Karen Malpede

Last updated
Karen Malpede
Born Wichita Falls, Texas
Alma mater University of Wisconsin
Columbia University School of the Arts
Genre Social justice art
Spouse George Bartenieff
Website
theaterthreecollaborative.org

Karen Malpede is an American playwright and director whose work reflects an ongoing interest in social justice issues. She is a co-founder of the Theater Three Collaborative in New York City, and teaches theater and environmental justice at the John Jay College of Criminal Justice. She is also the editor of the notable anthology, Women in Theater: Compassion and Hope (1984). [1]

Contents

Early life

Karen Malpede was born, a fraternal twin, in 1945, on Sheppard Air Force Base, in Wichita Falls, TX, to a Jewish mother and an Italian-American father. Both of her parents were from Chicago, and she and her brother were raised on Chicago’s North Shore, in Evanston and Wilmette, IL.

She graduated from New Trier Township High School in Winnetka, IL. She earned a Bachelor of Science degree with Honors at the University of Wisconsin and a Master of Fine Arts degree in Theater at the Columbia University School of the Arts. [2]

She holds a Clinical Training Certificate from the International Trauma Studies Program, and for many years was a member of Robert Jay Lifton’s Center on Violence and Human Survival.

Career

Playwright

Because of her dual background, Malpede has said, she never quite fit in with any one group, and that has had a freeing effect on her as a dramatist.

Malpede's first play, A Lament for Three Women, was published in A Century of Plays by American Women, edited by Rachel France. (Richards Rosen Press, 1979). [3] [4] and she has been writing and producing plays ever since. [5]

She was a cofounder of the Women’s Salon for Literature, a monthly event featuring the leading writers of the feminist movement, and where her second play Rebecca received its first public reading, and has had 22 plays produced as of 2020.

Prophecy, produced in 2008 in London and 2010 in New York, starring Kathleen Chalfant, is a memory play about an enduring but tumultuous marriage, marked by significant infidelities, and of the acting teacher whose life was impacted by the murder of an antiwar lover, by his commanding officer, in Vietnam and now by a talented Iraq-war veteran student who takes his own life (written and produced at a time when little attention was being paid to veteran suicides).

Another Life is a surreal yet factual critique of the U.S. government torture program, starring a mogul named Handel, who prefigures and bears striking resemblance to Donald J. Trump. Premiered on September 11, 2011, to commemorate the decade since the attacks of September 2001, the play had four subsequent productions. Each production was accompanied by a Festival of Conscience, in which major writers on torture and lawyers for Guantanamo detainees, held conversations with the audiences.  

Her next play Extreme Whether , depicts the struggle of scientists to tell the truth about climate change in the face of opposition from the fossil fuel industry. The play, which premiered at Theater for the New City in New York in 2014, was also presented as a staged reading in French and English as part of ArtCop21, in Paris, 2015, during the negotiation of the Paris Climate Agreement, and restaged in 2018 at La MaMa Experimental Theater Club in New York City Prominent climate scientists, James Hansen and Jennifer Francis and environmental activists spoke with the audience after the production.

Her most recently produced play Other Than We, is a utopic-dystopic cli-fi fantasy. Produced at LaMama in November 2019, it was live streamed by the Columbia Earth Institute in the summer of 2020, and is published by Laertes Books. [6]

Malpede's one-man play, I Will Bear Witness , is co-adapted with George Bartenieff from the diaries of Victor Klemperer, a German Jew who documented the persecution of Jews in Dresden between 1933 and 1945. The production, which she directed, won Obie Awards for acting for Bartenieff and set design. 

In May, 2021, Theater Three Collaborative will present the world premiere of Malpede's play Blue Valiant, outdoors at Farm Arts Collective, among the first American theaters to come out of pandemic lockdown with a live performance. Blue Valiant was written for and stars Kathleen Chalfant and George Bartenieff, with Millie Ortiz and Arthur Rosen playing the horse on piano. The play is about grief and renewal.

