Karole P. B. Vail (born 1958) is an American museum director, curator and writer. Since 2017, she has been the director of the Peggy Guggenheim Collection in Venice and Solomon R. Guggenheim Foundation Director for Italy. Prior to this appointment, she worked on the curatorial staff at the Solomon R. Guggenheim Museum in New York for 20 years. [1] [2]
Vail is the younger daughter of Michael Cedric Sindbad Vail (1923–1986) and Margaret "Peggy" Angela Vail (née Yeomans; d. 1988), who married in 1957. [3] [4] Vail grew up in Europe and spent 12 years in Florence, Italy; she first became familiar with the Peggy Guggenheim Collection as a child. She received her Bachelor of Arts degree from Durham University in England [5] and a Diploma in Art History from the New Academy for Art Studies in London. [4] [6]
Before joining the Guggenheim, Vail was an archivist and researcher at the arts publishing house Centro Di in Florence and worked as an assistant curator on independent projects. She is a co-founder and co-director of Non-Objectif Sud, a not-for-profit artist residency and exhibition program in the south of France. [6]
Before leaving New York, Vail was preparing an upcoming Alberto Giacometti retrospective for the Guggenheim Museum in New York to be exhibited in 2018. For the New York museum, she previously curated or co-curated such exhibitions as Moholy-Nagy: Future Present (2016), a László Moholy-Nagy retrospective; From Berlin to New York: Karl Nierendorf and the Guggenheim (2008); the museum's 50th anniversary exhibition Art of Tomorrow: Hilla Rebay and Solomon R. Guggenheim , which examined the collaborative relationship between the two founders of the museum (2005–06); and Peggy Guggenheim: A Centennial Celebration (1998). [7] [8] She curated the exhibition (and edited the accompanying catalogue) about her grandmother, Peggy Guggenheim, The Last Dogaressa, on view at the Collection in late 2019. [9]
Her publications include Peggy Guggenheim: A Celebration (1998); [3] The Museum of Non-Objective Painting: Hilla Rebay and the Origins of the Solomon R. Guggenheim Museum (2009); Moholy-Nagy: Future Present, which received an Honorable Mention in the 2017 Awards for Excellence of the Association of Art Museum Curators; and Art of Tomorrow: Hilla Rebay and Solomon R. Guggenheim. She also organized exhibitions and wrote catalogue entries about Wassily Kandinsky, Nesuhi Ertegun, Daniel Filipacchi, Robert Mapplethorpe, Lucio Fontana, Richard Pousette-Dart, Gabriele Münter, Pablo Picasso and Monir Shahroudy Farmanfarmaian, among others. [6]
Vail is a member of the Guggenheim family. Her great-grandfather was Benjamin Guggenheim, who died in the sinking of the Titanic , [8] and her paternal grandparents were Peggy Guggenheim and Laurence Vail, a poet and sculptor whose works are represented in the Peggy Guggenheim Collection. Her great-granduncle was Solomon R. Guggenheim. [7]
The Solomon R. Guggenheim Museum, often referred to as The Guggenheim, is an art museum at 1071 Fifth Avenue between 88th and 89th Streets on the Upper East Side of Manhattan in New York City. It is the permanent home of a continuously expanding collection of Impressionist, Post-Impressionist, early Modern, and contemporary art and also features special exhibitions throughout the year. It was established by the Solomon R. Guggenheim Foundation in 1939 as the Museum of Non-Objective Painting, under the guidance of its first director, Hilla von Rebay. The museum adopted its current name in 1952, three years after the death of its founder Solomon R. Guggenheim.
The Solomon R. Guggenheim Foundation is a nonprofit organization founded in 1937 by philanthropist Solomon R. Guggenheim and his long-time art advisor, artist Hilla von Rebay. The foundation is a leading institution for the collection, preservation, and research of modern and contemporary art and operates several museums around the world. The first museum established by the foundation was The Museum of Non-Objective Painting, in New York City. This became The Solomon R. Guggenheim Museum in 1952, and the foundation moved the collection into its first permanent museum building, in New York City, in 1959. The foundation next opened the Peggy Guggenheim Collection in Venice, Italy, in 1980. Its international network of museums expanded in 1997 to include the Guggenheim Museum Bilbao in Bilbao, Spain, and it expects to open a new museum, Guggenheim Abu Dhabi, in the United Arab Emirates after its construction is completed.
