Judith Benhamou-Huet | |
---|---|
Born | Judith Benhamou France |
Occupation | Journalist, independent curator, author |
Language | French, English |
Nationality | French |
Genre | Art history, art |
Judith Benhamou-Huet is a French journalist, independent curator and author specialized in art and the art market. She is a weekly columnist for the French newspaper Les Echos and regularly publishes articles related to art and the art market on her own blog Judith Benhamou-Huet Reports. [1] Benhamou-Huet is also the author of a number of books as well as an independent curator.
In the early 1990s, Benhamou-Huet began her career as a weekly columnist for the French daily Les Échos Benhamou-Huet collaborated with Interview Magazine, Vogue Paris, Neue Zürcher Zeitung, Art & Auction, Artinfo, ArtPress, Beaux-Arts and Connaissance des Arts. In the early 2000s she began her weekly column for the French Magazine Le Point. She is now also involved in Les Echos TV and BFM TV where she presents, on a weekly basis, her views on current art exhibitions of the French and international art scene.
Alongside to her journalistic achievements, Benhamou-Huet wrote several books. Among them are Art Business [2] (2001) and Art Business (2) [3] (2007), published in English with the title The Worth of Art and The Worth of Art (2). In these publications, Benhamou-Huet analyzes the principles of valuation in the contemporary art market. Thus far, the two volumes have been translated from French to English, Mandarin Chinese and Russian.
In 2008, Benhamou-Huet authored Global Collectors, [4] written in both French and English and published by Phébus in which she profiled 120 international art collectors.
In 2012, Benhamou-Huet wrote Les Artistes ont Toujours Aimé L'Argent. D'Albrecht Durer à Damien Hirst, [5] a study of notable artists throughout history and their – sometimes unexpected - relationship to money. The book was published by Grasset in France and by World Publishing Beijing in China.
In 2014, Benhamou-Huet authored a biographical account of the life of the artist, Robert Mapplethorpe, published in France by Grasset. Titled Dans la vie noire et blanche de Robert Mapplethorpe, [6] the book was followed closely by Mapplethorpe, Vivant – Réponse à des Questions [7] in which Benhamou-Huet presented a series of exclusive interviews of relatives, friends, curators and former boyfriends of Mapplethorpe, each relating singular details of the artist’s life and art. The book was published by Presses du Réel. Both works emanate from researches Benhamou-Huet did on the occasion of her curating and co-curating two shows on Mapplethorpe at the Musée Rodin [8] and at the Grand Palais [9] in Paris.
As an independent curator, Benhamou-Huet curated an exhibition titled Warhol TV [10] (2009) in which she explored Andy Warhol's connection to television and for which she also wrote the exhibition catalogue. [11] Warhol TV toured in Paris at La Maison Rouge, the Berardo Museum [12] in Lisbon, and in several other institutions in Brazil including Oi Futuro Flamengo [13] in Rio de Janeiro, Oi Futoro [13] in Belo Horizonte and Sesc Pinheiros [14] in São Paulo.
In 2014, Benhamou-Huet co-curated the exhibition "Mapplethorpe-Rodin" [8] at the Musée Rodin in Paris and was an associate-curator of the Robert Mapplethorpe retrospective [9] at the Grand Palais.
Judith has curated an exhibition of the Chinese artist Ai Weiwei at the Mucem in Marseille. The exhibition Ai Weiwei Fan-Tan has opened in June 2018 and featured works by Ai Weiwei in dialogue with the museum's collection.
In 2022, Judith has co-curated the exhibition Serra/Seurat. Drawings at the Guggenheim Museum Bilbao. The exhibition brings together a selection of 22 drawings by the late 19th-century master Georges Seurat, which in turn engage in dialogue with the drawings of Richard Serra, a great admirer of Seurat’s.
