A major contributor to this article appears to have a close connection with its subject.(October 2017) |
KATSU | |
---|---|
Known for | |
Notable work | 6–23 '13 – N6 Street – Brooklyn |
Movement | Graffiti |
Years active | Late 1990s – present |
Tag | |
KATSU is a graffiti artist who is active in New York City. He works with technology and public intervention to comment on commercialism, privacy and digital culture. As a result, his work includes traditional graffiti, digital media, and conceptual artwork. [1]
Exhibited as part of a 2017 solo show titled AI Criminals, KATSU's portraiture series consists of a generative adversarial network built using Google's TensorFlow machine learning library and trained using vintage black and white mug shots scraped from the web, to output unique portraits. The pieces explore themes of inherent bias in algorithms, Wired Magazine notes that "there's more to AI portraits in KATSU's view, than just a comment on the growing power of technology—it's a warning about humanity's lack of control over what these tools can build". [2]
After experimentation with quadcopter drones and in collaboration with FAT Lab member, Becky Stern, KATSU developed a prototype mountable remote sprayer- the resultant device was dubbed the Graffiti Drone. A press release from The Hole Gallery the described the process of its refinement as testing with "weight of the paint, the straw for the sprayer, the sensor for the can activation, the flight of the drone and different paint and surfaces". [3]
Commenting on the significance of the work the artist explains that "drones are becoming this extension of human beings in the same way that we're growing so close to our smartphones and devices...It's really exciting to see and understand and think about what it means that many of the aesthetic decisions in these paintings are not my decisions. They're these collaborative decisions with this technology". [4]
On April 30, 2015, it was reported that KATSU had used his Graffiti Drone to vandalize a Soho billboard approximately six stories tall. [5] A video of the Calvin Klein advertisement featuring model Kendall Jenner being defaced went viral on YouTube. Citing the quadcopter as "Graffiti Drone 1.0" the act was described as proof of concept demonstrating the potential that drones have to transform graffiti.
Dronescapes are a series of abstract paintings created using the graffiti drone described as "robot-controlled versions of Impressionist paintings". [6]
Android Selfies are a triptych of monochrome oil paintings of a Series 800 Terminator Android taking selfies at Mount Rushmore, the Pyramids of Giza and the Moon.
Wired Magazine reported KATSU's plans to make the design for his graffiti drone open source, "so other artists can experiment with its possibilities". [7] The plans for the Graffiti Drone, subsequently named ICARUS ONE were released on an independent website licensed under a Creative Commons Attribution.
Shitheads is triptych of portraits of Mark Zuckerberg, Eric Schmidt, and a Springer Spaniel dog created using the artist's feces as pigment. Vice magazine placed the piece in a lineage of artists using human waste in their work, calling Shitheads "the Digital Era's Piss Christ". [8]
Through his digital projects "KATSU easily dupes audiences while questioning the nuances that separate reality and fiction—he also looks at the notion that graffiti doesn't have to be a physical product, instead it can exist purely digitally". [9]
In 2010 two doctored videos of the artist surfaced on YouTube- the first showing KATSU tagging in front of the White House [10] and the second, of him tagging Picasso's "Girl Before a Mirror" at the MoMA. [11] Both brought widespread speculation about their authenticity and validity. In a later interview KATSU spoke of the videos saying the digital pieces "themselves are tags just in the form of video, and found on the internet" and were intended to "get graffiti writers to rethink the method[s] one could use in getting notoriety". [12]
Blending graffiti and digital technology, his film The Powers of KATSU, [13] the title referencing Charles and Ray Eames classic film Powers of Ten, in which he reproduces his skull tag from the scale of 1/20 of an inch, a grain of rice, to 120 feet, a New York rooftop – and an image visible from Google Earth. [14] The video was later shortlisted for the Guggenheim Museum's YouTube Play Show. [15]
KATSU has previously collaborated with Graffiti Research Lab, a collective of technologists, artists and hackers. He is currently a research fellow at the Free Art and Technology Lab where, along with artist and programmer Theo Watson, he developed the iPhone app Fat Tag Graffiti Deluxe-KATSU Edition.
In April 2011 KATSU took over approximately 100 phone booths around New York City, replacing the advertisements with his own posters featuring celebrities and the logos of prominent corporations and institutions such as the MoMA and Apple.
As part of a Free Art and Technology Lab exhibition at Eyebeam, in 2013 the artist executed a fly posting campaign in New York City featuring an image of Mark Zuckerberg, photoshopped with a black eye, around New York City. Later commenting on it, KATSU responded "We're at the fork in the road with the web. It is being understood as a fundamental part of our evolution as a species. There are some that are fighting to protect privacy, anonymity and freedom and those who are trying to control, monitor and make profits. I want to let people know my beliefs." [16]
In April 2011, days before the opening of the show "Art in the Street" curated by Jeffrey Deitch, KATSU executed an extinguisher tag on the facade of The Geffen Contemporary at MOCA. The show was already under media scrutiny for being a "thoroughly sanitized history of graffiti and street art" [17] as a result the event received wide media attention with the original YouTube video [18] of the piece going viral. KATSU has since said that the tag was an "attempt to test Jeffrey Deitch's motives". [19] The piece was placed on a wall initially intended for Os Gêmeos but was later painted over, despite reported efforts by artists Neckface, Barry McGee and Shepard Fairey to leave it be for the duration of the event, [20] to make room for a tribute to graffiti artist Blade. [21] Katsu continued to experiment with the medium and in January 2013 several buildings around Detroit, MI were reported to have been vandalized with large scribbles that appeared to be made with paint and enamel filled fire extinguishers. These were attributed to him after three large "KATSU" tags carried out with similar customized fire extinguishers appeared in the area shortly after. [22]
KATSU also executed a fire extinguisher piece [23] on the facade of Eyebeam Art and Technology Center as part of the F.A.T. GOLD retrospective.