The Peggy Guggenheim Collection is an art museum on the Grand Canal in the Dorsoduro sestiere of Venice, Italy. It is one of the most visited attractions in Venice. The collection is housed in the Palazzo Venier dei Leoni, an 18th-century palace, which was the home of the American heiress Peggy Guggenheim for three decades. She began displaying her private collection of modern artworks to the public seasonally in 1951. After her death in 1979, it passed to the Solomon R. Guggenheim Foundation, which opened the collection year-round from 1980.
Marguerite "Peggy" Guggenheim was an American art collector, bohemian, and socialite. Born to the wealthy New York City Guggenheim family, she was the daughter of Benjamin Guggenheim, who went down with the Titanic in 1912, and the niece of Solomon R. Guggenheim, who established the Solomon R. Guggenheim Foundation. Guggenheim collected art in Europe and America between 1938 and 1946. She exhibited this collection as she built it. In 1949, she settled in Venice, where she lived and exhibited her collection for the rest of her life. The Peggy Guggenheim Collection is a modern art museum on the Grand Canal in Venice, Italy, and is one of the most visited attractions in Venice.
László Moholy-Nagy was a Hungarian painter and photographer as well as a professor in the Bauhaus school. He was highly influenced by constructivism and a strong advocate of the integration of technology and industry into the arts. The art critic Peter Schjeldahl called him "relentlessly experimental" because of his pioneering work in painting, drawing, photography, collage, sculpture, film, theater, and writing.
Hildegard Anna Augusta Elisabeth FreiinRebay von Ehrenwiesen, known as Baroness Hilla von Rebay or simply Hilla Rebay, was an abstract artist in the early 20th century and co-founder and first director of the Solomon R. Guggenheim Museum. She was a key figure in advising Solomon R. Guggenheim to collect abstract art, a collection that would later form the basis of the Solomon R. Guggenheim Museum collection. She was also influential in selecting Frank Lloyd Wright to design the current Guggenheim museum, which is now known as a modernist icon in New York City.
Solomon Robert Guggenheim was an American businessman and art collector. He is best known for establishing the Solomon R. Guggenheim Foundation and the Solomon R. Guggenheim Museum in New York City.
Alexander Georg Rudolf Bauer was a German-born painter who was involved in the avant-garde group Der Sturm in Berlin, and whose work would become central to the non-objective art collection of Solomon R. Guggenheim.
Sidney Jonas Budnick was an American abstract artist. He was born and raised in New York City.
Pegeen Vail Guggenheim was a Swiss-born American painter. Her work combines surrealism and naïve art.
Nancy Spector is an American museum curator who has held positions at the Solomon R. Guggenheim Museum in New York City and the Brooklyn Museum.
Thomas Maria Messer was the director of the Solomon R. Guggenheim Foundation, including the Solomon R. Guggenheim Museum in New York City and the Peggy Guggenheim Collection in Venice, Italy, for 27 years, a longer tenure than any other director of a major New York City arts institution.
Richard Armstrong is an American museum director. Since 2008, Armstrong has been the director of the Solomon R. Guggenheim Foundation, including the Solomon R. Guggenheim Museum in New York City and its other museums throughout the world. Before joining the Guggenheim, he was a curator at, and then director of, Carnegie Museum of Art in Pittsburgh, Pennsylvania. From 1981 to 1992, he had been a curator at the Whitney Museum of American Art.