Year | Title | Publisher | ISBN |
---|---|---|---|
2001 | Art business : Le marché de l'art ou l'art du marché [15] (in French and Chinese) | Assouline | ISBN 978-2-84323-305-0 |
2001 | The Worth of Art: Pricing the Priceless [16] (in English) | Assouline | ISBN 978-2-84323-284-8 |
2006 | Femme Cuillière(in French) | Cinq Sens | ISBN 978-2-95262-390-2 |
2008 | Art Business (2) [17] (in French and Russian) | Assouline | ISBN 978-2-7594-0146-8 |
2008 | The Worth of Art (2)(in English) | Assouline | ISBN 978-2-7594-0147-5 |
2008 | Global Collectors [18] (in English and French) | Phoebus / Senses | ISBN 978-2-7529-0328-0 |
2009 | 21st-Century Embroidery in India: In Their Hands(in English) | Prestel Publishing | ISBN 978-3-7913-4229-0 |
2010 | Les œuvres d'Art les plus chères du monde(in French) | Éditions du Chêne | ISBN 978-2-8123-0263-3 |
2012 | Les artistes ont toujours aimé l'argent(in French) | Grasset | ISBN 978-2-2467-6981-1 |
2014 | Mapplethorpe, vivant - réponse à des questions(in French) | Les Presses du réel | ISBN 978-2-84066-655-4 |
2014 | Dans la vie noire et blanche de Robert Mapplethorpe(in French) | Grasset | ISBN 978-2-24680-506-9 |
2015 | Les artistes ont toujours aimé l'argent [19] (in Chinese) | World Publishing Beijing | ISBN 978-7-5100-8806-3 |
2017 | Aleijadinho – Le Brésil est un sculpteur métisse [20] (in French) | Les Presses du réel | ISBN 978-2-84066-751-3 |
2018 | Ai Weiwei Fan-Tan | Manuella | ISBN 978-2-91721-799-3 |
2022 | Serra/Seurat. Drawings | Guggenheim Bilbao | ISBN 978-84-18895-60-9 |
2023 | Histoires extraordinaires de l'art à l'hôtel Drouot - De Vermeer à Louise Bourgeois (in French) | Flammarion | ISBN 9782080428080 |
Robert Michael Mapplethorpe was an American photographer, best known for his black-and-white photographs. His work featured an array of subjects, including celebrity portraits, male and female nudes, self-portraits, and still-life images. His most controversial works documented and examined the gay male BDSM subculture of New York City in the late 1960s and early 1970s.
Tehran Museum of Contemporary Art,, also known as TMoCA, is among the largest art museums in Tehran and Iran. It has collections of more than 3,000 items that include 19th and 20th century's world-class European and American paintings, prints, drawings and sculptures. TMoCA also has one of the greatest collections of Iranian modern and contemporary art.
Vik Muniz is a Brazilian artist and photographer. His work has been met with both commercial success and critical acclaim, and has been exhibited worldwide. In 1998, he participated in the 24th International Biennale in São Paulo, and in 2001, he represented Brazil at the 49th Biennale in Venice, Italy.
Karl Gunnar Vougt Pontus Hultén was a Swedish art collector and museum director. Pontus Hultén is regarded as one of the most distinguished museum professionals of the twentieth century. He was the pioneering former head of the Museum of Modern Art in Stockholm and in the 1970s he was invited to participate in the creation of the Centre Georges Pompidou in Paris, where he was the first director of the Musée National d'Art Moderne (MNAM) in 1974–1981.
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Salon des Cent was a commercial art exhibition in Paris, based at 31 Rue Bonaparte. The Salon sold color posters, prints and reproductions of artwork to the general public at reasonable prices. It was established in February 1894 by Léon Deschamps, founder of La Plume an avant garde literary and artistic magazine. It became known for its exhibitions showcasing the works of contemporary graphical artists. The salon held exhibitions until 1900. Many of the posters advertising Salon des Cent exhibitions have themselves become collectors' items.
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Fabienne Verdier is a French painter who works in France after years of studies in China. She was the first non-Chinese woman to be awarded a post-graduate diploma in fine arts by the Sichuan Fine Arts Institute in Chongqing, China.
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