Plot
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| Katchem Kate | |
|---|---|
| Directed by | Mack Sennett |
| Based on | "Cunning Kate" by Dell Anderson |
| Starring | Mabel Normand |
Release date | 1912 |
| Country | United States |
Katchem Kate is a 1912 extant comedic silent film directed by Mack Sennett and starring Mabel Normand. The film was based on Dell Anderson's story "Cunning Kate." [1] [2]
The film was filmed in Los Angeles. [2]
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The Keystone Cops are fictional, humorously incompetent policemen featured in silent film slapstick comedies produced by Mack Sennett for his Keystone Film Company between 1912 and 1917.
Mack Sennett was a Canadian-American film actor, director, and producer, and studio head, known as the 'King of Comedy'.
The year 1912 in film involved some significant events.
Tillie's Punctured Romance is a 1914 American silent comedy film directed by Mack Sennett and starring Marie Dressler, Mabel Normand, Charlie Chaplin, and the Keystone Kops. The picture was the only feature-length comedy made by the Keystone Film Company.
Amabel Ethelreid Normand, better known as Mabel Normand, was an American silent film actress, screenwriter, director, and producer. She was a popular star and collaborator of Mack Sennett in their Keystone Studios films, and at the height of her career in the late 1910s and early 1920s had her own film studio and production company. Onscreen, she appeared in twelve successful films with Charlie Chaplin and seventeen with Roscoe "Fatty" Arbuckle, sometimes writing and directing films featuring Chaplin as her leading man.
Keystone Studios was an early film studio founded in Edendale, California on July 4, 1912 as the Keystone Pictures Studio by Mack Sennett with backing from actor-writer Adam Kessel (1866–1946) and Charles O. Baumann (1874–1931), owners of the New York Motion Picture Company. The company, referred to at its office as The Keystone Film Company, filmed in and around Glendale and Silver Lake, Los Angeles for several years, and its films were distributed by the Mutual Film Corporation between 1912 and 1915. The Keystone film brand declined rapidly after Sennett went independent in 1917.
Barney Oldfield's Race for a Life is a 1913 silent comedy short, directed and produced by Mack Sennett and starring Sennett, Mabel Normand, and Barney Oldfield as himself. It is considered one of the earliest to include the plot of a villain tying a young damsel to the tracks of an oncoming locomotive; a holdover from the Gaslight era of Victorian stage melodrama.
Mabel's Strange Predicament is a 1914 American film starring Mabel Normand and Charles Chaplin, notable for being the first film for which Chaplin donned the costume of The Tramp, although his appearance in the costume in Kid Auto Races at Venice was released first. The film was directed by Normand and produced by Mack Sennett.
Charles Arling was a Canadian actor of the silent era. He appeared in more than 100 films between 1909 and 1922. He was born in Toronto, Ontario, Canada and died on 21 April 1922 from pneumonia at the age of 46 in Los Angeles.
Mabel's Dramatic Career is a 1913 American short comedy film starring Mabel Normand and Mack Sennett while featuring Roscoe Arbuckle in a cameo. The film features a film within a film and uses multiple exposure to show a film being projected in a cinema.
At Coney Island, also known as Cohen at Coney Island, is a 1912 American short silent comedy starring Mack Sennett, Mabel Normand, and Ford Sterling. Sennett also directed and produced the film. According to the book Mack Sennett's Fun Factory: A History and Filmography of His Studio and His Keystone and Mack Sennett Comedies, with Biographies of Players and Personnel, Sennett claimed this was the first Keystone Studios production, shot on location at Coney Island on July 4, 1912. It was the eleventh Keystone film released, on a split-reel with A Grocery Clerk's Romance.
Al St. John (1893–1963) was an American comic actor who appeared in 394 films between 1913 and 1952. Starting at Mack Sennett's Keystone Film Company, St. John rose through the ranks to become one of the major comedy stars of the 1920s, though less than half of his starring roles still survive today. With the advent of sound drastically changing and curtailing the two-reel comedy format, St. John diversified, creating a second career for himself as a comic sidekick in Western films and ultimately developing the character of "Fuzzy Q. Jones", for which he is best known in posterity.
Teddy the Dog or Keystone Teddy was the most famous animal actor associated with the Mack Sennett studios. The Great Dane was one of only three of the studio's stars whose name appeared in the title of a film. He performed chiefly in Sennett comedies, but he also appeared in dramatic films including Stella Maris (1918), The Strangers' Banquet (1922) and A Boy of Flanders (1924).
Adam Kessel, Jr. (1866–1946) was a film company executive. He partnered with Charles Baumann in a series of film distribution and production companies.
Douglas Bronston was an American screenwriter and writer.
Norma Nichols was an American silent film actress. She appeared in 42 films between 1914 and 1922. She appeared in several of Larry Semon's films. She was the sister of actress Marguerite Nichols who married actor, director, and producer Hal Roach.
A Game of Pool is an extant American silent film from 1913. It is the first American movie about the game of pool ever made and includes special effects. It stars Edgar Kennedy, Fred Mace, Ford Sterling, and Mack Sennett. It was a Keystone comedy film.
Hugh Fay was an American comedic actor and director. He appeared in vaudeville and silent films.
Frank Opperman (1861–1922) was an actor in American silent films. In 1916 he was reported to have had a 29 year career on stage and a 7 year film career. Between 1903 and 1907 he appeared three times on Broadway, in Little Lord Fauntleroy, Cashel Byron, and an adaptation of Uncle Tom's Cabin.
Gayety Comedies are a comedy film series released made in the United States during the silent film era. They debuted in 1919 and were distributed to various film exchanges Al Christie produced them. The studio that made them was owned by E. H. Emmick and J. L. Friedman and was on the corner of Sunset Boulevard and Gower Street.