Judge Smith | |
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Background information | |
Birth name | Christopher John Judge Smith |
Born | England | 1 July 1948
Genres | Progressive rock, alternative rock, avant garde, musical, opera |
Occupation(s) | singer, musician, songwriter |
Instrument | voice |
Years active | 1967–present |
Labels | Masters of Art |
Formerly of | Van der Graaf Generator |
Website | judge-smith |
Christopher John Judge Smith (born 1 July 1948) is an English songwriter, author, composer and performer, and a founder member of progressive rock band Van der Graaf Generator. Initially working under the name Chris Judge Smith, he has been known simply as Judge Smith since 1994. After Van der Graaf Generator, he has written songs, stage musicals and operas, and from the early 1990s on he has released a number of solo CDs, including three "Songstories".
In 1967, with Peter Hammill, Judge Smith founded the band Van der Graaf Generator. He was originally a singing drummer and percussionist (sometimes playing a typewriter), [1] [2] but after drummer Guy Evans joined the band, Smith realized that there wasn't a great deal left for him to do, since his role was reduced to being a backing vocalist. [3] After recording the first Van der Graaf Generator-single ("People You Were Going To" b/w "Firebrand"), Smith amicably left the band in 1968. [4]
He went on to form a jazz-rock band called Heebalob, which included saxophonist David Jackson, who would later join Van der Graaf Generator. [5] After the demise of Heebalob, Smith pursued a solo career, and wrote and recorded many songs, some of which appeared on his (currently unavailable) first solo album Democrazy (1991). Smith also wrote several stage musicals as lyricist with composer Maxwell Hutchinson. These included The Kibbo Kift (produced at the Traverse Theatre for the Edinburgh Festival of 1976 [6] and at the Crucible Theatre in Sheffield the following year) and The Ascent of Wilberforce III (subtitled "The White Hell of Iffish Odorabad", and produced at the Traverse Theatre, in 1981, and at the Lyric Theatre, Hammersmith, London in 1982). [7] [4] His own chamber opera, The Book of Hours, was directed by Mel Smith at the Young Vic Theatre, London in 1978. [7] Mata Hari (staged at the Lyric Theatre in 1982), was his last musical, co-written with Lene Lovich and Les Chappell, and starring Lovich. [8] [7] [9]
Around 1973, Smith, together with Van der Graaf Generator co-founder Peter Hammill, began work on an opera based on the short story The Fall of the House of Usher by Edgar Allan Poe, Smith writing the libretto and Hammill composing the music. [10] The album was finally released in 1991 on Some Bizzare Records, with a cast of singers including Lene Lovich, Andy Bell, Sarah Jane Morris and Herbert Grönemeyer. A reworked version, titled The Fall of the House of Usher – deconstructed & rebuilt, was released on Hammill's Fie! label in 1999. [11] The new version is notable for having a cleaner, better produced sound, additional guitars and (unlike the first version) no percussion. [12]
Peter Hammill has recorded a number of songs written by Smith, including "Been Alone So Long" and the jointly-written "The Institute of Mental Health, Burning" (both on Nadir's Big Chance , 1975), "Time for a Change" (on pH7 , 1979) and "Four Pails" (on Skin , 1986), and plays them live on a regular basis. Lene Lovich also recorded songs written by Smith, including "What Will I Do Without You" and "You Can't Kill Me" (both on Flex , 1979).
In 1974 Smith wrote and directed a short film titled The Brass Band, which has won several international awards. [7]
Smith also wrote music for the television comedy series Not The Nine O'Clock News in the 1980s, including the punk rock parody "Gob on You".
In 1993 Dome of Discovery was released, Smith's first CD proper. Apart from the vocals, virtually every note on the album came from the sampled sounds of real instruments. [13] Smith spent months making his own samples, hiring various musicians and recording individual notes. [13] Since 2006, a remastered version has been available for download at iTunes.
After many years of work developing a new form of narrative music he calls "Songstory", [14] Smith completed and released, in 2000, the double CD Curly's Airships , about the 1924 Imperial Airship Scheme and the R101 airship disaster of 1930. Among many others, Peter Hammill, Hugh Banton, Arthur Brown, David Jackson, John Ellis and Pete Brown performed on the project. [15] Smith believes that the 2 hr 20 min work might be the largest and most ambitious single piece of rock music ever recorded. [16] Curly's Airships was to be the first of three Songstories so far written and composed by Smith.
