Kakaki

Last updated
Kakaki player at the palace of the Ooni of Ife, in Osun state, western Nigeria Kakaki.jpeg
Kakaki player at the palace of the Ooni of Ife, in Osun state, western Nigeria
See also the Africa section of: Nafir

The kakaki is a three- to four-metre-long metal trumpet used in Hausa, Yoruba, and Nupe traditional ceremonial music. Kakaki is the name used in Chad, Burkina Faso, Ghana, Benin Niger, and Nigeria.

The Kakaki, also known as "Waza" or "Malakat" is a three- to four-meter-long metal trumpet used in African Hausa. Waza trumpeters.jpg
The Kakaki, also known as "Waza" or "Malakat" is a three- to four-meter-long metal trumpet used in African Hausa.

The instrument is also known as malakat in Ethiopia.[ citation needed ]

Kakaki is a long metal trumpet used in Hausa traditional ceremonial music. It could be anything from three metres in length. Kakaki trumpet.jpg
Kakaki is a long metal trumpet used in Hausa traditional ceremonial music. It could be anything from three metres in length.

An ancient instrument, the kakaki was predominant among Songhai cavalry. Its sound is associated with royalty and it is only played at events at the palace of the king or sultan in Hausa societies. It is used as part of the sara, a weekly statement of power and authority. Kakaki are exclusively played by men.

See also

Related Research Articles

<span class="mw-page-title-main">Hausa language</span> Chadic language of Nigeria, Niger, Chad and neighbouring countries

Hausa ; Ajami: هَرْشٜن هَوْسَ) is a Chadic language that is spoken by the Hausa people in the northern parts of Nigeria, Ghana, Cameroon, Benin and Togo, and the southern parts of Niger, Chad and Sudan, with significant minorities in Ivory Coast.

<span class="mw-page-title-main">Music of Nigeria</span> Overview of music activities in Nigeria

The music of Nigeria includes many kinds of folk and popular music. Little of the country's music history prior to European contact has been preserved, although bronze carvings dating back to the 16th and 17th centuries have been found depicting musicians and their instruments. The country's most internationally renowned genres are Indigenous, Apala, Aurrebbe music, Rara music, Were music, Ogene, Fuji, Jùjú, Afrobeat, Afrobeats, Igbo highlife, Afro-juju, Waka, Igbo rap, Gospel, and Yo-pop. Styles of folk music are related to the over 250 ethnic groups in the country, each with their own techniques, instruments, and songs. The largest ethnic groups are the Igbo, Hausa and Yoruba. Traditional music from Nigeria and throughout Africa is often functional; in other words, it is performed to mark a ritual such as the wedding or funeral and not to achieve artistic goals. Although some Nigerians, especially children and the elderly, play instruments for their own amusement, solo performance is otherwise rare. Music is closely linked to agriculture, and there are restrictions on, for example, which instruments can be played during different parts of the planting season.

<span class="mw-page-title-main">Music of Niger</span> Overview of music traditions in Niger

The music of Niger has developed from the musical traditions of a mix of ethnic groups; Hausa, the Zarma-Songhai, Tuareg, Fula, Kanuri, Toubou, Diffa Arabs and Gurma and the Boudouma from Lac Chad.

<span class="mw-page-title-main">Xalam</span>

Xalam is a traditional lute from West Africa with 1-5 strings.

<span class="mw-page-title-main">Music of Chad</span>

Chad is an ethnically diverse Central African country. Each of its regions has its own unique varieties of music and dance. The Fulani people, for example, use single-reeded flutes, while the ancient griot tradition uses five-string kinde and various kinds of horns, and the Tibesti region uses lutes and fiddles. Musical ensembles playing horns and trumpets such as the long royal trumpets known as "waza" or "kakaki" are used in coronations and other upper-class ceremonies throughout both Chad and Sudan.

The Hausa are one of the largest ethnic groups in Nigeria, Niger, Ghana, Sudan, Cameroon and in many other West and Central African countries. Their folk music has played an important part in the development of Nigerian music, contributing such elements as the Goje, a one-stringed fiddle. There are two broad categories of traditional Hausa music: rural folk music and urban court music. They introduced the African pop culture genre that is still popular today.

<span class="mw-page-title-main">Culture of Nigeria</span> Overview of Nigerian culture

The culture of Nigeria is shaped by Nigeria's multiple ethnic groups. The country has 527 languages, seven of which are extinct. Nigeria also has over 1150 dialects and ethnic groups. The three largest ethnic groups are the Hausas that are predominantly in the north, the Yorubas who predominate in the southwest, and the Igbos in the southeast. There are many other ethnic groups with sizeable populations across the different parts of the country. The Kanuri people are located in the northeast part of Nigeria, the Tiv people of north central and the Efik-Ibibio are in the south south. The Bini people are most frequent in the region between Yorubaland and Igboland.