Matthew Joseph Williams Drutt is an American curator and writer who specializes in modern and contemporary art and design. Based in New York, he has owned and operated his independent consulting practice Drutt Creative Arts Management (DCAM) since 2013l. He is currently working with the Lee Ufan Foundation in Arles on an exhibition of non-objective art foor Fall 2024. More recently, he worked with the Nationalmuseum Stockholm on an exhibition and publication of modern and contemporary American crafts gifted from artists and collectors in the United States to the museum, originally organized by his mother, Helen Drutt. He has worked more recently with the Eckbo Foundation in Oslo on the first major monograph of Thorwald Hellesen published in English and Norwegian in by Arnoldsche Art Publishers. He is currently also developing several other titles with the publisher. Formerly, he worked with the Beyeler Foundation in Switzerland (2013–2016) and the State Hermitage Museum in Russia (2013–2014), consulting on exhibitions, publications, and collections. He continues to serve as an Advisory Curator to the Hermitage Museum Foundation Israel. In 2006, the French Government awarded him the Chevalier de l'Ordre des Arts et des Lettres, and in 2003, his exhibition Kazimir Malevich: Suprematism won Best Monographic Exhibition Organized Nationally from the International Association of Art Critics.
The Guggenheim UBS MAP Global Art Initiative is a five-year program, supported by Swiss bank UBS in which the Solomon R. Guggenheim Foundation identifies and works with artists, curators and educators from South and Southeast Asia, Latin America, and the Middle East and North Africa to expand its reach in the international art world. For each of the three phases of the project, the museum invites one curator from the chosen region to the Solomon R Guggenheim Museum in New York City for a two-year curatorial residency, where they work with a team of Guggenheim staff to identify new artworks that reflect the range of talents in their parts of the world. The resident curators organize international touring exhibitions that highlight these artworks and help organize educational activities. The Foundation acquires these artworks for its permanent collection and includes them as the focus of exhibitions that open at the museum in New York and subsequently travel to two other cultural institutions or other venues around the world. The Foundation supplements the exhibitions with a series of public and online programs, and supports cross-cultural exchange and collaboration between staff members of the institutions hosting the exhibitions. UBS is reportedly contributing more than $40 million to the project to pay for its activities and the art acquisitions. Foundation director Richard Armstrong commented: "We are hoping to challenge our Western-centric view of art history."
Bauer is a play by Lauren Gunderson. It had its world premiere in March 2014 at the San Francisco Playhouse, the same theatre that commissioned it. Based on the life of the German painter Rudolf Bauer, the play tells the story of how, after having arrived in the United States of America at the beginning of World War II, Bauer was tricked by fellow German artist and love of his life, Hilla von Rebay, into signing a contract that gave Solomon R. Guggenheim the legal rights to all of his paintings and any future works he created. The play triggered a retrospective of Bauer's work at the Weinstein Gallery in San Francisco.
June Yap is a Singaporean curator, art critic, and writer. She is currently the Director of Curatorial & Collections at the Singapore Art Museum.
Robert Nicholas Cullinan is an art historian and curator. On 6 January 2015, he was appointed the 12th director of the National Portrait Gallery in London, a post he began several months later.
Alexandra Munroe is an American curator, Asia scholar, and author focusing on art, culture, and institutional global strategy. She has produced over 40 exhibitions and published pioneering scholarship on modern and contemporary Asian art. She organized the first major North American retrospectives of artists Yayoi Kusama (1989), Daido Moriyama (1999), Yoko Ono (2000), Mu Xin (2001), Cai Guo-Qiang (2008), and Lee Ufan (2011), among others, and has brought such historic avant-garde movements as Gutai, Mono-ha, and Chinese conceptual art, as well as Japanese otaku culture, to international attention. Her project Japanese Art after 1945: Scream Against the Sky (1994) is recognized for initiating the field of postwar Japanese art history in North America. Recently, Munroe was lead curator of the Guggenheim’s exhibition, Art and China after 1989: Theater of the World, which the New York Times named as one of 2017’s top ten exhibitions and ARTnews named as one of the decade’s top 25 most influential shows. Credited for the far-reaching impact of her exhibitions and scholarship bolstering knowledge of postwar Japanese art history in America and Japan, she received the 2017 Japan Foundation Award and the 2018 Commissioner for Cultural Affairs Award, both bestowed by the government of Japan.