This article includes a list of general references, but it lacks sufficient corresponding inline citations .(February 2015) |
Jovem Guarda | |
---|---|
Other names | Iê, Iê, Iê |
Stylistic origins | Rock and roll, rock pop and psychedelic rock |
Cultural origins | Early 1960s in Brazil |
Typical instruments | Guitar, drums, bass, saxophone, trumpet, organ and electric keyboard |
Regional scenes | |
Brazilian rock | |
Local scenes | |
São Paulo |
Jovem Guarda [nb 1] was primarily a Brazilian musical television show first aired by Rede Record in 1965, although the term soon expanded to designate the entire movement and style surrounding it. The members of the program were singers who had been influenced by the American rock n' roll of the late 1950s and British Invasion bands of the 1960s, although the music often became softer, more naïve versions with light, romantic lyrics aimed at teenagers. They were Roberto Carlos, Erasmo Carlos and Wanderléa, with other bands and musicians appearing on the show as guests.
The style became popularly known as "iê-iê-iê", a term that, like French yé-yé, is most likely based on the frequent "yeah" cries heard in songs of the period (for instance, the Beatles' "She loves you/Yeah yeah yeah"). Iê-iê-iê was often considered a lesser genre, inferior to the more sophisticated bossa nova and MPB music of the period. Jovem Guarda also became a lucrative business thanks to merchandise that explored its theme and even a couple of themed motion pictures were shot during the period, thus reinforcing the idea of its lack of artistic integrity.
Jorge Ben explored Jovem Guarda-style rock during the 1960s, fusing it with samba and R&B, [1] before his music's development into samba rock. [2]
Brazilian rock began in 1955, with Bill Haley, with the arrival of artists such as Elvis Presley and Chuck Berry to success, several young people in Brazil began to admire this new style. In 1956 the first Brazilian rock band, The Jordans, appeared. In 1957, the singer Celly Campello, who is now considered the mother of Brazilian rock, appeared. At the beginning of the 1960s, several Brazilian rock artists and bands began to appear, having a lot of influence from Elvis Presley, Chuck Berry, Jerry Lee Lewis and others. In 1963 the song "She Loves You" by the Beatles was very successful in Brazil; the chorus "Yeah, Yeah, Yeah" became so popular among young people that the chorus became the name of the first Brazilian youth movement, the rock and roll movement.
"Iê, ie, iê" became very popular throughout Brazil. In 1965 TV Record in São Paulo decided to show a program named Jovem Guarda every Sunday. The program would present Brazilian rock artists and bands featuring "Iê, iê, iê". The Jovem Guarda program was presented by three artists who stood out in Iê, iê, iê, the singers Roberto Carlos and Erasmo Carlos, two of the pioneers of Brazilian rock, and the singer Wanderléa.
The program was successful from the first episode, for this reason, the name of the movement was replaced by the youth from Iê, iê, iê to Jovem Guarda, after which, the singer Roberto Carlos was responsible for creating several slangs that were used by millions of young people in Brazil until today, including "Barra Limpa Mora!," "Que Broto Lindo," "Minha Caranga," "Eai Bicho" and the most famous "É Uma Brasa Mora!"
The Young Guard had mainly the Beatles as an influence, with rock and roll, pop rock and psychedelic rock. The band The Brazilian Bitles was the first to apply psychedelia in Brazilian rock. The name The Brazilian Bitles is a parody of the Beatles, but they are one of the most important bands in the Jovem Guarda. With the end of the program in 1968, the movement began to become weak with the emergence of tropicália, another very famous movement in Brazil.
The Jovem Guarda were responsible for revolutionizing music in Brazil. As the country was going through a military dictatorship, many albums by international bands and artists were not sold in Brazil, so it was with the Beatles, that their songs were often released in compilations of greatest international hits. For this reason, several artists and bands from Jovem Guarda made versions of international songs with lyrics totally different from the original, following the same rhythm. It was very popular at the time, and before recording, the artists got in contact with the original composers to be able to record the version.
The Jovem Guarda was similar to Beatlemania, with fans screaming and even invading the stage just to see their idols. Jovem Guarda changed the way of thinking of the youth of the time, being a movement that revolutionized Brazilian music with the use of rhythms. more agitated, with the voice screamed in some songs and also by the use of the organ in many songs.
One of the most important bands in Jovem Guarda is the band Renato e Seus Blue Caps, who stood out with versions of Beatles songs such as "Menian Linda" version of "I Should Have Known Better" and "Meu Primeiro Amor" version of "You're Gonna Lose That Girl." [3]
The name Jovem Guarda was born from the phrase of the Russian leader Lenin: "The future belongs to the young guard because the old one is outdated."
