Juan Gotti | |
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 Gotti performing in 2023 | |
| Background information | |
| Birth name | Juan Ramos |
| Origin | Houston, Texas, US |
| Genres | Southern hip hop, Chicano rap |
| Years active | 1997–present |
| Labels | Dope House Records, Warner Music Latina, Nueva Records |
Juan Ramos, [1] better known by his stage name Juan Gotti, is an American rapper of Mexican descent, and member of Dope House Records. [2] He raps in both Spanish and English. [3] [4]
Ramos was raised in Houston, Texas. [1] He later moved to San Antonio. [5] Gotti combines regional Norteño and Ranchero music with hip hop to create his signature sound. [1] Some of Gotti's music was recorded in an attempt to promote peace between rival gangs, as the result of his change of attitude after being released from prison. [1]
His album No Sett Trippin was nominated for a Latin Grammy Award in 2004. [6] In 2005, his follow-up album John Ghetto debuted at #11 on Billboard's Latin Rhythm Charts, as well as #46 under the Top Latin Albums category. [7] He has also received multiple nominations for Texas Latin Rap Awards, [8] including a win for Artist of the Year in 2005. [9]
Selena Quintanilla Pérez, known professionally as Selena, was an American singer. Referred to as the "Queen of Tejano Music", her contributions to music and fashion made her one of the most celebrated Mexican-American entertainers of the late 20th century. In 2020, Billboard magazine put her in third place on their list of "Greatest Latino Artists of All Time", based on both Latin albums and Latin songs chart. Media outlets called her the "Tejano Madonna" for her clothing choices. She also ranks among the most influential Latin artists of all time and is credited for catapulting the Tejano genre into the mainstream market.
José Roberto Pulido Jr., known professionally as Bobby Pulido, is an American singer, songwriter, guitarist, and actor. He is acclaimed for pioneering the dissemination of Tejano music to a youthful audience, subsequently ascending as a teen idol and becoming one of the most influential Tejano recording artists among Mexican-American teenagers.
Entre a Mi Mundo is the third studio album by American singer Selena, released on May 6, 1992, by EMI Latin. The label endeavored to bolster Selena's popularity within the Latin music market in the United States with this release. Selena's brother, A. B. Quintanilla kept his role as the singer's producer and, in collaboration with Selena y Los Dinos members Pete Astudillo and Ricky Vela, composed tracks for the album. The ensuing recording encompassed an eclectic array of songs, attributable to the members' diverse backgrounds, which facilitated the modernization of the many genres they explored. Entre a Mi Mundo is a Tejano cumbia album that encapsulated Selena's quintessential sound, characterized by engaging tunes harmonized with her distinctive, plaintive vocals and a relaxed, danceable cumbia beat. The album incorporates musical inspirations from power pop, R&B, disco, rock, funk, and synthesized Tejano music.
American singer Selena released eleven studio albums, three live albums, three boxsets, three remix albums, two soundtrack albums, and twenty compilation albums. Credited for elevating a music genre into the mainstream market, Selena remains the best-selling Tejano recording artist in history, selling over 18 million records worldwide. She was named the top-selling Latin artist of the 1990s decade in the US by Billboard magazine.
Mis Mejores Canciones – 17 Super Éxitos is a greatest hits album by American singer Selena released on September 17, 1993, through EMI Latin. Beginning in January 1993, the label released a comprehensive collection that spotlighted its Latin music artists as part of its Latin Classics series. Mis Mejores Canciones – 17 Super Exitos encompasses 17 tracks, ranging from songs recorded on her debut album with EMI Latin, to songs present in Entre a Mi Mundo (1992). The album received a positive response from music critics who enjoyed the label's catalog releases and praised the tracks on the album for showcasing Selena's early popular recordings. Following the shooting death of Selena on March 31, 1995, Mis Mejores Canciones – 17 Super Exitos debuted at number one on the US Billboard Top Catalog Albums chart, the first Spanish-language recording to do so. The Recording Industry Association of America (RIAA) certified the album diamond (Latin), denoting 600,000 units shipped in the United States.
Momentos Intimos is a compilation album by American singer Selena and released posthumously on March 23, 2004, through EMI Latin. The album contains 24 tracks, though the last eight are spoken liner notes provided by the singer's family, friends, and her Los Dinos band. The songs on the album range from "Como Te Quiero Yo A Ti" (1988), a re-recorded version modernized and remixed on the album, to "Puede Ser", an unreleased duet with Nando "Guero" Dominguez, recorded two weeks before Selena was shot and killed in March 1995. Following Selena's death, her father Abraham Quintanilla expressed his interest in persevering his daughter's memory through her works. Selena's family has been criticized by fans and the media for exploiting the singer and cannibalizing her murder by commercializing her repertoire.
"No Me Queda Más" is a song by American singer Selena on her fourth studio album, Amor Prohibido. It was released as the third single from the album in October 1994 by EMI Latin. "No Me Queda Más" was written by Ricky Vela, and production was handled by Selena's brother A.B. Quintanilla. A downtempo mariachi and pop ballad, "No Me Queda Más" portrays the ranchera storyline of a woman in agony after the end of a relationship. Its lyrics express an unrequited love, the singer wishing the best for her former lover and his new partner.
"Bidi Bidi Bom Bom" is a song recorded by American Tejano singer Selena. It was released as the second single from her fourth studio album, Amor Prohibido (1994). Originally written about a cheerful fish swimming freely in the ocean, the song's title is an onomatopoeic phrase suggesting the palpitating heartbeat of a person lovestruck by the object of their affection. "Bidi Bidi Bom Bom" was written by Selena and her backup vocalist and dancer Pete Astudillo.