Artistic Director

In 1977, Malpede co-founded New Cycle Theater, with Burl Hash, a free, loft theater in Park Slope, Brooklyn, which later became affiliated with the early Arts at St. Ann’s. Her plays, “The End of War,” “Making Peace: A Fantasy,” “A Monster Has Stolen the Sun,” “Sappho & Aphrodite,” were produced in the loft theater and at St. Ann’s.

In 1995, she co-founded the Theater Three Collaborative with her husband, George Bartenieff, and the late Lee Nagrin, both actors. The purpose was to enable them "to produce plays that could not be produced elsewhere" because of their social justice themes and poetic character-driven, sometimes, surreal, and epic styles.

Their premiere production in New York in 1995, and at the Dionysia Festival for Contemporary Drama in Veroli, Italy, was The Beekeeper’s Daughter, a play inspired both by the life of poet Robert Graves and by the plight of a victim of a Bosnian rape camp.

Books, stories, articles, and reviews

Her first book, People’s Theater in Amerika, [7] a history of radical theater in the United States from 1929 to 1972, was a seminal study and brought her into contact with people who become mentors and early supporters of her plays, Joseph Chaikin, founder of the Open Theater, and Julian Beck and Judith Malina, co-founders of The Living Theatre, and lifelong friends.

Her second book, Three Works by the Open Theater, [8] a collaboration with Chakin, published in 1974, was a seminal study of the influential, experimental theater company.

Malpede's short stories, reviews, and other writings on the torture program, climate change and feminism have been published in New Theatre Quarterly , the Women's Review of Books, the Kenyon Review , and other periodicals; and in anthologies such as Helen Barolini's The Dream Book: An Anthology of Writings by Italian American Women [9] (1985) and Roberta Mock’s Performing Processes [10] (2000).

She has been awarded numerous grants and fellowships, and her productions are regularly reviewed in periodicals such as American Theatre and the New York Times

Activism

Malpede is a lifelong peace and social justice activist. Among the historic marches and protests of which she has been a part: The 1967 March on the Pentagon, The 1970 New Haven Rally Protesting the Trial of Bobby Seale and Erica Huggins, The 1979, Washington Lawn Eleven, for which she was arrested, tried and found guilty, alongside writer Grace Paley, photographer Karl Bissinger and eight others. The Women’s Peace Encampment at Seneca Falls and Women’s Pentagon Action, and the summer 2020 Black Lives Matter marches on Dekalb Ave., Brooklyn, during the Covid-19 Pandemic.

In 2004, to protest the Iraq war, she co-created an outdoor public ritual to coincide with the Republican National Convention re-nominating George W. Bush. Called “Iraq: Naming the Dead” the event took place each night of the convention, outdoors, in the graveyard of the historic St. Mark’s Church-in-the-Bowery, involving Arab-American, black, white and brown readers of the names of the Iraqi and American dead (a 15-to-1 ratio).

Several months later, she presented the rewritten and expanded indoor documentary-ritual theater performance piece “I raq:Speaking of War” at the CUNY Graduate Center Prozansky Auditorium, on the eve of a massive anti-war march in New York; the piece was later presented at the Culture Project.

In the summer of 2018, she joined with playwrights Naomi Wallace and Kia Corthron to co-produce at the Signature Theater on 42nd St., Imagine: Yemen, an evening of eight short plays about the war in Yemen.

She is currently at work on an international collaboration with Persona Theater, Athens, for the YouTube staging of her short play Troy Too about Covid-19, the Climate Crisis and Racism; the script will be published in the forthcoming Staging 21st Century Tragedies.

Selected works

As author

As editor

As anthology contributor

Personal life

Malpede is the mother of a daughter, Carrie Sophia, and the grandmother of two.

Her twin brother, John Malpede, also a graduate of the University of Wisconsin-Madison, is the founder and artistic director of the Los Angeles Poverty Department (LAPD), a 30-year-old theater and arts group working with the residents of Skid Row.

Related Research Articles

<span class="mw-page-title-main">David Merrick</span>

David Merrick was an American theatrical producer who won a number of Tony Awards.

