Karen Hartman

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Karen Hartman is an American playwright and librettist. Her plays have been produced at 59e59, Primary Stages, Yale Repertory Theatre, Seattle Repertory Theatre, Directors Company, Denver Center Theatre, Chicago Shakespeare Theatre, People's Light, Victory Gardens, Everyman Theatre, and numerous others.

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In 2022, the VOLT festival produced by off-Broadway theatre 59e59 simultaneously premiered three of Hartman's plays: New Golden Age, The Lucky Star, and Goldie, Max & Milk. [1] Hartman’s plays have been celebrated as passionate, relevant storytelling that “resonate in the current moment with overpowering force." [2]

Biography

Hartman grew up in San Diego, California. She completed her bachelor's degree in Literature at Yale University and received Master of Fine Arts in Playwriting from Yale School of Drama.

After graduating from Yale, she moved to New York City. She was Senior Artist-in-Residence at the University of Washington School of Drama in Seattle from 2014-2019, [3] and currently lives in Brooklyn, NY with her family.

Career

Karen Hartman's plays have been produced all around the United States, including in New York at the Women's Project, National Asian American Theatre Company, P73, and Summer Play Festival, and regionally at Cincinnati Playhouse, Dallas Theater Center, the Magic, Seattle Repertory Theatre, San Diego Repertory Theatre, Victory Gardens, Theater J, Horizon Theatre, Unicorn Theater, and elsewhere.

Three of Hartman's works, Roz and Ray, The Lucky Star (as The Book of Joseph), and Project Dawn (NEA Art Works Grant, NNPN Rolling World Premiere) had ten productions across the U.S. in the 2016-18 seasons, premiering at Chicago Shakespeare Theater, People's Light, Seattle Rep, and Victory Gardens, and are published by Samuel French/Concord. The Lucky Star set records as the highest grossing play in the history of Everyman Theatre in Baltimore. Hartman is currently developing Project Dawn for Population Media Center as a television series, and another project for 20th Television.

Hartman's essays and commentary have been published in the New York Times [4] and the Washington Post . [5] [6] [7] She is the co-founder of national program #TogetherForAbortion, which brings people together for conversations about women's reproductive rights. [8]

Hartman’s work has been supported by the Rockefeller Foundation at Bellagio, the National Endowment for the Arts, Princeton’s Hodder Fellowship, the Helen Merrill Foundation, Space at Ryder Farm, Hedgebrook, MacDowell Colony, the O’Neill Playwrights Conference, the Sustainable Arts Foundation, a Daryl Roth Creative Spirit Award, a Joseph A. Callaway Award from New Dramatists, a Jerome Fellowship, a Fulbright Scholarship, and more. She has been a guest artist at the Royal National Theatre of Great Britain. [9]

Hartman held the Playwright Center's McKnight Residency and Commission for a nationally recognized playwright in 2014 and 2015. [10] She held a 2019-2020 Guggenheim Fellowship [11] and is an alumnus of New Dramatists [12]

