KOSANBA is a scholarly association dedicated to the study of Haitian Vodou. [1]
The organization was founded in 1997 at the Center for Black Studies Research of the University of California, Santa Barbara, then under the directorship of Claudine Michel. Dr. Michel serves as executive director of KOSANBA.
Thirteen scholars met for a colloquium on Haitian Vodou titled The Spirit and The Reality: Vodou and Haiti on April 25–26, 1997. At the end of the conference, they decided to institutionalize their efforts through a new association under the name The Congress of Santa Barbara. [2] Using the Haitian Creole name for congress (kóngre) with the San- and Ba- of Santa Barbara, the abbreviation KOSANBA was born.
According to their declaration, KOSANBA "proposes to have an impact on Haitian cultural politics as well as on other measures and policies that affect the Republic of Haiti ... It is the belief of the Congress that Vodou plays and shall continue to play a major role in the grand scheme of Haitian development and in the socio-economic, political, and cultural arenas. Development, when real and successful, always comes from the modernization of ancestral traditions, anchored in the rich cultural expressions of a nation." [3]
KOSANBA meets every two years. Its colloquium on July 13–17, 2009, was held in Mirebalais, Haiti to coincide with the Saut-d'Eau pilgrimage. After the 2010 earthquake, KOSANBA did not meet until 2013. Its tenth colloquium was held October 18–20 of that year at Harvard University. The eleventh colloquium took place in Montréal from October 21–25, 2015, and the twelfth in New Orleans from November 1–3, 2017. [4] In 2019, the association held its thirteenth colloquium at the Forum for Scholars and Publics at Duke University in Durham, North Carolina.
The current president of the association is Yanique Hume, Lecturer in Cultural Studies, University of the West Indies, Cave Hill Campus. LeGrace Benson, Director, Arts of Haiti Research Project, is Immediate Past President.
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François Duvalier, also known as Papa Doc, was a Haitian politician who served as the president of Haiti from 1957 until his death in 1971. He was elected president in the 1957 general election on a populist and black nationalist platform. After thwarting a military coup d'état in 1958, his regime rapidly became more autocratic and despotic. An undercover government death squad, the Tonton Macoute, indiscriminately tortured or killed Duvalier's opponents; the Tonton Macoute was thought to be so pervasive that Haitians became highly fearful of expressing any form of dissent, even in private. Duvalier further sought to solidify his rule by incorporating elements of Haitian mythology into a personality cult.
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Haitian Vodou is an African diasporic religion that developed in Haiti between the 16th and 19th centuries. It arose through a process of syncretism between several traditional religions of West and Central Africa and Roman Catholicism. There is no central authority in control of the religion and much diversity exists among practitioners, who are known as Vodouists, Vodouisants, or Serviteurs.
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Patrick Bellegarde-Smith is a professor emeritus of Africology at the University of Wisconsin–Milwaukee. Bellegarde-Smith is an associate editor of the Journal of Haitian Studies and former president of the Haitian Studies Association and the Congress of Santa Barbara (KOSANBA), a scholarly association for the study of Vodou and other African-derived religions.
Haiti is a majority Christian country. For much of its history and up to the present day, Haiti has been prevailingly a Christian country, primarily Roman Catholic, although in practice often profoundly modified and influenced through syncretism. A common syncretic religion is Vodou, which combined the Yoruba religion of enslaved Africans with Catholicism and some Native American strands; it shows similarities, and shares many deity-saints, with Cuban Santería and Brazilian Candomblé. The constitution of Haiti establishes the freedom of religion and does not establish a state religion, although the Catholic Church receives some preferential treatment.
Marie Thérèse Alourdes Macena Champagne Lovinski (1933–2020), also known by the name Mama Lola, was a Haitian-born manbo (priestess) in the African diasporic religion of Haitian Vodou. She had lived in the United States since 1963.
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Max Gesner Beauvoir was a Haitian biochemist and houngan. Beauvoir held one of the highest titles of Voudou priesthood, Ati or "Supreme Serviteur", a title given to Houngans and Mambos who have a great and very deep knowledge of the religion, and status within the religion. As Supreme Serviteur, Max was seen as a high authority within Vodou.

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Karen McCarthy Brown was an anthropologist specializing in the anthropology of religion. She is best known for her groundbreaking book Mama Lola: A Vodou Priestess in Brooklyn, which made great strides in destigmatizing Haitian Vodou. Until her retirement in 2009 due to illness, McCarthy Brown was a Professor of Anthropology at Drew University. At Drew University, McCarthy Brown was the first woman in the Theological School to receive tenure and to achieve the rank of full professor.
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Lina Mathon-Blanchet was a Haitian pianist, music teacher and composer. First director of the Conservatoire National, she was interested in Haiti's folkloric traditions and was one of the first performers to include Vodou-influenced theatrical performances on the public stage in the country. Founding several folkloric troupes, she led her artists on tours throughout the United States and was noted as a teacher and mentor to many prominent Haitian performers. Trained in classical music traditions she collected traditional songs documenting the lyrics, melodies, and rhythms found as traditional themes in Haitian music. She is widely recognized as one of the most influential figures in the development of music in Haiti in the twentieth-century.

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Claudine Michel is the editor of the Journal of Haitian Studies and a professor emerita of Black studies at the University of California, Santa Barbara. Michel is the Director of the UCSB Center for Black Studies Research. She is a Haitian native and practitioner of Haitian Vodou, and has done much in the field of Haitian studies.
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