Henry "Hank" Mobley was an American tenor saxophonist and composer. Mobley was described by Leonard Feather as the "middleweight champion of the tenor saxophone", a metaphor used to describe his tone, that was neither as aggressive as John Coltrane nor as mellow as Lester Young, and his style that was laid-back, subtle and melodic, especially in contrast with players like Coltrane and Sonny Rollins. The critic Stacia Proefrock claimed him "one of the most underrated musicians of the bop era." Mobley's compositions included "Double Exposure," "Soul Station", and "Dig Dis," among others.
Robert Henry Timmons was an American jazz pianist and composer. He was a sideman in Art Blakey's Jazz Messengers for two periods, between which he was part of Cannonball Adderley's band. Several of Timmons' compositions written when part of these bands – including "Moanin'", "Dat Dere", and "This Here" – enjoyed commercial success and brought him more attention. In the early and mid-1960s he led a series of piano trios that toured and recorded extensively.
Robert Michael Watson Jr., known professionally as Bobby Watson, is an American saxophonist, composer, and educator.
Curtis Lundy is an American double bass player, composer, producer, choir director and arranger. Lundy is best known for his work as part of jazz vocalist Betty Carter's band. He is the brother of vocalist Carmen Lundy, with whom he has also recorded.
Steve Nelson is an American jazz vibraphonist and marimba player. In addition to his solo work, Nelson is known for collaborating since the 1990s with bassist Dave Holland's Quintet and Big Band.
The Big Gundown is an album by American composer and saxophonist/multi-instrumentalist John Zorn. It comprises radically reworked covers of tracks by the Italian film composer Ennio Morricone.
At the Cafe Bohemia, Vol. 1 is a live album by the Jazz Messengers for Blue Note Records. It featured the original incarnation of the Jazz Messengers, Art Blakey's career-spanning band, and is the first of two volumes recorded on November 23, 1955, at Café Bohemia, a famous night club in Greenwich Village in New York.
At the Cafe Bohemia, Vol. 2 is a 1956 live album release by the Jazz Messengers. It was first released by Blue Note Records. This record featured the original incarnation of The Jazz Messengers, one of Art Blakey's most endearing bands, and was the second of two volumes recorded at Café Bohemia, a famous night club in Greenwich Village in New York, New York on November 23, 1955.
Kenny Washington is an American jazz drummer and music writer born in Staten Island, New York. His brother is bassist Reggie Washington.
Carmen Latretta Lundy is an American jazz singer. She has been performing for three decades, with a focus on original material.
Horace Silver and the Jazz Messengers is a 1956 repackage of 1955 10” LPs by jazz pianist Horace Silver with drummer Art Blakey and featuring Hank Mobley on tenor saxophone, Kenny Dorham on trumpet, and Doug Watkins on bass. By the time this repackage was released, this quintet had named themselves the Jazz Messengers, and the band name on the label reflected that. These recordings helped establish the hard bop style. Scott Yanow on Allmusic describes it as "a true classic". Originally released as an LP, the album has subsequently been reissued on CD several times.
Murray's Steps is an album by David Murray released on the Italian Black Saint label in 1982. It feature his Octet consisting of Murray, Henry Threadgill, Bobby Bradford, Lawrence "Butch" Morris, Craig Harris, Curtis Clark, Wilber Morris and Steve McCall.
A Caddy for Daddy is an album by jazz saxophonist Hank Mobley recorded on December 18, 1965, and released on the Blue Note label in 1967. It features performances by Mobley with trumpeter Lee Morgan, trombonist Curtis Fuller, pianist McCoy Tyner, bassist Bob Cranshaw and drummer Billy Higgins.
Bohemia After Dark is an album by jazz drummer Kenny Clarke, featuring the earliest recordings with Cannonball Adderley and Nat Adderley. It was released by Savoy Records in September 1955.
Presenting Cannonball is the 1955 debut album by jazz saxophonist Cannonball Adderley, released on the Savoy label, featuring a quintet with Nat Adderley, Hank Jones, Paul Chambers, and Kenny Clarke. A 1994 Japanese CD release also included alternate takes of tracks from Adderley's recording debut previously released as Kenny Clarke's Bohemia After Dark (1955).
Piece for My Peace is an album by pianist John Hicks, recorded in 1995.
Love Remains is an album by saxophonist Robert Watson which was recorded in 1986 and released on the Italian Red label.
Beatitudes is an album by saxophonist and composer Bobby Watson and double bassist Curtis Lundy. It was recorded on April 11, 1983, at Van Gelder Studio in Englewood Cliffs, New Jersey, and was released on vinyl later that year by New Note Records. In 1997, the album was reissued on CD by Evidence Music. On the album, which features five Watson originals, a Lundy composition, and Gigi Gryce's "Minority", Watson and Lundy are joined by pianist Mulgrew Miller and drummer Kenny Washington.
Against All Odds is an album by double bassist Curtis Lundy. It was recorded on April 1 and 2, 1999, at Sound on Sound Studios in New York City, and was released later that year by Justin Time Records. On the album, Lundy is joined by saxophonists Bobby Watson and Shelley Carrol, trumpeters Peven Everett and Roy Hargrove, pianists John Hicks and Anthony Wonsey, drummer Winard Harper, and vocalist Carmen Lundy.
Purpose is an album by double bassist Curtis Lundy. It was recorded on October 1 and 2, 2001, at Sound on Sound Studios in New York City, and was released in 2002 by Justin Time Records. On the album, Lundy is joined by saxophonist Mark Shim, vibraphonist Steve Nelson, pianists John Hicks and Anthony Wonsey, and drummer Billy Hart.