On the same day that Van der Graaf Generator played their reunion concert in the Royal Festival Hall in London, 6 May 2005, Smith played an afternoon concert at the Cobden Club in London. At this concert his new album, The Full English was launched, and Smith played (among others) all the songs from the album. He was accompanied by John Ellis on electric guitar, Michael Ward-Bergeman on accordion and René van Commenée on percussion. [17] [18]
A DVD recording of a concert by Smith in Guastalla, Italy, Live in Italy 2005, was released on DVD on 20 March 2006. [19]
2006 also saw the release of The Vesica Massage, an album of instrumental music designed for use by massage therapists.
In October 2007 Smith released a two-song single CD, "The Light of the World" / "I Don't Know What I'm Doing", under the name of The Tribal Elders. This band consisted of Judge Smith, David Jackson, John Ellis, Michael Ward-Bergeman and Rikki Patten.
In January 2008 the full-length album Long-Range Audio Device was released, under the name of L-RAD, a collaboration between Judge Smith and American artist Steve Defoe. Defoe is a founder of The Larry Mondello Band, who released numerous cassette tapes of their lo-fi music in the 1980s and 1990s.
In May 2009 Smith performed the premiere of his second songstory, The Climber (written in 2005). The work was performed with a Norwegian male-voice choir, the Fløyen Voices, and no other instruments apart from a double bass, at USF Verftet in Bergen, Norway. [20] A studio recording was released on 17 May 2010.
Between 2007 and 2011 Smith and David Jackson performed their piece The House That Cried six times live in Italy, with a choir and orchestra. [20]
Smith released his third songstory, Orfeas , on 9 May 2011. It is a retelling of the ancient myth of Orpheus, performed by seven separate ensembles, each playing an entirely different kind of music. [21] It features performances by, amongst others, John Ellis (as George Orfeas), Lene Lovich (as Eurydice) and David Jackson (as the saxophone player in the George Orfeas Band).
Smith's album Zoot Suit was released 17 March 2013, a collection of songs, produced by David Minnick. The album includes a duet with Lene Lovich, a studio recording of "Been Alone So Long", an extract from The Book of Hours, and a goodbye of sorts to recording, "I'm Through". [22]
In 2013, Smith published his first book, "The Universe Next Door", about life after death. It is subtitled "Book One of the Judex Trilogy". Book Two, "The Vibrating Spirit", was published in 2014. [23]
2016 saw the release of the CD Requiem Mass, Smith's setting of the Latin Mass for the Dead, with lyrics in Latin. The Requiem Mass was originally written in 1975. It features performances by The Crouch End Festival Chorus, conducted by David Temple, a four-piece rock band, and baritone lead singer Nigel Richards. [24]
Peter Joseph Andrew Hammill is an English musician and recording artist. He was a founder member of the progressive rock band Van der Graaf Generator. Best known as a singer-songwriter, he also plays guitar and piano and produces his own recordings and occasionally those of other artists. In 2012, he was recognised with the Visionary award at the first Progressive Music Awards.
David Nicholas George Jackson, nicknamed Jaxon, is an English progressive rock saxophonist, flautist, and composer. He is best known for his work with the band Van der Graaf Generator and his work in Music and Disability. He has also worked with Peter Gabriel, Keith Tippett, Osanna, Judge Smith, David Cross and others.
Pawn Hearts is the fourth album by English progressive rock band Van der Graaf Generator, released on 12 November 1971 on Charisma Records. The original album features just three tracks, including the side-long suite "A Plague of Lighthouse Keepers". The album was not commercially successful in the UK, but reached number one in Italy. It has since seen retrospective critical praise and was reissued on CD in 2005 with extra material.
H to He, Who Am the Only One is the third album by the British progressive rock band Van der Graaf Generator. It was released in 1970 on Charisma Records.
The Silent Corner and the Empty Stage is the third album by British singer-songwriter Peter Hammill. It was released on Charisma Records in 1974, during a hiatus in the activities of Hammill's progressive rock band Van der Graaf Generator. Other ex-members of Van der Graaf Generator also perform on the recording.
The Least We Can Do Is Wave to Each Other is the second album by the British progressive rock band Van der Graaf Generator, released in February 1970 on Charisma Records. It was the group's first album to be released in the UK and their only one to chart in the top 50 in that country.