Working in collaboration with photographer Ari Marcopoulos KATSU took over a vacant lot in Williamsburg, Brooklyn creating a mixed media extinguisher piece. [24] Produced by Art publisher Dashwood, Marcopoulos and KATSU released a book documenting the piece, 6–23 '13 – N6 Street – Brooklyn, in 2014.
KATSU encourages the public to become participants and not just observers, by using his works as canvas for their own graffiti efforts.
Graffiti is writing or drawings made on a wall or other surface, usually without permission and within public view. Graffiti ranges from simple written "monikers" to elaborate wall paintings, and has existed since ancient times, with examples dating back to ancient Egypt, ancient Greece, and the Roman Empire.
Banksy is a pseudonymous England-based street artist, political activist, and film director whose real name and identity remain unconfirmed and the subject of speculation. Active since the 1990s, his satirical street art and subversive epigrams combine dark humour with graffiti executed in a distinctive stenciling technique. His works of political and social commentary have appeared on streets, walls, and bridges throughout the world. His work grew out of the Bristol underground scene, which involved collaborations between artists and musicians. Banksy says that he was inspired by 3D, a graffiti artist and founding member of the musical group Massive Attack.
Spray paint is paint that comes in a sealed, pressurized container and is released in an aerosol spray when a valve button is depressed. The propellant is what the container of pressurized gas is called. When the pressure holding the gas is released through the valve, the aerosol paint releases as a fine spray. Aerosol painting is one form of spray painting; it leaves a smooth, even coat, unlike many traditional rolled and brushed paints. Aerosol primer can be applied directly to bare metal and many plastics.
Graffiti Research Lab is an art project founded by Evan Roth and James Powderly and run from Eyebeam OpenLab, a non-profit technology and art center where the two are fellows. The two experiment with LEDs, magnets, and conductive paint to augment street art and post instructions on their website. They pioneered "no mess" graffiti using LEDs.
A number of words and phrases that have come to describe different styles and aspects of graffiti and its subculture. Like other jargon and colloquialisms, some of these terms may vary regionally, taking on different meanings across different cities and countries. The following terminology originates primarily in the United States.
OSGEMEOS are identical twin street artists Otavio Pandolfo and Gustavo Pandolfo. They started painting graffiti in 1987 and their work appears on streets and in galleries across the world.
Evan Roth is an American artist who applies a hacker philosophy to an art practice that visualizes transient moments in public space, online and in popular culture.
James Powderly is an American artist, designer and engineer whose work has focused on creating tools for graffiti artists and political activists, designing robots and augmented reality platforms, and promoting open source culture.
Theo Watson is a British artist and programmer. His art work includes interactive video, large-scale public projections, computer vision projects, and interactive sound recordings which have featured in museums and galleries across the world including Museum of Modern Art, New York Hall of Science, Tate Modern amongst others. Watson is a partner at Design I/O, a Cambridge-based interactive design firm known for cutting edge, immersive installations. He is also co-founder of the programming toolkit openFrameworks, co-creator of the EyeWriter and a virtual fellow at Free Art and Technology Lab.
Stephen J. Powers is an American contemporary artist and muralist. He is also known by the name ESPO, and Steve Powers. He lives in New York City.
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RISK, also known as RISKY, is a Los Angeles–based graffiti writer and contemporary artist often credited as a founder of the West Coast graffiti scene. In the 1980s, he was one of the first graffiti writers in Southern California to paint freight trains, and he pioneered writing on "heavens", or freeway overpasses. He took his graffiti into the gallery with the launch of the Third Rail series of art shows, and later created a line of graffiti-inspired clothing. In 2017, RISK was knighted by the Medici Family.
Becky Stern is a DIY expert based in New York City. Her work combines basic electronics, textile crafts, and fashion.
Amanda McDonald Crowley is a New York-based Australian curator and arts administrator who has created exhibitions and events focused on new media art, contemporary art, and transdisciplinary work. She has served as the executive director of Eyebeam Art + Technology Center in New York City and as the artistic director at the Bemis Center for Contemporary Arts in Omaha, Nebraska.
Samuel E. Vázquez, styled as Samuel E Vázquez, was a participant of the New York City Subway graffiti art movement of the 1980s. Today, Vázquez works on abstract expressionist paintings.
Lindsay Howard is an American curator, writer, and new media scholar based in New York City whose work explores how the internet is shaping art and culture.
Addie Wagenknecht is an American artist and researcher living in New York City and Liechtenstein. Her work deals primarily with pop culture, feminist theory, new media and open source software and hardware. She frequently works in collectives, which have included Nortd Labs, F.A.T. lab, and Deep Lab. She has received fellowships and residencies from Eyebeam, Mozilla, The Studio for Creative Inquiry at Carnegie Mellon University and CERN.
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San Francisco Bay Area Street Art are any visual images created in public places such as on walls or street walk ways. Street art is often developed in order to create artworks that are outside of the scope of normalized art standards. Street Art has been a major part of the Bay Area's culture since the early 1980s. As the years went on street art became more and more prevalent in the Bay Area. While in some areas of San Francisco this art is done with the permission of the wall owners the majority is done illegally.
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