Joyce Cuoco is a former American ballerina. She came to great acclaim at a young age, particularly for her ability to sustain long balances and her multiple pirouettes. Cuoco's early training was with Harriet Hoctor and Boston Ballet founder, E. Virginia Williams. She quickly rose to great popular success as a "baby ballerina". She appeared on The Ed Sullivan Show and The Danny Kaye Show in 1966, and later headlined at Radio City Music Hall. [1] In every appearance she would charm the audience with her smile and her astonishing dancing.
Cuoco later became a soloist with the John Cranko's Stuttgart Ballet and remained in Germany for the remainder of her career. She now works as the assistant to Youri Vámos, acting as the assistant to the choreographer and/or the stage manager for many of his full-length ballet productions. She also works at the Ballet of the Deutsche Oper in Düsseldorf as the director of the ballet school. [2]
Anna Pavlovna Pavlova, born Anna Matveyevna Pavlova, was a Russian prima ballerina of the late 19th and the early 20th centuries. She was a principal artist of the Imperial Russian Ballet and the Ballets Russes of Sergei Diaghilev. Pavlova is most recognized for her creation of the role of The Dying Swan and, with her own company, became the first ballerina to tour around the world, including performances in South America, India and Australia.
Giselle, originally titled Giselle, ou les Wilis, is a romantic ballet in two acts with music by Adolphe Adam. Considered a masterwork in the classical ballet performance canon, it was first performed by the Ballet du Théâtre de l'Académie Royale de Musique at the Salle Le Peletier in Paris, France, on 28 June 1841, with Italian ballerina Carlotta Grisi as Giselle. The ballet was an unqualified triumph. Giselle became hugely popular and was staged at once across Europe, Russia, and the United States.
Karole Armitage is an American dancer and choreographer currently based in New York City. She is artistic director of Armitage Gone! Dance, a contemporary dance company that performs several times annually in New York City as well as touring internationally. She was dubbed the “punk ballerina” in the 1980s. She earned a Tony nomination for her choreography of the Broadway musical Hair.
Elizabeth Marie Tallchief was an American ballerina. She was considered America's first major prima ballerina. She was the first Native American to hold the rank, and is said to have revolutionized ballet.
Maya Mikhailovna Plisetskaya was a Soviet and Russian ballet dancer, choreographer, ballet director, and actress. In post-Soviet times, she held both Lithuanian and Spanish citizenship. She danced during the Soviet era at the Bolshoi Theatre under the directorships of Leonid Lavrovsky, then of Yury Grigorovich; later she moved into direct confrontation with him. In 1960, when famed Russian ballerina Galina Ulanova retired, Plisetskaya became prima ballerina assoluta of the company.
Aleksandra Dionisyevna Danilova was a Russian-born prima ballerina, who became an American citizen. In 1989, she was recognized for lifetime achievements in ballet as a Kennedy Center Honoree.
Nina Ananiashvili is a Georgian ballerina and artistic director of the State Ballet of Georgia. She has been described by the Daily Telegraph as one of the twelve greatest ballerinas of all time, and in 2002 was named Best Ballerina of the Year by the US Dance Magazine. Ananiashvili has been a prominent fixture of the Soviet, Russian and Georgian ballet scene for decades. Shortly before the fall of the Iron Curtain, in 1987 a New York Magazine critic praised her as "the best thing about the Bolshoi's Giselle whether she appeared in the title role or as the queen of the wilis." In 2014, a film of her 1991 performance in Giselle with the Bolshoi ballet was released.
Diana Viktorovna Vishneva is a Russian ballet dancer who performs as a principal dancer with the Mariinsky Ballet.
Olga Alexandrovna Spessivtseva was a Russian ballerina whose stage career spanned from 1913 to 1939.
Melissa Hayden was a Canadian ballerina at the New York City Ballet.
Dame Catherine Margaret Mary Scott, was a South African-born pioneering ballet dancer who found fame as a teacher, choreographer, and school administrator in Australia. As the first director of the Australian Ballet School, she is recognised as one of the founders of the strong ballet tradition of her adopted country.
Maria Olegovna Kochetkova is a Russian ballet dancer. She was a principal dancer with the San Francisco Ballet between 2007 and 2018, and with the American Ballet Theatre between 2015 and 2017. After that, she became a freelance dancer for several years, before joining the Finnish National Ballet in the 2020/21 season.
Misty Danielle Copeland is an American ballet dancer for American Ballet Theatre (ABT), one of the three leading classical ballet companies in the United States. On June 30, 2015, Copeland became the first African American woman to be promoted to principal dancer in ABT's 75-year history.
Katita Waldo is a Spanish ballet dancer and ballet master. She joined the San Francisco Ballet in 1988, was promoted to principal dancer in 1994, and retired from performing in 2010, but remains in the company as a ballet master.
British ballet is most recognised for two leading methods, those of the Royal Ballet School and the Royal Academy of Dance. The identifying characteristic of British ballet is the focus on clean, precise technique and purity of line that is free of exaggeration and mannerisms. The training of dancers in Britain is noted for its slow progression, with a great deal of attention paid to basic technique. British ballet methods operate on the principle that establishing correct technique and strength slowly makes it much easier for the student to adapt to more difficult vocabulary and techniques later on.
Ann Marie DeAngelo is an American choreographer, director, producer, teacher, consultant and former dancer - an expert in all areas of dance. She was leading ballerina with the Joffrey Ballet, where early on she was pegged by Time magazine as "one of America's most outstanding ballerinas" and where she later served as associate director at the time of the company's move to Chicago, Illinois, in 1995. DeAngelo was the founding artistic director of Mexico's Ballet de Monterrey, and served as artistic director of Ballet Omaha during the 1990s. She founded her own experimental troupe in the late 1980s called Ballet D'Angelo, creating several full-evening productions, which toured extensively in Europe. She is currently the director of DeAngelo Productions, an umbrella company for creating and producing dance related projects. DeAngelo continues to work internationally as a director, choreographer, and teacher.
Youri Vámos was born in Budapest. He trained in ballet from a young age at the State Ballet School in Budapest. He was a soloist at the Hungarian State Opera and then later accepted a contract as a first soloist at the Bavarian State Opera.
Suzelle Poole, also known as Madame Poole, is an English ballet dancer, dance teacher, and poet. She is a former soloist with Houston Ballet and is known for continuing to perform ballet in her seventies.
Mary Ellen Moylan was an American ballet dancer. She was one of the first students of George Balanchine's School of American Ballet, and made her New York stage debut in 1942. She had danced with Ballet Russe de Monte Carlo, Ballet Society, Ballet Theatre, Metropolitan Opera Ballet, and on Broadway. She was best known for performing Balanchine's works, and was described as "the first great Balanchine dancer". She retired from performing in 1957.