<span class="mw-page-title-main">Ida B. Wells</span> American journalist and civil rights activist (1862–1931)

Ida Bell Wells-Barnett was an American investigative journalist, educator, and early leader in the civil rights movement. She was one of the founders of the National Association for the Advancement of Colored People (NAACP). Wells dedicated her career to combating prejudice and violence, and advocating for African-American equality—especially that of women.

<span class="mw-page-title-main">Ruth Bernhard</span> German-born American photographer

Ruth Bernhard was a German-born American photographer.

<span class="mw-page-title-main">Else Lasker-Schüler</span> Jewish German poet

Else Lasker-Schüler was a German-Jewish poet and playwright famous for her bohemian lifestyle in Berlin and her poetry. She was one of the few women affiliated with the Expressionist movement. Lasker-Schüler fled Nazi Germany and lived out the rest of her life in Jerusalem.

<span class="mw-page-title-main">María Luisa Bemberg</span>

María Luisa Bemberg was an Argentine film writer, director and actress. She was one of the first Argentine female directors with a powerful presence both in the filmmaking and the intellectual world of Latin America, particularly during her most active period, from 1970 to 1990.

<span class="mw-page-title-main">Wrap dress</span> Dress with a front closure formed by wrapping one side across the other

A wrap dress is generic term for a dress with a front closure formed by wrapping one side across the other, and is fastened at the side or tied at the back. This forms a V-shaped neckline. A faux wrap dress resembles this design, except that it comes already fastened together with no opening in front, but instead is slipped on over the head. A wrap top is a top cut and constructed in the same way as a wrap dress, but without a skirt. The design of wrap-style closure in European garments was the results of the heavy influences of Orientalism which was popular in the 19th century.

<span class="mw-page-title-main">Mimi Reisel Gladstein</span> American academic (born 1936)

Mimi Reisel Gladstein is a professor of English and Theatre Arts at the University of Texas at El Paso. Her specialties include authors such as Ayn Rand and John Steinbeck, as well as women's studies, theatre arts and 18th-century British literature. In 2011 she was named to the El Paso Historical Hall of Honor.

<i>39 East</i> (film) 1920 film by John S. Robertson

39 East is a 1920 American silent comedy film produced by the Realart Picture Company, and starring Constance Binney reprising her role from the Broadway play. The film was directed by John S. Robertson.

George Michael Bartenieff was a German-born American stage and film actor. He was noted both for his character roles in commercial and non-commercial films and on television, and for his work in the avant-garde theatre and performance world of downtown Manhattan, New York City in the 1960s and 1970s. He was a co-founder of the Theatre for the New City, and of the Greenwich Village Halloween Parade.

<span class="mw-page-title-main">Kathryn Woolard</span> American linguistic anthropologist

Kathryn Ann Woolard is a Professor of Anthropology at the University of California, San Diego. She specializes in linguistic anthropology and received a Ph.D. in anthropology from the University of California at Berkeley.

Aline Fruhauf (1907–1978) was an American caricaturist and painter known for her various mixed-media caricatures of musicians, the Supreme Court justices, and other new age artists such as Stuart Davis, Yasuo Kuniyoshi, Max Weber, and Raphael Soyer, among others.

<span class="mw-page-title-main">Rosa Manus</span> Dutch pacifist and female suffragist

Rosette Susanna "Rosa" Manus (Dutch pronunciation:[roːˈsɛtəsyˈsɑnaːˈroːsaːˈmaːnʏs] was born 20 August 1881 and died either at Auschwitz or Ravensbruck in 1942. She was a Jewish Dutch pacifist and female suffragist and was involved in women's movements and anti-war movements. She served as the President of the Society for Female Suffrage, the Vice President of the Dutch Association for Women's Interests and Equal Citizenship, and was one of the founding members of the Women's International League for Peace and Freedom as well as its secretary. She firmly believed that women could work together across the world to bring peace. Although Manus was fairly well known in feminist circles in the 1920s and 1930s, she remains relatively unknown today. She was involved in feminist work for about thirty years during her lifetime and was known as a "feminist liberal internationalist."

