Judd Tully | |
---|---|
Born | Chicago, Illinois, USA |
Occupation | Journalist, author, art critic |
Nationality | American |
Period | 1970s–present |
Judd Tully is an American art critic and journalist who writes about artists and the art market. [1] He has been contributor to BlouinARTINFO, [2] The Washington Post , [3] ARTnews , [4] Flash Art [5] and covered topics such as the potential indictment of museum staff in response to Robert Mapplethorpe's 1990 retrospective, and some of the first post-war multi-million dollar auction records. [6] [7] He is formerly the editor-at-large for the website Blouin Artinfo. [8] [9] He has also appeared on CNBC and MSNBC. [10] [11]
Judd Tully was born Judd Goldstein in Chicago and attended Lake View High School. He also attended American University in Washington, DC and went on to pursue a masters at the University of Oregon. [12] He initially got his start writing for underground newspapers and journals in the Bay Area such as the Berkeley Barb . [13] [14] When Tully moved to New York City around 1972 he began to write freelance art reviews for publications such as the New Art Examiner , Flash Art and SoHo Weekly News , eventually becoming a stringer for The Washington Post in 1985. [15] [16] Tully also serves as the Chairman of the Reuben Kadish Foundation. [17] In June 2022, a feature length documentary film about David Hammons, directed by both Tully and Harold Crooks, premiered at the 2022 Sheffield DocFest. [18] [19]
The Artist Pension Trust (APT), which merged into the MutualArt Group in 2016, is an investment vehicle specializing in contemporary art, which aims to provide financial security and international exposure to selected artists chosen by its international curatorial team. It has the largest global collection of contemporary art, comprising 10,000 artworks from 2,000 artists in 75 countries, and growing by more than 2,000 each year. As of November 2013, a total of 40,000 artworks had been committed to APT by 2,000 artists. APT claimed its then value to be more than $US100 million.
Charles Wilbert White, Jr. was an American artist known for his chronicling of African American related subjects in paintings, drawings, lithographs, and murals. White's lifelong commitment—to chronicling the triumphs and struggles of his community in representational form—cemented him as one of the most well-known artists in African American art history. Following his death in 1979, White's work has been included in the permanent collections of the Art Institute of Chicago, Los Angeles County Museum of Art, The Metropolitan Museum of Art, the Whitney Museum of American Art, the National Gallery of Art, The Newark Museum, and the Santa Barbara Museum of Art. White's best known work is The Contribution of the Negro to American Democracy, a mural at Hampton University. In 2018, the centenary year of his birth, the first major retrospective exhibition of his work was organized by the Art Institute of Chicago and the Museum of Modern Art.
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Louise Blouin Media was an art magazine and book publishing company based in New York City. Founded by Louise Blouin, it published the magazines Art+Auction, Gallery Guide and Modern Painters until 2020. It owns Somogy, a French art book publisher, and the databases Art Sales Index and Gordon's. Artinfo.com was launched in 2005 and later changed to blouinartinfo.com, which is now defunct.
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Harold Crooks is a Canadian-American filmmaker. He began his career as an investigative journalist covering environmental issues in Canada during the 1980s and 90s. His films cover the subjects of political economy and the impact humans have on their environment through technology and capitalism. Most recently he co-directed a documentary with the art writer Judd Tully about the artist David Hammons.
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Dimitris Daskalopoulos, is a Greek entrepreneur who is known as founder and chairman of DAMMA Holdings SA, a financial services and investment company. He served as the Chairman of the Board of the Hellenic Federation of Enterprises (SEV) for 8 consecutive years (2006-2014). He is SEV’s Honorary President.
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Para Site is an independent, non-profit art space based in Hong Kong. It was founded in 1996 by artists Patrick Lee, Leung Chi-wo, Phoebe Man Ching-ying, Sara Wong Chi-hang, Leung Mee-ping, Tsang Tak-ping and Lisa Cheung. It produces exhibitions, public programmes, residencies, conferences and educational initiatives that aim to develop a critical understanding of local and international contemporary art.
John Brown Abercromby (1843–1929) was a Scottish artist whose styles and genres varied from traditional portraiture and domestic scenes to avant-garde modernist.
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I covered the New York market for the Post beginning in the mid '80s, when the market was starting to go up. The auction houses were getting more publicity with sales of $40 million van Goghs. I think galleries were feeling left behind, and they started launching art fairs as counterweights to the auction spectacle, which it really was. The totals accelerated with the arrival of Japanese buyers, and that also drew a lot of media attention.
I started out writing art reviews for Flash Art and Arts in the 1980s in New York
Art Critic and Writer - Former Editor at Large of BLOUIN ART + Auction magazine
Charlotte Burns: And we have Judd Tully, an award-winning journalist, widely-published writer and critic, who is the Editor-At-Large at Blouin Art + Auction magazine and Blouin Art Info. Charlotte Burns: That preceded the idea of shaping your own narrative, which is what you can do with social media. Judd, I wanted to ask you, how many years have you been covering the market beat? Judd Tully: Too many. I was primarily covering, from '86-'87, contemporary art and Impressionist and Modern art. And these were tiny sales. Minuscule. I mean I can remember a headline: "Christie's Contemporary Art: $12 million". The total. Not for, say, a Mark Grotjahn painting, but the whole sale.
TULLY(Goldstein),JUDD WRITER, CURATOR b. Chicago, Ill, Apr 13, 1947. Study: Am Univ, Washington, BA, 69; Univ Ore, Eugene.
BRIAN APPEL: Tell me a little bit about how you got started writing.JUDD TULLY: I came to New York in the early seventies--I had been in Northern California and I was looking for something to do in New York in terms of writing journalism.BA: So you were writing before.JT: Sort of. Yeah. Right out of college I was writing for these underground newspapers in Berkeley, California.
BA: That's great. I had no idea. Where were you born?JT: Chicago.
And I switched more to journalism. And then I wrote for "The New Art Examiner" in Chicago. I went to the Museum of Modern Art library. I used to hang out there and look at publications. And I liked that publication, contacted them, and then started writing stuff about New York for them. And then it gradually—I got very lucky in the mid-eighties—and started freelancing as a stringer for the "Washington Post" for the style section. And then wrote a tremendous amount of stuff on auctions. Not that I knew anything about them.
New York-based arts writer and journalist Judd Tully has been steeped in the international art market since the mid-1970s. He discusses the trajectory of his career and elucidates the international art market, auctions, art fairs, and different levels of artists' careers. Judd Tully is an arts writer and editor at large for Art + Auction and ARTINFO. He has covered auctions, art fairs, and exhibitions for nearly forty years. He got his start writing for underground papers in Berkeley, CA, before moving to Manhattan and writing about art for the SoHo Weekly News, an early competitor of the Village Voice. Tully was subsequently a freelance writer for the Washington Post, Flash Art, The New Art Examiner, and numerous other publications.
Judd Tully, Chairman, Reuben Kadish Art Foundation
David Hammons, one of today's greatest living artists, does not appear in The Melt Goes on Forever: The Art & Times of David Hammons, a new documentary about him that is directed by Judd Tully and Harold Crooks.
And films that demonstrate an impressive depth of focus and commitment to their protagonists, from the singular, intense intimacy of Man on Earth, to the granular portrayal of Beirut in After the End of the World. Two films explore the very different lives of creators, from the renowned writer and activist Andrea Dworkin in My Name is Andrea; to the multifaceted African American artist David Hammons in The Melt Goes On Forever: The Art & Times of David Hammons.