Kaethe Katrin Wenzel

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Kaethe Wenzel
Kaethe Wenzel and Lisa Glauer, Egostroking Machine.jpg
Kaethe Wenzel (with Lisa Glauer): Egostroking Machine, 2007
Born1972 (1972)
Aachen, Germany
NationalityGerman
Known forUrban and participatory art

Kaethe Katrin Wenzel (born 1972 in Aachen) [1] is a German artist. Her works are about Utopian ideas, the future, and alternative concepts for society. Her main instruments are drawing, interviews, the Internet, mechanics/electronics, and street art. She uses techniques from surveys to speculative fiction to explore "the collective production of culture, the interface of art and science, and the production and negotiation of public space". [2]

Contents

She modifies or mimics urban signs, advertisements, or services, jolting viewers out of their habitual ruts, upsetting conventional ways of seeing and of representing the world. Her interview-based drawing projects connect the streets and the Internet. Her aim is to create space for unusual thoughts and empowered communication: "The point is to rewrite existing structures as alterable, to change and rethink them (...) Through a collective work process (Wenzel) opens up new perspectives and visions of specific themes." [3]

Life and works

Kathe Wenzel: Bonebots, 2010 Kaethe Wenzel, Bonebots, 2010.jpg
Käthe Wenzel: Bonebots, 2010

In 2016, Wenzel became professor for Aesthetic Practice and Contexts at European University Flensburg. [4] She studied in Marburg, Florence, and Berlin. In 2003 she received a PhD for her work "Meat as a Material in Art. Objects on the Interface of Art and Medicine" about oppositional artistic structures in the German Democratic Republic (GDR). [5]

She was an exchange scholar with the Fulbright Program. [1] In a direct reaction to her time in New York City she developed the Cartoonorama project, which combines drawing, interview, and cartography.[ citation needed ]

Her art can be found in museums and collections including the German Museum of Technology Berlin; [6] the Szént István Király Múzeum, Székesfehérvár, Hungary; [7] the Koblenz Middlerhine Museum, [8] and the Roemer-Pelizaeus-Museum in Hildesheim. [9]

Kaethe Wenzel: Future M, Still, 2016 Kaethe Wenzel, FutureM - NewYork according to Beatrix.jpg
Kaethe Wenzel: Future M, Still, 2016
Kathe Wenzel: Future M, Still, 2016 Kaethe Wenzel, FutureM - Beatrix about New York.jpg
Käthe Wenzel: Future M, Still, 2016

Publications

References

  1. 1 2 "About Kaethe Wenzel". The Social Art Award. 8 November 2019. Retrieved 27 October 2021.
  2. ↑ Seymour, Sabine (2010). Functional Aesthetics (Springer ed.). Vienna, New York. ISBN   978-3-7091-0311-1.{{cite book}}: CS1 maint: location missing publisher (link)
  3. ↑ Schomerus, Marie (2016). U-Bahnhof Bundestag Berlin 2016 Europa. Kunst im Öffentlichen Raum (Francine Eggs, Andreas Bitschin, Marvin Altner ed.). Berlin: Jovis. p. 104. ISBN   978-3-86859-392-1.
  4. ↑ "European University Flensburg". European University Flensburg. Archived from the original on December 3, 2017.
  5. ↑ Wenzel, Katrin Käthe (2005). Fleisch als Werkstoff – Objekte auf der Schnittstelle von Kunst und Medizin. Berlin: Weissensee Verlag. p. 190. ISBN   978-3899980561.
  6. ↑ German Museum of Technology, Kaethe Wenzel. "Pictures of Tomorrow". Archived from the original on April 15, 2017.
  7. ↑ Szént István Király Múzeum, Käthe Wenzel. "Codex II". szikm.hu. Archived from the original on February 24, 2017.
  8. ↑ Mittelrheinmuseum Koblenz, Käthe Wenzel. "Urban Growths". www.mittelrhein-museum.de. Archived from the original on May 19, 2017.
  9. ↑ Roemer-Pelizaeus Museum Hildesheim, Käthe Wenzel. "Traumstadt Hildesheim". www.rpmuseum.de. Archived from the original on October 25, 2005.
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