<span class="mw-page-title-main">Beth Holmgren</span>

Beth Holmgren is an American literary critic and a cultural historian in Polish and Russian studies. She is Professor and Chair of the Department of Slavic and Eurasian Studies at Duke University. Recognised for her scholarship in Russian women's studies and Polish cultural history, she is as of July 2018 working on a multicultural history of fin-de-siecle Warsaw. Before coming to Duke, she taught at the University of California-San Diego (1987-1993) and the University of North Carolina at Chapel Hill (1993-2007). She earned her B.A at Grinnell College, and two master's degrees and and her doctoral doctorate at Harvard University.

Feminist poetry is inspired by, promotes, or elaborates on feminist principles and ideas. It might be written with the conscious aim of expressing feminist principles, although sometimes it is identified as feminist by critics in a later era. Some writers are thought to express feminist ideas even if the writer was not an active member of the political movement during their era. Many feminist movements, however, have embraced poetry as a vehicle for communicating with public audiences through anthologies, poetry collections, and public readings.

Maya Washington is an American filmmaker, actress, playwright, poet, writer, visualist, and arts educator. With a bachelor of arts in theatre from the University of Southern California and an master of fine arts in creative writing from Hamline University, Washington has garnered awards fromJerome Foundation, Minnesota State Arts Board, Minnesota Film and Television, and many more. Her scholarship and creative projects approach issues of diversity and inclusion. Her film work has had a global reach, in Toronto, Budapest, Hong Kong, Berlin, and Rome.

Kimberly Nicole Foster is an American writer and cultural critic. She is best known as the founder of the black women's interest website, For Harriet. She was named to Forbes' 30 under 30 in 2016. Foster's work has been recognized by Essence Magazine, Philadelphia Sun, Complex, Teen Vogue, and Atlanta Black Star.

<span class="mw-page-title-main">Elsa Laura Wolzogen</span>

Elsa Laura Seemann von Mangern von Wolzogen was a German composer, lute player, and singer. She was born and grew up in Dresden, where her family owned a guesthouse which entertained well-known artists and scholars like Arthur Rubinstein. Elsa married Ernst von Wolzogen in 1902. Ernst had opened the 650-seat Buntes Theater in Berlin in 1901, one of the first cabarets in Germany. Elsa often sang and accompanied herself on lute at the theater, where Viennese composer Arnold Schoenberg conducted the house orchestra.

Laura Freeman is a children's book illustrator. She received her BFA from the School of Visual Arts in New York City. She has illustrated many books, and done work for Highlights for Children. In a review of the picture book version of Hidden Figures, writing for School Library Journal, Megan Kilgallen said "Freeman’s full-color illustrations are stunning and chock-full of details, incorporating diagrams, mathematical formulas, and space motifs throughout... enhancing the whole book." She shared the 2019 NAACP Image Award for Outstanding Literary Work: Children with writer Margot Lee Shetterly for Hidden Figures.

Mark Bly is an American dramaturge, educator, and author. After graduating from Yale's Dramaturgy and Dramatic Criticism Program in 1980, Bly worked as a resident dramaturge – then a relatively new position in the United States. He held this position for several of the country's major regional theaters: the Guthrie, Yale Rep, Seattle Rep, Arena Stage, and the Alley. He was the first dramaturge to receive a Broadway dramaturgy credit for his collaboration with director Emily Mann on her play Execution of Justice (1986), During his career, Bly worked as a production dramaturge with a series of major theater artists including Doug Hughes, Garland Wright, Emily Mann and Moisés Kaufman, as well as on the world premieres of works by playwrights Suzan-Lori Parks, Sarah Ruhl and Rajiv Joseph.

Sonia Balassanian née Sonia Amirian, is an Iranian-born painter, sculptor, and curator, of Armenian ethnicity. She co-founded the Armenian Center for Contemporary Experimental Art. Balassanian lives in New York City and Yerevan.

