Godbluff | ||||
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Studio album by | ||||
Released | 10 October 1975 | |||
Recorded | 9–29 June 1975 | |||
Studio | Rockfield Studios, Monmouthshire | |||
Genre | Progressive rock | |||
Length | 37:44 | |||
Label | UK Charisma Records USA Mercury Records | |||
Producer | Van der Graaf Generator | |||
Van der Graaf Generator chronology | ||||
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Godbluff is the fifth album released by English progressive rock band Van der Graaf Generator. It was the first album after the band reformed in 1975 and was recorded after a European tour. [1]
As the first self-produced album by the band, it featured a tighter, more pared-down sound than the band's earlier recordings with producer John Anthony. Hammill said "we did not want to make 'Son of Pawn Hearts' with a big long side two and lots of studio experiments". [2] Van der Graaf Generator would never work with an outside producer from this point forward. Hammill made extensive use of the Hohner Clavinet D6 keyboard, [3] which he had first started using on his previous solo album, Nadir's Big Chance (1975).[ citation needed ]
The first release of the record in the United States was on Mercury Records. The 2005 reissue added live performances by the band of two songs from Peter Hammill's album The Silent Corner and the Empty Stage (1974), recorded at a concert at L'Altro Mondo, Rimini, Italy.
Godbluff's album cover was minimal, consisting of a band logo and "stamped" red album title on an otherwise black sleeve. The band logo that first appeared here was designed by John Pasche; [4] it would also be used on the next two albums, Still Life (April 1976) and World Record (October 1976). Godbluff's sleeve design was later parodied on the cover of Fall Heads Roll by The Fall.
Review scores | |
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Source | Rating |
AllMusic | [5] |
Christgau's Record Guide | D+ [6] |
In Melody Maker , the reviewer said that "in a very real sense, [Godbluff] is the sound of the mid-seventies: uncomfortable, coherent, unremitting, courageous". [7] Geoff Barton of Sounds deemed Godbluff "simply, an essential buy". [8] A negative review appeared in the Lancashire Evening Post in November 1975, in which Bob Papworth wrote that the album contained "the type of studiously avant-garde rock which so many other groups play infinitely better." Papworth added that "Guy Evans couldn't drum his way out of a paper bag and David Jackson's saxes and flutes are a little too simplistic to be credible." [9]
In a May 2002 review in Mojo magazine, Julian Cope praised the album. [2] A retrospective review in 2011 by AllMusic's Steve McDonald wrote: "Godbluff was a bravura comeback – only four cuts, but all were classics." [5]
All tracks written by Peter Hammill, except where indicated.
No. | Title | Writer(s) | Length |
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1. | "The Undercover Man" | 7:32 | |
2. | "Scorched Earth" | Hammill, David Jackson | 9:44 |
No. | Title | Length |
---|---|---|
1. | "Arrow" | 9:48 |
2. | "The Sleepwalkers" | 10:40 |
Chart (2022) | Peak position |
---|---|
Scottish Albums (OCC) [11] | 77 |
UK Rock & Metal Albums (OCC) [12] | 23 |
Peter Joseph Andrew Hammill is an English musician and recording artist. He was a founder member of the progressive rock band Van der Graaf Generator. Best known as a singer-songwriter, he also plays guitar and piano and produces his own recordings and occasionally those of other artists. In 2012, he was recognised with the Visionary award at the first Progressive Music Awards.
Pawn Hearts is the fourth album by English progressive rock band Van der Graaf Generator, released on 12 November 1971 on Charisma Records. The original album features just three tracks, including the side-long suite "A Plague of Lighthouse Keepers". The album was not commercially successful in the UK, but reached number one in Italy. It has since seen retrospective critical praise and was reissued on CD in 2005 with extra material.
H to He, Who Am the Only One is the third album by the British progressive rock band Van der Graaf Generator. It was released in 1970 on Charisma Records.
Still Life is the sixth album by English progressive rock band Van der Graaf Generator, originally released in 1976. It was their second album after reforming in 1975, the first being Godbluff. One live bonus track was added for the 2005 re-mastered re-release. A new re-master, with 5.1 surround sound re-mixes by Stephen W Tayler, was released on 3 September 2021.
The Silent Corner and the Empty Stage is the third album by British singer-songwriter Peter Hammill. It was released on Charisma Records in 1974, during a hiatus in the activities of Hammill's progressive rock band Van der Graaf Generator. Other ex-members of Van der Graaf Generator also perform on the recording.
