Krar is a five-or-six stringed bowl-shaped lyre from Ethiopia and Eritrea. It is tuned to a pentatonic scale. A modern Krar may be amplified, much in the same way as an electric guitar or violin. The Krar, along with Masenqo and the Washint, is one of the most widespread musical instruments in Northern Ethiopia and Eritrea.
The music of Nigeria includes many kinds of folk and popular music. Little of the country's music history prior to European contact has been preserved, although bronze carvings dating back to the 16th and 17th centuries have been found depicting musicians and their instruments. The country's most internationally renowned genres are Indigenous, Apala, Aurrebbe music, Rara music, Were music, Ogene, Fuji, Jùjú, Afrobeat, Afrobeats, Igbo highlife, Afro-juju, Waka, Igbo rap, Gospel,Nigerian pop and Yo-pop. Styles of folk music are related to the over 250 ethnic groups in the country, each with their own techniques, instruments, and songs. The largest ethnic groups are the Igbo, Hausa and Yoruba. Traditional music from Nigeria and throughout Africa is often functional; in other words, it is performed to mark a ritual such as the wedding or funeral and not to achieve artistic goals. Although some Nigerians, especially children and the elderly, play instruments for their own amusement, solo performance is otherwise rare. Music is closely linked to agriculture, and there are restrictions on, for example, which instruments can be played during different parts of the planting season.
Ethiopian music is a term that can mean any music of Ethiopian origin, however, often it is applied to a genre, a distinct modal system that is pentatonic, with characteristically long intervals between some notes.
The music of Niger has developed from the musical traditions of a mix of ethnic groups; Hausa, the Zarma-Songhai, Tuareg, Fula, Kanuri, Toubou, Diffa Arabs and Gurma and the Boudouma from Lac Chad.
P'ent'ay is an originally Amharic–Tigrinya language term for Pentecostal Christians. Today, the term refers to all Evangelical Protestant denominations and organisations in Ethiopian and Eritrean societies. Alternative terms include Ethiopian–Eritrean Evangelicalism or the Ethiopian–Eritrean Evangelical Church. Sometimes the denominations and organizations are known as Wenigēlawī.
Chad is an ethnically diverse Central African country. Each of its regions has its own unique varieties of music and dance. The Fulani people, for example, use single-reeded flutes, while the ancient griot tradition uses five-string kinde and various kinds of horns, and the Tibesti region uses lutes and fiddles. Musical ensembles playing horns and trumpets such as the long royal trumpets known as "waza" or "kakaki" are used in coronations and other upper-class ceremonies throughout both Chad and Sudan.
The music of Eritrea, is a diverse mix of traditional and popular styles originating from ancient to modern times. The nine major ethnic groups of Eritrea—Afar, Bilen, Hedareb, Kunama, Nara, Rashaida, Saho, Tigre and Tigrinya—celebrate autonomous music-making expressed through a rich heritage of vocalists, instrumentalists and activities within the country and throughout the international diaspora. The country's music is informed by a range of ethnolinguistic group dynamics in the region, by its shared pre-colonial history with and revolutionized independence from Ethiopia, and by its exposure to globalized American music in the mid-twentieth century.
The Hausa are one of the largest ethnic groups in Nigeria, Niger, Ghana, Sudan, Cameroon and in many other West and Central African countries. Their folk music has played an important part in the development of Nigerian music, contributing such elements as the Goje, a one-stringed fiddle. There are two broad categories of traditional Hausa music: rural folk music and urban court music. They introduced the African pop culture genre that is still popular today.
Tiv are a bantu ethnic group. They constitute approximately 2.4% of Nigeria's total population, and number over 5 million individuals throughout Nigeria and Cameroon. The Tiv language is spoken by over 5 million people in Nigeria, with a few speakers in Cameroon. Most of the language's Nigerian speakers are found in Benue, Taraba, Nasarawa, Plateau, Cross rivers, Adamawa, Kaduna, and the Federal Capital Territory Abuja. The language is a branch of Benue–Congo and ultimately of the Niger–Congo phylum. In pre-colonial times, the Fulani ethnic group referred to the Tiv as "Munchi", a term not accepted by the Tiv people.
The culture of Ethiopia is diverse and generally structured along ethnolinguistic lines. The country's Afro-Asiatic-speaking majority adhere to an amalgamation of traditions that were developed independently and through interaction with neighboring and far away civilizations, including other parts of Northeast Africa, the Arabian Peninsula, India, and Italy. By contrast, the nation's Nilotic communities and other ethnolinguistic minorities tend to practice customs more closely linked with South Sudan or the African Great Lakes region.
