Judas Iscariot was a disciple and one of the original Twelve Apostles of Jesus Christ. According to all four canonical gospels, Judas betrayed Jesus to the Sanhedrin in the Garden of Gethsemane by kissing him on the cheek and addressing him as "master" to reveal his identity in the darkness to the crowd who had come to arrest him. His name is often used synonymously with betrayal or treason.
Dirck Jaspersz. van Baburen was a Dutch painter and one of the Utrecht Caravaggisti.
Gerrit Dou, also known as GerardDouw or Dow, was a Dutch Golden Age painter, whose small, highly polished paintings are typical of the Leiden fijnschilders. He specialised in genre scenes and is noted for his trompe-l'œil "niche" paintings and candlelit night-scenes with strong chiaroscuro. He was a student of Rembrandt.
Willem van Mieris was an 18th-century painter from the Northern Netherlands.
Jan Asselijn was a Dutch Golden Age painter.
Dutch Golden Age painting is the painting of the Dutch Golden Age, a period in Dutch history roughly spanning the 17th century, during and after the later part of the Eighty Years' War (1568–1648) for Dutch independence.
Rembrandt Harmenszoon van Rijn, usually simply known as Rembrandt, was a Dutch Golden Age painter, printmaker and draughtsman. An innovative and prolific master in three media, he is generally considered one of the greatest visual artists in the history of art and the most important in Dutch art history.
Matthew 27:6 is the sixth verse of the twenty-seventh chapter of the Gospel of Matthew in the New Testament. This verse continues the final story of Judas Iscariot. In the previous verse Judas had cast into the temple the thirty pieces of silver he'd been paid for betraying Jesus. In this verse the priests discuss what to do with them.
Jan Six was an important cultural figure in the Dutch Golden Age.
Ernst van de Wetering was a Dutch art historian and an expert on Rembrandt and his work.
A self-portrait is a representation of an artist that is drawn, painted, photographed, or sculpted by that artist. Although self-portraits have been made since the earliest times, it is not until the Early Renaissance in the mid-15th century that artists can be frequently identified depicting themselves as either the main subject, or as important characters in their work. With better and cheaper mirrors, and the advent of the panel portrait, many painters, sculptors and printmakers tried some form of self-portraiture. Portrait of a Man in a Turban by Jan van Eyck of 1433 may well be the earliest known panel self-portrait. He painted a separate portrait of his wife, and he belonged to the social group that had begun to commission portraits, already more common among wealthy Netherlanders than south of the Alps. The genre is venerable, but not until the Renaissance, with increased wealth and interest in the individual as a subject, did it become truly popular.
The Conspiracy of Claudius Civilis is an oil painting by the Dutch painter Rembrandt, c. 1661–62, which was originally the largest he ever painted, at about five by five metres in the shape of a lunette. The painting was commissioned by the Amsterdam city council for the Town Hall. After the work had been in place briefly, it was returned to Rembrandt, who may have never been paid. Rembrandt drastically cut down the painting to a quarter of the original size to be sold. It is the last secular history painting he finished.
Thirty pieces of silver was the price for which Judas Iscariot betrayed Jesus, according to an account in the Gospel of Matthew 26:15 in the New Testament. Before the Last Supper, Judas is said to have gone to the chief priests and agreed to hand over Jesus in exchange for 30 silver coins, and to have attempted to return the money afterwards, filled with remorse.
Jan van de Cappelle was a Dutch Golden Age painter of seascapes and winter landscapes, also notable as an industrialist and art collector. He is "now considered the outstanding marine painter of 17th century Holland".
The Bargain of Judas is a biblical episode related to the life of Jesus which is recorded in all three Synoptic Gospels, Matthew 26:14–16, Mark 14:10–11 and Luke 22:1–6. It relates how Judas Iscariot made a bargain with the Jewish chief priests to betray Jesus.
The Last Supper of Jesus and the Twelve Apostles has been a popular subject in Christian art, often as part of a cycle showing the Life of Christ. Depictions of the Last Supper in Christian art date back to early Christianity and can be seen in the Catacombs of Rome.
The Return of the Prodigal Son is an oil painting by Rembrandt, part of the collection of the Hermitage Museum in St. Petersburg. It is among the Dutch master's final works, likely completed within two years of his death in 1669. Depicting the moment of the prodigal son's return to his father in the Biblical parable, it is a renowned work described by art historian Kenneth Clark as "a picture which those who have seen the original in St. Petersburg may be forgiven for claiming as the greatest picture ever painted".
A Polish Nobleman is a 1637 painting by Rembrandt depicting a man in a costume of Polish szlachta (nobility). The identity of the subject of the painting is unclear, and has given rise to several different interpretations. The view that the figure's dress is clearly Polish is not universally held and it may have been a self-portrait.
Susanna and the Elders is a painting by the Dutch artist Rembrandt from the Baroque period. It is an oil on panel painting completed in the year 1647. It depicts the story of Susanna, a Deuterocanonical text from the book of Daniel in the Bible. The painting is currently housed at the Gemäldegalerie in Berlin.
The Portrait of an African Man also known as Portrait of a Moor is a painting by the Dutch Renaissance painter Jan Mostaert. Mostaert probably made the painting between c. 1525 and 1530, or slightly earlier. The exact subject of the painting has long been unclear, although numerous ideas have been put forward, including that the depicted figure is a soldier, a nobleman or Saint Maurice. The portrait is significant in that it may portray the earliest portrait of a specific black man in European painting, though Saint Maurice, and Balthazar of the Three Kings or Biblical Magi, had long been usually portrayed as Africans.