The program Jovem Guarda debuted on 22 August 1965, on TV Record, led by three up-and-coming singers at that time. Roberto Carlos had already exploded in 1963 with a version of "Splish Splash", by Bobby Darin and DJ Murray the K, in the Brazilian version of Erasmo Carlos. For her part, Wanderléa had won several radio singer competitions and had released her first single in 1962.
The recordings took place at Teatro Record, on Rua da Consolação, in São Paulo and were broadcast live. In Rio, there was a version shown during the week directed by Carlos Manga, broadcast by TV Rio. The rest of the country had to wait and watch it on videotape, as there was no retransmission via satellite.
Over the course of an hour, the trio sang their hits and received guests. Quickly, the program became an audience leader and caused hysteria in the fans who crowded the theater's premises. The rebellious posture, the frenetic pace and the innocent lyrics, but identifiable by the teenager audience, ensured the program's success. [4]
Young Guard's first songs were versions of hits from the American and British songbook. We can mention the version of "Girl" from The Beatles, which became the song "Meu Bem", a success in the voice of Ronnie Von. Neil Sedaka's "Stupid Cupid" was a big hit with Celly Campelo singing "Estúpido Cupido."
At the same time, Roberto Carlos and Erasmo Carlos began to make compositions following the American rock line. The lyrics spoke of dating, conquests, cars and freedom. Examples of this theme are "I Want Everything To Go To Hell," by Roberto Carlos (1965) and "Festa de Arromba," by Erasmo Carlos and Roberto Carlos (1965).
The Jovem Guarda left marks on the behavior of teenagers, launching fashion and slang. Extravagant outfits included feather coats, bright colors and the ubiquitous miniskirt for girls. The hair should be long like the Beatles and the posture should be as relaxed as possible.
The language was invaded by expressions such as "É Uma Brasa Mora!", "Barra Limpa" and "É Papo Firme!". These expressions were taken from the lyrics of the songs presented in the program.
The Jovem Guara movement dictated fashion during the boom years. The presenters influenced the young people of the time with their colorful and printed clothes, fur coats and with their long hair in the Elvis Presley style. The movement also helped to spread a variety of slang, phrases and expressions such as:
Even after the program ended in 1968, the Jovem Guarda continued to exert influence. Some of its artists such as singer Sérgio Reis migrated to Sertanejo and introduced characteristics of the movement in the new style. [5]
Roberto Carlos Braga is a Brazilian singer-songwriter, also known as "King of Latin Music" or simply "the King". Most of his songs were written in partnership with his friend, singer and songwriter Erasmo Carlos. Roberto Carlos has sold over 70 million albums around the world. He is considered one of the most influential artists in Brazil, being cited as a source of inspiration by many artists and bands. His net worth is estimated at US$160 million.
Jorge Duílio Lima Menezes is a Brazilian popular musician, performing under the stage name Jorge Ben Jor since the 1980s, though commonly known by his former stage name Jorge Ben. Performing in a samba style that also explored soul, funk, rock and bossa nova sounds, Ben has recorded such well-known songs as "Chove Chuva", "Mas, que Nada!", "Ive Brussel" and "Balança Pema". His music has been covered by artists such as Caetano Veloso, Sérgio Mendes, Miriam Makeba, Soulfly and Marisa Monte.
Brazilian rock refers to rock music produced in Brazil and usually sung in Portuguese. In the 1960s, it was known as iê-iê-iê, the Portuguese transcription of the line "Yeah, yeah, yeah" from the Beatles song "She Loves You".
Rita Lee Jones was a Brazilian singer, songwriter, multi-instrumentalist, presenter, actress, writer, and activist. Known as the "Queen of Brazilian Rock," she sold more than 55 million records, making her the most successful female artist by record sales in Brazil and the fourth overall, behind Tonico & Tinoco, Roberto Carlos, and Nelson Gonçalves. She built a career that started with rock but over the years flirted with various genres, such as psychedelia during the Tropicália era, pop rock, disco, new wave, pop, bossa nova, and electronic, creating a pioneering hybrid between international and national genres.
Sebastião "Tim" Rodrigues Maia was a Brazilian musician, songwriter, and businessman known for his iconoclastic, ironic, outspoken, and humorous musical style. Maia contributed to Brazilian music within a wide variety of musical genres, including soul, funk, disco, jazz, rock and roll, rhythm and blues, romantic ballads, samba, bossa nova, baião and música popular brasileira (MPB). He introduced the soul style on the Brazilian musical scene. Along with Jorge Ben, Maia pioneered sambalanço, combining samba, soul, funk and rock and roll. He is recognized as one of the biggest icons in Brazilian music.