The Least We Can Do Is Wave to Each Other is the second album by the British progressive rock band Van der Graaf Generator, released in February 1970 on Charisma Records. It was the group's first album to be released in the UK and the only one to chart in the top 50 in that country.
The Quiet Zone/The Pleasure Dome is the eighth album by British progressive rock band Van der Graaf Generator. Released in 1977, it was their last studio album before their 2005 reunion. The album features a more energetic, new wave sound than its three immediate predecessors, anticipating singer and songwriter Peter Hammill's late 1970s solo work.
Vital: Van der Graaf Live is the first live album by English progressive rock band Van der Graaf Generator. It was recorded 16 January 1978 at the Marquee Club in London and was released in July, one month after the band's 1978 break-up. The album was credited under the abbreviated name Van der Graaf, like the previous year's The Quiet Zone/The Pleasure Dome (1977), and featured the same line-up plus newcomer cellist/keyboardist Charles Dickie, who had officially joined the band in August 1977, and original saxophonist and flautist David Jackson, who re-joined the band for this recording.
The Aerosol Grey Machine is the debut studio album by English progressive rock band Van der Graaf Generator. It was first released in the United States in 1969 by Mercury Records.
World Record is the seventh studio album by the British progressive rock group Van der Graaf Generator, originally released in 1976 on Charisma Records. Bonus tracks were added for the 2005 rerelease.
Present is the ninth studio album by British progressive rock band Van der Graaf Generator, released in 2005. It was the band's first studio album since The Quiet Zone/The Pleasure Dome in 1977, and the first with the 'classic' line-up since World Record in 1976. The Charisma Records label was re-activated for its release, as well as a re-issue series of Van der Graaf Generator's catalogue and Peter Hammill's solo releases from 1972-86.
Chameleon in the Shadow of the Night is the second solo album by British singer-songwriter Peter Hammill. It followed in the aftermath of the breakup of Hammill's band Van der Graaf Generator, and other ex-members of Van der Graaf Generator perform on the album.
Nadir's Big Chance is the fifth solo album by Peter Hammill, released on Charisma Records in 1975.
Van der Graaf Generator are an English progressive rock band, formed in 1967 in Manchester by singer-songwriters Peter Hammill and Chris Judge Smith and the first act signed by Charisma Records. They did not experience much commercial success in the UK, but became popular in Italy during the 1970s. In 2005 the band reformed, and are still musically active with a line-up of Hammill, organist Hugh Banton and drummer Guy Evans.
Maida Vale: The BBC Radio One Sessions is a compilation album by Van der Graaf Generator, containing eight songs from four different recording sessions at Maida Vale Studios for BBC Radio 1 in 1971, 1975 and 1976, three of which were Peel Sessions. It was released in June 1994 on Band of Joy Records.
The Box is a four CD box set by Van der Graaf Generator, containing recordings that had been released before, but also BBC-recordings and some live recordings that were never officially released before. It was released in 2000 by Virgin Records. Included in the sleeve notes are introductions by Guy Evans and Tony Banks from Genesis, a timeline of Van der Graaf Generator events from 1967 to 1978, an essay about the organs by Hugh Banton, an essay about Van der Graaf Generator compositions by Peter Hammill, an essay about saxophones by David Jackson and an essay about being a Van der Graaf Generator-aficionado by Ian Laycock.
A Grounding in Numbers is the eleventh studio album by the British rock group Van der Graaf Generator. It was released on 14 March 2011. This date, if written as 3,14, comprises the first three digits of the number π. The second track, "Mathematics", refers to Euler's identity, sometimes known as the mathematical poem. The album's release signals a continuation in the direction set by the current trio lineup, but it is released on a new label, Esoteric Recordings, a departure from previous releases on Virgin/Charisma. Hugh Padgham is the mixer of the album.
"A Plague of Lighthouse Keepers" is a song by the English rock band Van der Graaf Generator, from their fourth album Pawn Hearts (1971). It is a concept piece over 23 minutes long, which comprises the whole B-side of the album. "A Plague of Lighthouse Keepers" evolved in the studio, recorded in small sections and pieced together during mixing. The song has many changes in time signature and key signature, and even incorporates some musique concrète.
Merlin Atmos: Live Performances 2013 is a live album by English progressive rock band Van der Graaf Generator, released in February 2015. The album was recorded during the band's European tour in June 2013 and includes a full onstage performance of the suite "A Plague of Lighthouse Keepers", originally recorded for Pawn Hearts in 1971.
Do Not Disturb is the thirteenth studio album by British progressive rock band Van der Graaf Generator. It was released, on Esoteric Recordings, on 30 September 2016.
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