Tony Stratton Smith was an English rock music manager, and entrepreneur. He founded the London-based record label Charisma Records in 1969 and managed rock groups such as the Nice, Van der Graaf Generator and Genesis.
The Quiet Zone/The Pleasure Dome is the eighth album by British progressive rock band Van der Graaf Generator. Released in 1977, it was their last studio album before their 2005 reunion. The album features a more energetic, new wave sound than its three immediate predecessors, anticipating singer and songwriter Peter Hammill's late 1970s solo work.
John Ellis is an English guitarist and songwriter.
Hugh Robert Banton is a British musician and electronic organ builder, most widely known for playing organ and keyboards with the group Van der Graaf Generator.
The Aerosol Grey Machine is the debut studio album by English progressive rock band Van der Graaf Generator. It was first released in the United States in 1969 by Mercury Records.
The Fall of the House of Usher is an opera by Peter Hammill (music) and Chris Judge Smith (libretto). It is based on the 1839 short story of the same name by Edgar Allan Poe.
Chameleon in the Shadow of the Night is the second solo album by British singer-songwriter Peter Hammill. It followed in the aftermath of the breakup of Hammill's band Van der Graaf Generator, and other ex-members of Van der Graaf Generator perform on the album.
Van der Graaf Generator are an English progressive rock band, formed in 1967 in Manchester by singer-songwriters Peter Hammill and Chris Judge Smith and the first act signed by Charisma Records. They did not experience much commercial success in the UK, but became popular in Italy during the 1970s. In 2005 the band reformed, and are still musically active with a line-up of Hammill, organist Hugh Banton and drummer Guy Evans.
The Union Chapel Concert is a live album by Guy Evans and Peter Hammill, recorded in the Union Chapel in London, 3 November 1996, and released as a double CD in March 1997. The album is noteworthy because it is the first time the four ex-members of Van der Graaf Generator, Hammill, Evans, Hugh Banton and David Jackson, played together in front of a paying audience since the band had broken up in 1978. The subtitle on the front of the album reads: "featuring a one song, one-off reformation of Van der Graaf Generator." David Jackson and Hugh Banton were unannounced guests and played a Soundbeam-medley and a Samuel Barber Adagio for strings on the church organ respectively. All songs that evening were played in varying line-ups. Only "Lemmings" was played by Hammill, Evans, Banton and Jackson.
Curly's Airships is a double CD by Judge Smith, released in October 2000. Smith regards the album as a new form of narrative rock music, which he calls "songstory". Curly's Airships tells about the R101 airship, crashing in France during its maiden overseas voyage in 1930. Amongst many others, Peter Hammill, Hugh Banton, Arthur Brown, David Jackson, John Ellis and Pete Brown perform on the project.
The Full English is the fourth solo album by Judge Smith. Because of the mainly acoustic instrumentation the album has an "unplugged" feel to it, and is one of the more accessible albums by Judge Smith. Three of the songs on The Full English had been released before, but were now re-recorded, "Carpet Tiles" and "Tell Me You Love Me" on Dome Of Discovery (1994), and "It's The Silence That Kills You" as part of the songstory Curly's Airships (2000). Musically, the album is very diverse, incorporating Eastern European Gypsy-flavoured numbers, songs in the retro-rock tradition, narrative chansons, full-on café Tango, Reggae, and even Hip-Hop beats.
"A Plague of Lighthouse Keepers" is a song by the English rock band Van der Graaf Generator, from their fourth album Pawn Hearts (1971). It is a concept piece over 23 minutes long, which comprises the whole B-side of the album. "A Plague of Lighthouse Keepers" evolved in the studio, recorded in small sections and pieced together during mixing. The song has many changes in time signature and key signature, and even incorporates some musique concrète.
Lili-Marlene Premilovich, known professionally as Lene Lovich, is an American-British singer. She first gained attention in 1979 with the release of her hit single "Lucky Number", which peaked at number 3 on the UK Singles Chart and made her a leading figure of the new wave music scene.
Orfeas is the eighth solo album by Judge Smith, and his third "songstory" after Curly's Airships (2000) and The Climber (2010). Orfeas is notable because of the use of speech music, where a musical instrument plays along with spoken words at the same pitch of each syllable. The album incorporates a variety of musical styles, ranging from a string sextet, trance music, acoustic guitar music, and death metal. Finally, the music by the George Orfeas Band is notable because the electric guitar and the saxophones play identical melodic lines simultaneously.