Etta Moten Barnett was an American actress and contralto vocalist, who was identified with her signature role of "Bess" in Porgy and Bess. She created new roles for African-American women on stage and screen. After her performing career, Barnett was active in Chicago as a major philanthropist and civic activist, raising funds for and supporting cultural, social and church institutions. She also hosted a radio program in Chicago and represented the United States in several official delegations to nations in Africa.
Duke Bluebeard's Castle is a one-act Symbolist opera by composer Béla Bartók to a Hungarian libretto by his friend and poet Béla Balázs. Based on the French folk legend, or conte populaire, as told by Charles Perrault, it lasts about an hour and deploys just two singing characters: Bluebeard and his newest wife Judith ; the two have just eloped and she is coming home to his castle for the first time.
Karole Armitage is an American dancer and choreographer currently based in New York City. She is artistic director of Armitage Gone! Dance, a contemporary dance company that performs several times annually in New York City as well as touring internationally. She was dubbed the “punk ballerina” in the 1980s. She earned a Tony nomination for her choreography of the Broadway musical Hair.
Jake Heggie is an American composer of opera, vocal, orchestral, and chamber music. He is best known for his operas and art songs as well as for his collaborations with internationally renowned performers and writers.
Estelle Liebling was an American soprano, composer, arranger, music editor, and celebrated voice teacher and vocal coach.
Mary Dunleavy is an American soprano who has performed with major opera companies and orchestras around the world.
Harolyn Blackwell is an American lyric coloratura soprano who has performed in many of the world's finest opera houses, concert halls, and theaters in operas, oratorios, recitals, and Broadway musicals. Initially known for her work within musical theater during the early 1980s, Blackwell moved into the field of opera and by 1987 had established herself as an artist within the soubrette repertoire in many major opera houses both in the United States and in Europe. Feeling that she was being "type cast" into one particular kind of role, Blackwell strove to establish herself within the lyric coloratura repertoire beginning in the mid-1990s. With the aid of such companies as Seattle Opera, Blackwell successfully made this move and is now an interpreter of such roles as Lucia in Donizetti's Lucia di Lammermoor and Olympia in Offenbach's Les contes d'Hoffman. She has also periodically returned to musical theater performances throughout her career in staged productions, concert work, and recitals. Blackwell is known for her interpretations and recordings of the works of Leonard Bernstein.
Beverly Wolff was an American mezzo-soprano who had an active career in concerts and operas from the early 1950s to the early 1980s. She performed a broad repertoire which encompassed operatic and concert works in many languages and from a variety of musical periods. She was a champion of new works, notably premiering compositions by Leonard Bernstein, Gian Carlo Menotti, Douglas Moore, and Ned Rorem among other American composers. She also performed in a number of rarely heard baroque operas by George Frideric Handel with the New York City Opera (NYCO), the Handel Society of New York, and at the Kennedy Center Handel Festivals.
Joyce DiDonato is an American lyric-coloratura mezzo-soprano. She is notable for her interpretations of operas and concert works in the 19th-century romantic era in addition to works by Handel and Mozart.
Stephanie Novacek is an American operatic mezzo-soprano who has appeared at many of the world's opera houses. A regular performer at the Houston Grand Opera and Opera Atelier, Novacek is especially known for her performances in contemporary operas and in obscure operas, particularly baroque works, outside of the standard repertory. Opera News has described her voice as a "rich, seamless flow of solid silk" and an actress "with always a strong presence on stage".
Mary McCormic was an American operatic soprano and a professor of opera at the University of North Texas College of Music (1945–1960).
Michelle DeYoung is an American classical vocalist who has an active international career performing in operas and concerts.
Barbara Smith Conrad was an American opera singer. A mezzo-soprano, she performed with the Metropolitan Opera, Vienna State Opera, Teatro Nacional in Venezuela, and many others. She was also an educator, co-directing the Wagner Theater Program, which she co-founded, and maintaining a private studio as well as taking up multiple artist residencies.
Lauren Tolbert Worsham is an American actress and singer known for her work in the opera and musical theatre. She received a Tony Award nomination for Best Featured Actress in a Musical for her role in A Gentleman's Guide to Love and Murder. She is also known for being the lead singer of the band Sky-Pony, which has released two albums with original songs titled "Say You Love Me Like You Mean It" and "Raptured Live".
Ruth Pryor (1906-2001) was a Chicago ballet dancer and instructor, and the first American ballerina to dance the role of the Swan Queen in Swan Lake, in 1930. She was known for "her feat of whirling thirty-six times a minute on her toes," according to the Purple Parrot of Northwestern University.
Marion Nevada Talley was an American opera lyric coloratura soprano. She was at the time (1926) the youngest prima donna to have made a debut at the Metropolitan Opera; her swift rise to fame was followed by a period of decline, although she remained in the public eye for a number of years.
Josephine Lucchese was an American operatic soprano who had an active international singing career during the 1920s and 1930s. A skilled coloratura soprano, she was particularly admired for her portrayals of Rosina in The Barber of Seville, Violetta in La traviata, and the title role in Lucia di Lammermoor. She began her opera career in 1920 with the San Carlo Opera Company; a touring opera company in the United States. She was a resident artist with the Philadelphia Grand Opera Company from 1929-1932, and was a principal artist with the Dutch National Opera during the 1930s. She also appeared as a guest artist with American and European opera houses during her career.
Beverly Hoch is an American coloratura soprano and music educator who has had an active performance career in operas, concerts, and on recordings since the late 1970s. She has been teaching at Texas Woman's University since 2007.
Ursula Joyce Yerwood was the first female African American physician in Fairfield County, Connecticut, and founder of the Yerwood Center, the first community center for African Americans in Stamford, Connecticut.
Joyce Mathis was an American soprano who was a concert artist, recitalist, and opera singer from the 1960s into the early 1990s. She is considered a part of the first generation of black classical singers to achieve success in the United States; breaking down racial barriers within the field of classical music. She won several notable singing competitions, including the Marian Anderson Award in 1967 and the Young Concert Artists in 1968. In 1970 she recorded the role of the High Priestess in Verdi's Aida alongside Leontyne Price and Luciano Pavarotti. Pullitzer Prize-winning composer Ned Rorem wrote his song cycle Women's Voices for her in 1975. In 1976 she created the role of Celestina in Roger Ames's opera Amistad at the Kennedy Center for the Performing Arts. She appeared frequently in performances with Opera Ebony and the Boys Choir of Harlem in addition to touring widely as a recitalist and concert soprano.
