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Julian Wass | |
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| Born | November 10, 1981 |
| Origin | Los Angeles, California, U.S. |
| Genres | Film score, experimental, indie rock, hip hop |
| Occupation(s) | Musician, composer |
| Instrument(s) | Guitar, piano, drums, synthesizer, flute, bass |
| Years active | 2006–present |
| Website | www |
Julian Wass (born November 10, 1981) is an American television writer, director, film composer, producer, and electronic musician from Los Angeles, California. [1] He is the son of actors Janet Margolin and Ted Wass.
Julian Wass first came to prominence with his score for Katie Aselton's The Freebie , which premiered at the 2010 Sundance Film Festival. Subsequent scores include the Rudy -influenced brass score for Mark and Jay Duplass' The Do-Deca-Pentathlon , [2] the marimba inflected Hit and Run , directed by Dax Shepard, [3] and the "gauzy" analog synthesizer score for his wife Jenée LaMarque's feature debut The Pretty One . [4]
While working as the composer on the HBO series Room 104 , Wass began to write and direct episodes of the series, the first being a musical episode co-written with Mark Duplass and starring Brian Tyree Henry. [5]
Wass co-produced all three Fol Chen albums, and in 2011, collaborated with bandmate Adam Samuel Goldman to co-produce Los Angeles based singer-songwriter Simone White's fourth album, Silver Silver. [6] The same year, he produced three tracks for the Main Attrakionz mixtape Blackberry Ku$h; Wass would later co-produce, along with .L.W.H., their critically acclaimed album Chandelier in its entirety. [7]
In 2013, Wass collaborated with Lefse Records to release the compilation MITSUDA, a tribute to the Japanese video game music composer Yasunori Mitsuda, which featured beats from Ryan Hemsworth and Friendzone, based on samples from Mitsuda's soundtracks. [8]
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