Judith Henley is an Australian opera singer. By July 2011 the soprano had performed more than 30 major roles both in Australia and internationally. According to Carolyn McDowall of The Culture Concept Circle she "has received critical acclaim for her portrayal of Violetta in La traviata, Mimi in La Boheme, and the Countess in The Marriage of Figaro. Judith also has an extensive concert repertoire... [which] ranges from Gilbert and Sullivan and operetta to musical comedy and the romantic heroines of Puccini and Verdi." [1]
In October 1975 Judith Henley appeared in Mozart's Così fan tutte by the Arts Council of South Australia at Murray Park College of Advanced Education. [2] In 1981 Henley took the role of Violetta in the Victorian State Opera's production of Verdi's La traviata ; the soprano reprised her role in the Australian Opera's production in December 1985, in Canberra. [3]
She sang in the State Opera of South Australia performance of " H.M.S. Pinafore " (as Josephine) in March 1981. [4] Thomas Edmonds and Dennis Olsen appeared in the same production. [5] She has also appeared on stage in the opera " The Gypsy Baron ".[ where? ]
Ileana Cotrubaș is a Romanian operatic soprano whose career spanned from the 1960s to the 1980s. She was much admired for her acting skills and facility for singing opera in many different languages.
A mezzo-soprano or mezzo (; Italian: [ˈmɛddzo soˈpraːno]; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano.
A soubrette is a type of operatic soprano voice fach, often cast as a female stock character in opera and theatre. The term arrived in English from Provençal via French, and means "conceited" or "coy". A soubrette is also defined as a young woman regarded as flirtatious or frivolous.
Dennis Hans Olsen AM is an Australian singer, actor, director and pianist. He is best known as an exponent of the "patter" roles in Gilbert and Sullivan operas.
Margaret Valerie Masterson, is a retired English opera singer, a lecturer and Vice-President of British Youth Opera. After study in Italy, she began to sing opera in Europe. Returning to England, Masterson performed as principal soprano with the D'Oyly Carte Opera Company from 1964 to 1969, becoming popular with audiences and participating in several of the company's recordings, as well as those of Gilbert and Sullivan for All and the BBC.
Sylvia Sass is a Hungarian operatic soprano who has sung leading roles both in her native country and internationally.
Jacqueline Lisa Dark is an Australian operatic mezzo-soprano. She was born in Ballarat and attended the University of Ballarat from 1986 to 1988, receiving a Bachelor of Science (Physics) and a Graduate Diploma of Education in 1989.
Hong Hei-Kyung, often known in the west as Hei-Kyung Hong, is a South Korean operatic lyric soprano.
Anja Harteros is a German soprano. Since winning the 1999 Cardiff Singer of the World competition she has been particularly associated with the Bavarian State Opera and enjoyed an international career.
Melbourne Opera was founded in 2002 as a charitable not-for-profit company dedicated to producing opera and associated art forms in Melbourne, Victoria. With philanthropic assistance it has also toured to outer-suburban and regional Victorian theatres, as well as to Canberra and Hobart interstate. Despite receiving no government funding since its foundation, the company mounts between three to five main stage productions each year. Its principal rehearsal and performance home is the Athenaeum Theatre.
Ana Raquel Satre —nicknamed 'Mimi'—was a Uruguayan operatic mezzo-soprano.
Lois Jeanette McDonall is a Canadian operatic soprano, especially known for her performances in the operas of Mozart and Donizetti.
Beverly Bower was an American operatic soprano who had an active international opera career from the mid-1950s through the early 1970s. She began her opera career at the New York City Opera where she sang between 1956 and 1963. She later worked mainly as a freelance artist with important opera companies throughout the United States and with a few opera companies in Europe.
Asheville Lyric Opera (ALO) is a professional, non-profit opera company located in Asheville, North Carolina. Its repertoire encompasses styles ranging from the comedies of Mozart and Rossini to the classic Verdi and Puccini dramas as well as classic musical theatre works. Founder David Craig Starkey served as General and Artistic Director until 2016. The 500-seat Diana Wortham Theatre, built in 1991, has been the company's home since 2001. ALO is a member of Opera America. Dean Anthony was announced as the company's new Artistic and Producing Direction beginning with the 2019/2020 Season.
Thomas F. Lawlor was an Irish opera singer. In the 1960s, he became known for his performances in mostly baritone roles of the Gilbert and Sullivan operas with the D'Oyly Carte Opera Company. In the 1970s and 1980s, he performed over 60 operatic roles, usually as a bass-baritone, with various British opera companies. He was also a director in the opera department of the Royal Academy of Music and at Trinity College of Music. In later years, he moved to the US, where he continued to perform, direct and teach.
Marilyn Mims is an American operatic soprano who had an active career during the 1980s and 1990s. A regular performer at the Metropolitan Opera from 1988 to 1992, her singing career was cut short after being diagnosed with endometriosis in 1995. She notably sang the role of Ortlinde on the Met's 1987 recording of Die Walküre under James Levine for Deutsche Grammophon, which won the Grammy Award for Best Opera Recording. She currently teaches on the voice faculty at Palm Beach Atlantic University.
Delores Ziegler is an American mezzo-soprano who has had an active international performance career since the late 1970s. A former resident artist at the Cologne Opera, she has performed leading roles with many of the world's best opera houses, including La Scala, the Lyric Opera of Chicago, the Metropolitan Opera, the San Francisco Opera, and the Vienna State Opera. She is currently a professor of voice at the University of Maryland. While she has performed a broad repertoire, she is widely admired for her performances in operas by Wolfgang Amadeus Mozart and Richard Strauss; particularly Cherubino in The Marriage of Figaro, Dorabella in Così fan tutte, Idamante in Idomeneo, and Octavian in Der Rosenkavalier.
Eleonore Marguerre is a German opera singer with Belgic-French ancestors. Her roles have included La traviata, Konstanze in Die Entführung aus dem Serail, and the title role in Aribert Reimann's Melusine.
Edyta Piasecka is a Polish dramatic coloratura soprano.
Nicole Car is an Australian operatic soprano. She has performed leading roles at the Metropolitan Opera, Royal Opera House, Vienna State Opera, Bavarian State Opera, Deutsche Oper Berlin, Semperoper Dresden, Opéra national de Paris, The Dallas Opera, and Opera Australia. Car is particularly associated with the roles of Tatyana in Eugene Onegin, Mimì in La bohème, Marguerite in Faust, Fiordiligi in Così fan tutte, Donna Elvira in Don Giovanni and Micaëla in Carmen, and has also given noted performances as Marguerite de Valois in Don Carlos, and the title roles in Luisa Miller and Thaïs.