Plays

Musical books

Awards & Honors

References

  1. Soloski, Alexis (2022-05-20). "With the Volt Festival, the Playwright Karen Hartman Comes Home". The New York Times. ISSN   0362-4331 . Retrieved 2025-03-03.
  2. Oxman, Steven (2017-02-21). "Chicago Theater Review: New Plays Tackle Timely Topics". Variety. Retrieved 2025-03-03.
  3. "Karen Hartman - New Faculty Spotlight | School of Drama | University of Washington". drama.washington.edu. Retrieved 2025-03-03.
  4. Hartman, Karen (15 July 2011). "Bound in a Gay Union by a State That Didn't Recognize It". The New York Times. Archived from the original on 2018-02-27. Retrieved 2025-03-03.
  5. Hartman, Karen (May 9, 2013). "Love from a distance: Cancer, my mother and me". Washington Post.
  6. Hartman, Karen (January 22, 2015). "I'm passively pro-choice. And I'm not proud of that". Washington Post.
  7. Hartman, Karen (January 22, 2016). "I never knew of a mom who had an abortion. Until I became one". Washington Post.
  8. "These five social media campaigns are giving women a voice". Yahoo News. 2016-01-05. Retrieved 2025-03-03.
  9. "Karen Hartman". Dramatists Play Service. Retrieved 23 February 2018.
  10. "karenhartman@pwcplaceholder.com, Author at Playwrights' Center". Playwrights' Center. Retrieved 2025-03-03.
  11. 1 2 "Karen Hartman – John Simon Guggenheim Memorial Foundation…" . Retrieved 2025-03-03.
  12. "Karen Hartman | New Dramatists". newdramatists.org. Retrieved 2025-03-03.
  13. "The Book of Joseph". Chicago Shakespeare Theater. Retrieved 23 February 2018.
  14. "The Lucky Star". Concord Theatricals. Retrieved 2025-03-03.
  15. "New Golden Age". Primary Stages. 2021. Retrieved May 6, 2024.
  16. "New Golden Age". Concord Theatricals. Retrieved 2025-03-03.
  17. "Goldie, Max & Milk". Concord Theatricals. Retrieved 2025-03-03.
  18. Rizzo, Frank (2019-01-23). "Will a New Play Restart a Fire?". The New York Times. ISSN   0362-4331 . Retrieved 2025-03-03.
  19. "SuperTrue". Know Theatre of Cincinnati. Retrieved 23 February 2018.
  20. "Shine a light". BroadStreetReview.com. Archived from the original on 27 February 2018. Retrieved 23 February 2018.
  21. "Project Dawn". Concord Theatricals. Retrieved 2025-03-03.
  22. "Roz and Ray". Concord Theatricals. Retrieved 2025-03-03.
  23. "Dramatists Play Service, Inc". www.dramatists.com. Retrieved 2025-03-03.
  24. "Gum and The Mother of Modern Censorship". Dramatists Play Service. Retrieved 23 February 2018.
  25. "Troy Women". PlayScripts. Retrieved 23 February 2018.
  26. Hartman, Karen (19 May 2010). Girl Under Train. Lulu.com. ISBN   978-0578049816.
  27. "Leah's Train". Playscripts. Retrieved 23 February 2018.
  28. "ALICE: Tales of a Curious Girl". Playscripts. Retrieved 23 February 2018.
  29. "Wild Kate: A Tale of Revenge at Sea". Playscripts. Retrieved 23 February 2018.
  30. "New America: Contemporary Literature for a Changing Society edited by Holly Messitt and James Tolan". Autumn House Press. Retrieved 23 February 2018.
  31. "Roz and Ray". Seattle Repertory Theatre. Retrieved 23 February 2018.
  32. "Karen Hartman". People's Light. Retrieved 23 February 2018.
  33. Saul, Michael (November 13, 1992). "No Second Troy Rewrites History of Trojan Women Playwright Weaves Tales of Today and Fifth Century B.C." Yale Daily News. Retrieved May 6, 2024.
  34. Brantley, Ben (April 27, 1994). "O'Keeffe and Stieglitz as Ghostly Mentors". New York Times. Retrieved May 6, 2024.
  35. "UW Music and Pacific MusicWorks: W.A. Mozart, The Magic Flute". University of Washington School of Music. Retrieved 23 February 2018.
  36. "MotherBone". Salvage Vanguard Theater. Archived from the original on 27 February 2018. Retrieved 23 February 2018.
  37. "The Susan Smith Blackburn Prize : New Golden Age by Karen Hartman". The Susan Smith Blackburn Prize. Retrieved 2025-03-03.
  38. Miller, Alex (2022-07-25). "DCPA Theatre Co. sweeps Henry Awards with 13 wins". OnStage Colorado. Retrieved 2025-03-03.
  39. Musbach, Julie. "Weston Announces New Musical Award Winner". BroadwayWorld.com. Retrieved 2025-03-03.
  40. "2016 - Edgerton Foundation New Play Awards". circle.tcg.org. Retrieved 2025-03-03.
  41. "Celebrating alumni achievements". www.playwrightsproject.org. Retrieved 2025-03-03.
  42. Lewis, L. D. (2025-07-30). "Announcing the Finalists for the 37th Annual Lambda Literary Awards". Lambda Literary. Retrieved 2025-08-11.