Pedro Astudillo, known as Pete Astudillo, is an American singer-songwriter, record producer, and dancer. Referred to as "the Latino Babyface" by The Daily Journal, he is regarded as the architect behind Selena's sound, as he collaborated or coauthored the singer's top-selling and most popular recordings that cemented him into music history. Astudillo wrote or collaborated on some of the most popular Tejano music songs of the 1990s and was inducted into the Tejano Roots Hall of Fame in 2019. His impact on the United States Latin music scene lies in his role as a songwriter collaborator, according to Billboard magazine.
Aries is the ninth studio album by Mexican recording artist Luis Miguel. It was released by WEA Latina on 22 June 1993. After attaining commercial success in 1991 with his previous album, Romance, Luis Miguel decided to return to a style similar to his earlier work, featuring pop ballads and dance numbers with R&B influences. The record was produced by Miguel, who was assisted by Kiko Cibrian, Rudy Pérez, David Foster, and Juan Luis Guerra.
"Amarte Es un Placer" is a song recorded by Mexican singer Luis Miguel and the fourth and final single from his album of the same name (1999). Released in 2000, it was written by Juan Carlos Calderón, while production was handled by Miguel. Lyrically, "Amarte Es un Placer" deals with a narrator describing the pleasures of being enamored with his lover.
Dope House is an independent record label based in Houston, Texas. It primarily releases hardcore, underground, and Southern hip hop.
"Se Me Olvidó Otra Vez" is a song written and performed by Mexican singer-songwriter Juan Gabriel for his fourth studio album, Juan Gabriel con el Mariachi Vargas de Tecalitlán (1974). The song is a ranchera number that tells of an awaited but impossible reunion as the singer forgets he is the only one who loved the woman. It was released as the lead single from the album in 1975. The song has been listed as among Juan Gabriel's best songs according to music critics and was one of the best-performing singles of 1975 in Mexico. Gabriel has re-recorded the song twice, the first for his compilation album, Por Los Siglos (2001), and as a duet with fellow Mexican singer-songwriter Marco Antonio Solís on his 28th studio album, Los Dúo (2015).
"No Debes Jugar" is a song recorded by American recording artist Selena and released as the lead single from her first live album Live! (1993). It was composed by Selena y Los Dinos keyboardist Ricky Vela and Selena's brother and principal record producer A.B. Quintanilla III and produced by Quintanilla III and Argentine music producer Bebu Silvetti. It is an uptempo Mexican cumbia song with influences of Rock en Español which is centered on female empowerment. Lyrically, the song describes a woman who threatens to leave her unappreciative boyfriend.
"La Carcacha" is a song recorded by American singer Selena for her third studio album, Entre a Mi Mundo (1992). The song was written by A.B. Quintanilla and Pete Astudillo. It was inspired by a dilapidated car and an experience in which A.B. observed a woman's willingness to court the owner of a luxury car. The song, characterized by its rhythmic melodies and satirical portrayal of life in the barrio, highlights the importance of love and genuine connection over material wealth. It is a Tejano cumbia song that is emblematic of Selena's typical style, while music critics found it to be musically similar to "Baila Esta Cumbia".
"Papi Te Quiero" (English: Daddy I Love You) is a song by Puerto Rican reggaetón recording artist Ivy Queen, from the platinum edition of her third studio album, Diva (2003). It was composed by Queen and her then husband Gran Omar, produced by Tony "CD" Kelly and Rafi Mercenario and released as the third single from the album in 2004. The song heavily samples Sean Paul's "Like Glue" released a year earlier. On digital editions of the album, Anthony Kelly, co-writer of "Like Glue", is credited as being featured on the song, though, provides no vocals. There is a music video associated with the song released along with the music video for the last single off the album "Tu No Puedes". In the music video, she sports the Los Angeles Lakers' women's sport outfit. Ivy Queen performed the English version of the song on ABC's Good Morning America. The song was performed as a part of the set of her 2008 World Tour which was held from the José Miguel Agrelot Coliseum, also known as the Coliseum of Puerto Rico in San Juan, Puerto Rico.
Latin music is a term used by the music industry as a catch-all category for various styles of music from Ibero-America, which encompasses Latin America, Spain, Portugal, and the Latino population in Canada and the United States, as well as music that is sung in either Spanish and/or Portuguese. It may also include music from other territories where Spanish- and Portuguese-language music is made.
"Hasta Que Me Olvides" is a song by Mexican singer Luis Miguel from his ninth studio album, Aries (1993). The song was composed by Dominican Republic singer-songwriter Juan Luis Guerra with Miguel and Kiko Cibrian handling the production. It was released as the album's second single in August 1993 by WEA Latina. A sentimental ballad, the song narrates the protagonist who insists on loving his partner until he is forgotten.
Freddie Records is an American independent record label founded in Corpus Christi, Texas on November 1, 1969, by musician Freddie Martinez. Originally functioning as a recording studio and distributor for Martinez, the label expanded its roster to include other Tejano musicians to avoid financial failure. The label commenced producing albums for an array of artists, including Ramón Ayala, Agustin Ramirez, Oscar Martinez, and Joe Bravo. Ayala became the best-selling act of the label, sustaining the financial stability of Freddie Records throughout the 1970s and 1980s. The label sponsored a Little Joe concert in 1978 and recorded it for their Live for Schlitz album. It led to a ban on future events in the area, though the album remained a lucrative live recording for Freddie Records for two decades. As Tejano music's popularity surged, Freddie Records augmented its foundation by incorporating an additional 6,000 square feet for a second studio and production facility replete with updated MCI equipment capable of accommodating cassette tape and 8-track formats and instigated a release schedule of two albums per month on average.
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