<span class="mw-page-title-main">Tiv people</span> West African ethnic group

Tiv are a Tivoid ethnic group. They constitute approximately 2.4% of Nigeria's total population, and number over 5 million individuals throughout Nigeria and Cameroon. The Tiv language is spoken by over 5 million people in Nigeria with a few speakers in Cameroon. Most of the language's Nigerian speakers are found in Benue, Taraba, Nasarawa, Plateau, Cross rivers, Adamawa, Kaduna, and the Federal Capital Territory Abuja. The language is a branch of Benue–Congo and ultimately of the Niger–Congo phylum. In pre-colonial times, the Fulani ethnic group referred to the Tiv. They depend on agricultural produce for commerce and sustenance.

<span class="mw-page-title-main">Yoruba music</span> Music of the Yoruba people of Nigeria, Togo, and Benin

Yoruba music is the pattern/style of music practiced by the Yoruba people of Nigeria, Togo, and Benin. It is perhaps best known for its extremely advanced drumming tradition and techniques, especially using the gongon hourglass shape tension drums. Yoruba folk music became perhaps the most prominent kind of West African music in Afro-Latin and Caribbean musical styles; it left an especially important influence on the music used in Santería practice and the music of Cuba.

<span class="mw-page-title-main">Talking drum</span> Hourglass-shaped West African drum

The talking drum is an hourglass-shaped drum from West Africa, whose pitch can be regulated to mimic the tone and prosody of human speech. It has two drumheads connected by leather tension cords, which allow the player to change the pitch of the drum by scraping the cords between their arm and body.

<span class="mw-page-title-main">Goje</span>

The goje is one of the many names for a variety of one or one-stringed fiddles from West Africa, played by groups such as the Yoruba in “Sakara music” and west African groups that inhabit the Sahel. Snakeskin or lizard skin covers a gourd bowl, and a horsehair string is suspended on bridge. The goje is played with a bowstring.

<span class="mw-page-title-main">Kontigi</span>

A kontigi or kuntigi is a one-stringed African lute played by the Hausa, Songhai and Djerma. A 3-string version teharden is used among the Tamashek.

<span class="mw-page-title-main">Sub-Saharan African music traditions</span> Traditional sound-based art forms developed by sub-Saharan African peoples

In many parts of sub-Saharan Africa, the use of music is not limited to entertainment: it serves a purpose to the local community and helps in the conduct of daily routines. Traditional African music supplies appropriate music and dance for work and for religious ceremonies of birth, naming, rites of passage, marriage and funerals. The beats and sounds of the drum are used in communication as well as in cultural expression.

<span class="mw-page-title-main">Algaita</span>

The algaita is a double reed wind instrument from West Africa, especially among the Hausa and Kanuri peoples. Its construction is similar to the oboe-like rhaita and the zurna. The algaita is distinguished from these other instruments by its larger, trumpet-like bell. Instead of keys, it has open holes for fingering, similar to the zurna.

<span class="mw-page-title-main">Dambe</span> Hausa traditional sport (Wrestling)

Dambe is a martial art of the Hausa people from Nigeria. Competitors in a typical match aim to subdue each other into total submission mostly within three rounds. It often results in serious bodily injury. Boxers are called by the Hausa word "daæmaænga".

<span class="mw-page-title-main">Hausa people</span> Ethnic group in West Africa

The Hausa are a native ethnic group in West Africa. They speak the Hausa language, which is the second most spoken language after Arabic in the Afro-Asiatic language family. The Hausa are a culturally homogeneous people based primarily in the Sahelian and the sparse savanna areas of southern Niger and northern Nigeria respectively, numbering around 86 million people, with significant populations in Benin, Cameroon, Ivory Coast, Chad, Central African Republic, Togo, Ghana, as well as smaller populations in Sudan, Eritrea, Equatorial Guinea, Gabon, Senegal and the Gambia.

<span class="mw-page-title-main">Sakara drum</span> Type of Yoruba drum

The Sakara drum is one of the four major families of Yoruba drums of Nigeria. The other families are the Dundun/Gangan or talking drum, the Batá drum and the Gbedu drum. Each family includes drums of different sizes, with the mother drum playing the lead role and other drums playing in support. The Sakara is also made and used by the Hausa people of northern Nigeria.

Pero, also known as Filiya, is a West Chadic language of Nigeria.

<span class="mw-page-title-main">Nafir</span> Natural trumpet, dates to ancient/medieval periods, straight tube with a bell

Nafir, also nfīr, plural anfār, Turkish nefir, is a slender shrill-sounding straight natural trumpet with a cylindrical tube and a conical metal bell, producing one or two notes. It was used as a military signaling instrument and as a ceremonial instrument in countries shaped by Islamic culture in North Africa, the Middle East and South Asia. In Ottoman, Persian and Mugulin miniatures, the nafīr is depicted in battle scenes. In Christian culture, it displaced or was played alongside of the curved tuba or horn, as seen in artwork of about the 14th century A.D.

<span class="mw-page-title-main">Gurmi (lute)</span>

The gurmi is a two or three-stringed lute of the Hausa people of northern Nigeria. May also be called gurumi or kumbo. In looking at the two-finger playing style used by musicians who play the gumbri, researchers have listed it as a possible relative to the banjo. Researchers have talked about the gurmi and gurumi as if these are two different but similar instruments.

References