Yoruba music is the pattern/style of music practiced by the Yoruba people of Nigeria, Togo, and Benin. It is perhaps best known for its extremely advanced drumming tradition and techniques, especially using the gongon hourglass shape tension drums. Yoruba folk music became perhaps the most prominent kind of West African music in Afro-Latin and Caribbean musical styles; it left an especially important influence on the music used in Santería practice and the music of Cuba.
Abeba Haile is a prominent Eritrean singer. She has produced albums in the Tigrinya language, she was also in the Eritrean people liberation front which is a military organization that liberated the country from Ethiopian colonialism. Abeba Haile joined the organization when she was young underage, she can play different musical instruments like traditional kirar and also piano, base guitar and guitar. Abeba has been a very effective singer especially she was one of these who contributed at the time of war with Ethiopia in 1998-2001.
Washint is an end-blown wooden flute originally used in Ethiopia. Traditionally, Amharic musicians would pass on their oral history through song accompanied by the washint as well as the krar, which is a six stringed lyre, and the masenqo, a one string fiddle.
The goje is one of the many names for a variety of one or one-stringed fiddles from West Africa, played by groups such as the Yoruba in Sakara music and west African groups that inhabit the Sahel. Snakeskin or lizard skin covers a gourd bowl, and a horsehair string is suspended on bridge. The goje is played with a bowstring.
In many parts of sub-Saharan Africa, the use of music is not limited to entertainment: it serves a purpose to the local community and helps in the conduct of daily routines. Traditional African music supplies appropriate music and dance for work and for religious ceremonies of birth, naming, rites of passage, marriage and funerals. The beats and sounds of the drum are used in communication as well as in cultural expression.
A kebero is a double-headed, conical hand drum used in the traditional music of Eritrea, Sudan and Ethiopia. A piece of animal hide is stretched over each end of the instrument, thus forming a membranophone. A large version of the kebero is also used in Ethiopian and Eritrean Orthodox Christian liturgical music, while smaller versions are used in secular celebrations. The kebero is primarily used in weddings, funerals and other ceremonies. The instrument is made from the hollowed out section of a tree trunk and then hard particles are inserted into it. The shell is then covered with two cow leather membranes, so that one can be tuned higher than the other. A kebero is also used in a worship called wereb. It is mostly done in Eritrea and Ethiopia.
The algaita is a double reed wind instrument from the Sahelian region of West-Central Africa that is used by the Bamum, Hausa and Kanuri peoples in Cameroon and Nigeria. Its construction is similar to the oboe-like rhaita and the zurna. The algaita is distinguished from these other instruments by its larger, trumpet-like bell. Instead of keys, it has open holes for fingering, similar to the zurna.
The Hausa are a native ethnic group in West Africa. They speak the Hausa language, which is the second most spoken language after Arabic in the Afro-Asiatic language family. The Hausa are a culturally homogeneous people based primarily in the Sahelian and the sparse savanna areas of southern Niger and northern Nigeria respectively, numbering around 86 million people, with significant populations in Benin, Cameroon, Ivory Coast, Chad, Central African Republic, Togo, Ghana, as well as smaller populations in Sudan, Eritrea, Equatorial Guinea, Gabon, Senegal, Gambia. Predominantly Hausa-speaking communities are scattered throughout West Africa and on the traditional Hajj route north and east traversing the Sahara, with an especially large population in and around the town of Agadez. Other Hausa have also moved to large coastal cities in the region such as Lagos, Port Harcourt, Accra, Abidjan, Banjul and Cotonou as well as to parts of North Africa such as Libya over the course of the last 500 years. The Hausa traditionally live in small villages as well as in precolonial towns and cities where they grow crops, raise livestock including cattle as well as engage in trade, both local and long distance across Africa. They speak the Hausa language, an Afro-Asiatic language of the Chadic group. The Hausa aristocracy had historically developed an equestrian based culture. Still a status symbol of the traditional nobility in Hausa society, the horse still features in the Eid day celebrations, known as Ranar Sallah. Daura is the cultural center of the Hausa people. The town predates all the other major Hausa towns in tradition and culture.
The garaya or komo is an oval-bodied, two-string spike lute from Niger and Northern Nigeria.
