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A kappōgi ( 割烹着 , "cooking wear") is a type of smock, originating in Japan. First designed to protect kimono from stains when cooking, it has baggy sleeves with gathered cuffs terminating just after the elbow, and the torso comes down to the wearer's knees. [1] It closes by means of strips of cloth that are tied at the back of the neck and waist. It is particularly used when cooking and cleaning.
The kappōgi was introduced at Japan's first culinary academy, Akahori Kappō School, in 1902, when most people wore kimono on a daily basis. [2] [1]
The kimono is a traditional Japanese garment and the national dress of Japan. The kimono is a T-shaped, wrapped-front garment with square sleeves and a rectangular body, and is worn left side wrapped over right, unless the wearer is deceased. The kimono is traditionally worn with a broad sash, called an obi, and is commonly worn with accessories such as zōri sandals and tabi socks.
Japanese tea ceremony is a Japanese cultural activity involving the ceremonial preparation and presentation of matcha (抹茶), powdered green tea, the art of which is called (o)temae ([お]手前/[お]点前).
There are typically two types of clothing worn in Japan: traditional clothing known as Japanese clothing, including the national dress of Japan, the kimono, and Western clothing, which encompasses all else not recognised as either national dress or the dress of another country.
The culture of Japan has changed greatly over the millennia, from the country's prehistoric Jōmon Period, to its contemporary modern culture, which absorbs influences from Asia and other regions of the world.
Hakama are a type of traditional Japanese clothing. Originally stemming from Kù, the trousers worn by members of the Chinese imperial court in the Sui and Tang dynasties, this style was adopted by the Japanese in the form of hakama in the 6th century. Hakama are tied at the waist and fall approximately to the ankles. They are worn over a kimono specially adapted for wearing hakama, known as a hakamashita.
Zori, also rendered as zōri, are thonged Japanese sandals made of rice straw, cloth, lacquered wood, leather, rubber, or—most commonly and informally—synthetic materials. They are a slip-on descendant of the tied-on waraji sandal.
A Geta, also known as Muji is a traditional East Asian footwear that resembles flip-flops. A kind of sandals, geta have a flat wooden base elevated with up to three "teeth", held on the foot with a fabric thong, which keeps the foot raised above the ground.
The haori (羽織) is a traditional Japanese hip- or thigh-length jacket worn over a kimono. Resembling a shortened kimono with no overlapping front panels, the haori typically features a thinner collar than that of a kimono, and is sewn with the addition of two thin, triangular panels at either side seam. The haori is usually tied at the front with two short cords, known as haori himo, which attach to small loops sewn inside the garment.
An obi is a belt of varying size and shape worn with both traditional Japanese clothing and uniforms for Japanese martial arts styles. Originating as a simple thin belt in Heian period Japan, the obi developed over time into a belt with a number of different varieties, with a number of different sizes and proportions, lengths, and methods of tying. The obi, which once did not differ significantly in appearance between men and women, also developed into a greater variety of styles for women than for men.
A religious habit is a distinctive set of religious clothing worn by members of a religious order. Traditionally some plain garb recognizable as a religious habit has also been worn by those leading the religious eremitic and anchoritic life, although in their case without conformity to a particular uniform style.
A furisode is a style of kimono distinguishable by its long sleeves, which range in length from 85 cm (33 in) for a kofurisode, to 114 cm (45 in) for an ōfurisode. Furisode are the most formal style of kimono worn by young women in Japan.
The Inverness cape is a form of weatherproof outer-coat. It is notable for being sleeveless, the arms emerging from armholes beneath a cape. It has become associated with the fictional detective Sherlock Holmes.
Sisters of the Gion or Sisters of Gion is a 1936 black and white Japanese film drama directed by Kenji Mizoguchi about two sisters living in the Gion District. The film is seen as a companion piece to Mizoguchi's Osaka Elegy which shares much of the same cast and production team.
Geisha (芸者), also known as geiko (芸子) or geigi (芸妓) are a class of female Japanese performance artists and entertainers trained in traditional Japanese performing arts styles, such as dance, music and singing, as well as being proficient conversationalists and hosts. Their distinct appearance is characterised by long, trailing kimono, traditional hairstyles and oshiroi make-up. Geisha entertain at parties known as ozashiki, often for the entertainment of wealthy clientele, as well as performing on stage and at festivals.
A kosode was a type of short-sleeved Japanese garment, and the direct predecessor of the kimono. Though its component parts directly parallel those of the kimono, its proportions differed, typically having a wider body, a longer collar and narrower sleeves. The sleeves of the kosode were typically sewn to the body entirely, and often featured heavily rounded outer edges.
A tasuki is a fashion accessory used for holding up the long sleeves of the Japanese kimono. It is a sash made from either cloth or cord that loops over each shoulder and crosses over the wearer's back. The bottom of the kimono sleeves can then be tucked into the loop, holding them back for convenience and functionality.
The Khalili Collection of Kimono is a private collection of Japanese kimono assembled by the British-Iranian scholar, collector and philanthropist Nasser D. Khalili, containing more than 450 items. It is one of eight collections assembled, published and exhibited by Khalili, each of which is considered to be among the most important collection within their respective fields.
Japanese clothing during the Meiji period (1867-1912) saw a marked change from the preceding Edo period (1603-1867), following the final years of the Tokugawa shogunate between 1853 and 1867, the Convention of Kanagawa in 1854 - which, led by Matthew C. Perry, forcibly opened Japanese ports to American vessels, thus ending Japan's centuries-long policy of isolation - and the Meiji Restoration in 1868, which saw the feudal shogunate dismantled in favour of a Western-style modern empire.
kappogi.