Os Mutantes is the debut album by the Brazilian tropicalia band Os Mutantes. It was originally released in 1968 by Polydor and blends traditional Brazilian music styles with American and British psychedelia. The album includes a cover of The Mamas & The Papas' "Once Was a Time I Thought", translated into "Tempo no Tempo", and a cover of "Le premier bonheur du jour", previously recorded by Françoise Hardy. It was reissued in 1999 on Omplatten Records and again in 2006 by Omplatten's parent company, Universal Records.
Erasmo Carlos was a Brazilian singer and songwriter, most closely associated with his friend and longtime collaborator Roberto Carlos. Together, they created many chart hits including "É Proibido Fumar", "Sentado à beira do caminho", "Além do Horizonte", "Amigo" and "Festa de Arromba".
Wanderléa Charlup Boere Salim is a Brazilian singer and former co-host of the historic television show Jovem Guarda alongside Roberto Carlos and Erasmo Carlos. The show aired on TV Record between 1965 and 1968. Wanderléa was nicknamed Ternurinha after her first hit "Ternura".
Ciro Pessoa Mendes Corrêa, also known by his Dharma name Tenzin Chöpel, was a Brazilian singer-songwriter, lyricist, guitarist, screenwriter, journalist and poet, famous for being one of the founding members of the influential rock band Titãs and for his later work with pioneering post-punk/gothic rock band Cabine C. He also formed numerous other short-lived and lesser known projects throughout the early to mid-1990s before beginning a solo career in 2003.
Alex Veley is an American rock musician, soul keyboardist and singer.
Carlos Roberto Cavalcanti de Albuquerque, known as Robertinho do Recife, is a Brazilian guitarist, record producer, composer born in the city of Recife, Brazil. His first contact with the guitar was at the age of 10. After he was run over by a car, he had to stay long periods of time at home and had to watch a lot of TV. In one of these TV programs he met the Beatles and fell in love with the guitar. He got his first guitar as a gift from his grandfather. At the age of 12 he was already playing with bands in Recife. He had very good technique and later was invited to play with bands like: Watch Pocket, Chicago and Quiet Riot. He played a little of everything: from music for children, to heavy metal and neoclassical. At the end of the 1980s he played with the Brazilian band Yahoo, when they played a cover of "Love Bites", a song from the British band Def Leppard. He is currently working as a music producer in his own studio in Rio de Janeiro.
Deny e Dino is a Brazilian rock band formed in the city of Santos in 1956. They achieved mainstream success with their Jovem Guarda hit "Coruja". They co-wrote songs for other Jovem Guarda artists, like Demétrius and Erasmo Carlos. Their album O Ciúme sold 200,000 copies and stayed at first place on the charts for 22 weeks. They still had some success after the end of Jovem Guarda. Dino died in 1994, but Deny kept producing and recording, and released a new album, Essential, with another partner who adopted the stage name Dino.
O Bidú: Silêncio no Brooklin is the fifth studio album by Brazilian singer-songwriter and guitarist Jorge Ben. It was recorded with Brazilian rock band The Fevers as Ben's backing musicians and released in 1967 by Artistas Unidos, a small-market record label based in São Paulo.
Dick Danello, stage name of Filippo D'Anello, is an Italian singer, songwriter, producer, MC and actor who lives in Brazil. He was part of the 1960s Brazilian rock scene known as Jovem Guarda.
Cauby Peixoto was a Brazilian singer, whose career lasted from the late 1940s until his death in 2016. He is known for his deep voice and extravagant mannerisms and hairstyles. He had a brief career in the United States in the 1950s, where he presented under the pseudonyms Ron Coby or Coby Dijon.
The Jet Black's was an instrumental rock band from São Paulo, Brazil. The band was formed in 1961 by Jurandi (drums), Orestes, Ernestico (saxophone), and José Paulo (bass), and Cat/Gato joined the following year. Their first single was "Apache"/"Kon-Tiki", followed by "Hully-Gully" (1962), and "Twist/The Jet Black's Again" (1963).
Roberto Carlos e o Diamante Cor-de-Rosa is a Brazilian film released in July 1970, directed and produced by Roberto Farias. The film is the second of a trilogy featuring the singer Roberto Carlos; co-starring with him are his Jovem Guarda musical partners Erasmo Carlos and Wanderléa. It had an audience of 2,639,174 spectators, being the highest-grossing film in Brazil in 1970.
Marcos Roberto Dias Cardoso, also known as Marcos Roberto was a singer and Brazilian composer, successful since the 1960s and in the 1980s with the song A Última Carta, which was in first place on the charts for months and sold more than 2 million records.
O Inimitável is the eighth studio album by the Brazilian singer and writer Roberto Carlos, that was released in 1968.
Jovem Guarda is the fifth studio album by the Brazilian singer and writer Roberto Carlos, which was released in 1965.