References

  1. 1 2 Malpede, Karen (1983). "Karen Malpede". Women in Theater: Compassion and Hope. New York: Drama Book Publishers. ISBN   9780896760547.
  2. Malpede, Karen (April 18, 2021). "Karen Malpede Artistic CV" (PDF). John Jay College, City University of New YOrk. Retrieved April 18, 2021.
  3. 1 2 France, Rachel (1979). A Century of Plays by American Women. New York, NY: Richards Rosen Press. ISBN   9780823904723.
  4. Rothbart, Brad (May 25, 2016). "Karen Malpede Imagines a Better World in 'The Beekeeper's Daughter'". American Theatre.
  5. Park, Kyoung H. (August 26, 2013). "Talking to Karen Malpede: A Cultural Democracy in the Performing Arts Interview". The Brooklyn Commune.
  6. 1 2 Malpede, Karen (2020). Other Than We. North Carolina: Laertes Books. ISBN   978-1-942281-19-1.
  7. 1 2 Malpede, Karen (1973). People's Theater in Amerika. Drama Book Specialists. ISBN   0910482330.
  8. 1 2 Malpede, Karen (1973). Three Works by the Open Theater. Drama Book Specialists. ISBN   9780910482547.
  9. 1 2 The dream book : an anthology of writings by Italian American women. Helen Barolini (Syracuse University Press ed.). Syracuse: Syracuse University Press. 2000. ISBN   0-8156-0662-1. OCLC   44502332.{{cite book}}: CS1 maint: others (link)
  10. 1 2 Performing processes. Roberta Mock. Bristol, UK: Intellect. 2000. ISBN   1-84150-864-0. OCLC   51002535.{{cite book}}: CS1 maint: others (link)
  11. Malpede, Karen (2017). Plays in time : The beekeeper's daughter, Prophecy, Another life, Extreme whether. Bristol, UK. ISBN   978-1-78320-815-9. OCLC   1005116458.{{cite book}}: CS1 maint: location missing publisher (link)
  12. Malpede, Karen (1987). A monster has stolen the sun, and other plays. Marlboro, Vt.: Marlboro Press. ISBN   0-910395-24-1. OCLC   15870207.
  13. Acts of war : Iraq and Afghanistan in seven plays. Karen Malpede, Michael Messina, Bob Shuman. Evanston, Ill.: Northwestern University Press. 2011. ISBN   978-0-8101-2732-6. OCLC   617508626.{{cite book}}: CS1 maint: others (link)
  14. Duo! : the best scenes for two for the 21st century. Joyce E. Henry, Rebecca Dunn Jaroff, Bob Shuman. New York. 2009. ISBN   978-1-55783-702-8. OCLC   244414777.{{cite book}}: CS1 maint: location missing publisher (link) CS1 maint: others (link)
  15. One on one : the best women's monologues for the 21st century. Joyce E. Henry, Rebecca Dunn Jaroff, Bob Shuman. New York: Applause Theatre & Cinema Books. 2007. ISBN   978-1-55783-700-4. OCLC   182521849.{{cite book}}: CS1 maint: others (link)
  16. One on one : the best men's monologues for the 21st century. Joyce E. Henry, Rebecca Dunn Jaroff, Bob Shuman. New York: Applause Theatre & Cinema Books. 2008. ISBN   978-1-55783-701-1. OCLC   223807550.{{cite book}}: CS1 maint: others (link)
  17. 110 stories : New York writes after September 11. Ulrich Baer. New York: New York University Press. 2002. ISBN   0-8147-9905-1. OCLC   49680072.{{cite book}}: CS1 maint: others (link)
  18. Genocide, war, and human survival. Charles B. Strozier, Michael Flynn. Lanham, Md.: Rowman & Littlefield Publishers. 1996. ISBN   0-8476-8226-9. OCLC   34151054.{{cite book}}: CS1 maint: others (link)
  19. Women on the verge : 7 avant-garde American plays. Rosette C. Lamont. New York: Applause. 1993. ISBN   1-55783-148-3. OCLC   28424242.{{cite book}}: CS1 maint: others (link)
  20. Angels of power and other reproductive creations. Susan Hawthorne, Renate Klein. Melbourne: Spinifex Press. 1991. ISBN   1-875559-00-0. OCLC   153905272.{{cite book}}: CS1 maint: others (link)

Further reading