at the Zagreb School of Crafts, and organized art exhibitions and installations.
Dalit L. Durst, is an author, translator, curator and art historian of both Israeli and French nationality. Former chief curator at the M.T. Abraham Foundation and head of the Cultural Exchange and Academic Department at the Hermitage Foundation Israel, she has curated exhibitions in Europe, dedicated to the sculpture of Edgar Degas. In December 2013 she co-curated the exhibition "Edgar Degas: Figures in Motion" at The State Hermitage Museum in Saint Petersburg, Russia. In 2016 she curated an exhibition of Degas' 74 bronze sculptures at MGM Art Space in Macau. Lahav-Durst works with a broad range of artists. Fluent in multiple languages, she has co-authored and translated over 15 books.
Damir Hoyka is a Croatian fine art and advertising photographer. The focus of his work are portraits and creative personal projects, and lately his educational project Fotosofia where he shares his knowledge and experience with photography talents. He has won several awards.
Marija Braut was a Croatian photographer and one of the most significant artistic successors of the so-called Zagreb School of Photography.
Contemporary Croatian painting. The term "the end of painting" appears in the descriptions of radical art movements in painting that express the nihilistic stance towards the progress of artistic creation. Such an attitude was stimulated by the disappearance of the utopian dimension of art, which was meant to transform the social relations and the position of man towards himself, in a time marked by the deaths of political ideologies and the strengthening of global capitalism.
Robert Auer, was a Croatian Secession painter.