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Video art is an art form which relies on using video technology as a visual and audio medium. Video art emerged during the late 1960s as new consumer video technology such as video tape recorders became available outside corporate broadcasting. Video art can take many forms: recordings that are broadcast; installations viewed in galleries or museums; works either streamed online, or distributed as video tapes, or on DVDs; and performances which may incorporate one or more television sets, video monitors, and projections, displaying live or recorded images and sounds.
Performance art is an artwork or art exhibition created through actions executed by the artist or other participants. It may be witnessed live or through documentation, spontaneously developed or written, and is traditionally presented to a public in a fine art context in an interdisciplinary mode. Also known as artistic action, it has been developed through the years as a genre of its own in which art is presented live. It had an important and fundamental role in 20th century avant-garde art.
Vito Acconci was an American performance, video and installation artist, whose diverse practice eventually included sculpture, architectural design, and landscape design. His performance and video art was characterized by "existential unease," exhibitionism, discomfort, transgression and provocation, as well as wit and audacity, and often involved crossing boundaries such as public–private, consensual–nonconsensual, and real world–art world. His work is considered to have influenced artists including Laurie Anderson, Karen Finley, Bruce Nauman, and Tracey Emin, among others.
Alice Neel was an American visual artist. Recognized for her paintings of friends, family, lovers, poets, artists, and strangers, Neel is considered one of the greatest American portraitists of the 20th century. Her career spanned from the 1920s to 1980s.
Ana Mendieta was a Cuban-American performance artist, sculptor, painter, and video artist who is best known for her "earth-body" artwork. She is considered one of the most influential Cuban-American artists of the post–World War II era. Born in Havana, Cuba, Mendieta left for the United States in 1961.
Willoughby Sharp was an American artist, independent curator, independent publisher, gallerist, teacher, author, and telecom activist. Avalanche published interviews they conducted with contemporary artists such as Vito Acconci, Dennis Oppenheim and Yvonne Rainer. Sharp also was contributing editor to four other publications: Impulse (1979–1981); Video magazine (1980–1982); Art Com (1984–1985), and the East Village Eye (1984–1986). He published three monographs on contemporary artists, contributed to many exhibition catalogues, and wrote on art for Artforum, Art in America, Arts magazine, Laica Journal, Quadrum and Rhobo. He was editor of the Public Arts International/Free Speech documentary booklet in 1979. Sharp received numerous grants, awards, and fellowships; both as an individual or under the sponsorship of non-profit arts organizations.
Laura Parnes is contemporary American artist who creates non-linear narratives that engage strategies of film and video art and blur the lines between storytelling conventions and experimentation. Her work is often episodic, references pop culture, female stereotypes, history and the anxiety of influence. She was the co-director of Momenta Art with Eric Heist and helped relaunch the not-for-profit exhibition space in New York City; at first as a nomadic space and then as a permanent space in Williamsburg, Brooklyn. She continued to her involvement as a Board Chair until 2011. Parnes received her BFA from the Tyler School of Art, Temple University, and lives and works in Brooklyn, NY. She currently teaches in MFA departments at MICA, Parsons, and SVA.
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Video Data Bank (VDB) is an international video art distribution organization and resource in the United States for videos by and about contemporary artists. Located in Chicago, Illinois, VDB was founded at the School of the Art Institute of Chicago in 1976 at the inception of the media arts movement.
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Art-Rite was a cheaply produced newsprint art magazine that was published from 1973 to 1978. Located in downtown New York City, it was distributed freely there. Its editors were Mike (Walter) Robinson, Edit DeAk, and Joshua Cohn. Cohn dropped out of Art-Rite relatively early.
Liza Béar is a New York-based filmmaker, writer, photographer, and media activist who makes both individual and collaborative works. Béar co-founded two early independent art publications Avalanche magazine and Bomb. Since 1968 she has lived and worked in New York City.
Lyn Blumenthal (1949–1988) was an American video artist and writer. She and Kate Horsfield founded the Video Data Bank in 1976.
Cindy Heller Nemser was an American art historian and writer. Founder and editor of the Feminist Art Journal, she was an activist and prominent figure in the feminist art movement and was best known for her writing on the work of women artists such as Eva Hesse, Alice Neel, and Louise Nevelson.
Carole Ann Klonarides is an American curator, video artist, writer and art consultant that has been based in New York and Los Angeles. She has worked in curatorial positions at the Santa Monica Museum of Art (1997–2000) and Long Beach Museum of Art (1991–95), curated exhibitions and projects for PS1 and Museum of Modern Art (MOMA), Laforet Museum (Tokyo), and Video Data Bank, among others, and been a consultant at the Getty Research Institute. Klonarides emerged as an artist among the loosely defined Pictures Generation group circa 1980; her video work has been presented in numerous museum exhibitions, including "Video and Language: Video As Language", "documenta 8," "New Works for New Spaces: Into the Nineties,", and "The Pictures Generation, 1974-1984", and at institutions such as MoMA, the Smithsonian Hirshhorn Museum, Contemporary Arts Center, the New Museum, The Kitchen, and School of the Art Institute of Chicago (2016). Her work belongs to the permanent collections of MoMA, the Whitney Museum of American Art, Getty Museum, Centre Pompidou, Contemporary Arts Museum Houston, Museu-Fundacão Calouste Gulbenkian (Lisbon), Museo Nacional Centro de Arte Reina Sofía (Madrid), and National Gallery of Canada, and is distributed by the Video Data Bank and Electronic Arts Intermix (EAI).
Rosemary Mayer (1943–2014) was an American visual artist who was closely associated with the feminist art movement and the conceptual art movement of the 1970s. She was a founding member of A.I.R. gallery, the first all-female artists cooperative gallery in the United States.
Single-channel video is a video art work using a single electronic source, presented and exhibited from one playback device. Electronic sources can be any format of video tape, DVDs or computer-generated moving images utilizing the applicable playback device and exhibited using a television monitor, projection or other screen-based device. Historically, video art was limited to unedited video tape footage displayed on a television monitor in a gallery and was conceptually contrasted with both broadcast television and film projections in theatres. As technology advanced, the ability to edit and display video art provided more variations and multi-channel video works became possible as did multi-channel and multi-layered video installations. However, single-channel video works continue to be produced for a variety of aesthetic and conceptual reasons and the term usually now refers to a single image on a monitor or projection, regardless of image source or production.
References
- ↑ "Kate Horsfield". wmm.com. Retrieved November 25, 2019.
- ↑ "FEEDBACK: THE VIDEO DATA BANK, VIDEO ART, AND ARTIST INTERVIEWS". e-flux.com. Retrieved November 25, 2019.
- ↑ "Kate Horsfield About". Kate Horsfield's Portfolio. Retrieved November 2, 2024.
- ↑ "Lyn Blumenthal Memorial Scholarship for Graduate Study in FVNMA". saic.academicworks.com. Retrieved November 25, 2019.
- ↑ "VDB TV presents— The Feminist Origins: Video Data Bank's On Art & Artists Interview Collection". artandeducation.net. Retrieved November 25, 2019.
- ↑ "Lyn Blumenthal & Kate Horsfield". badlandsunlimited.com. Retrieved November 25, 2019.
- ↑ "Kate Horsfield". vdb.org. Retrieved November 25, 2019.
- ↑ "The Object and its Context". tate.org.uk. Retrieved November 25, 2019.
- ↑ "PROGRAMACIÓN". cacmalaga.eu. Retrieved November 25, 2019.
- ↑ "How Lee Krasner Made Jackson Pollock a Star". lithub.com. Retrieved November 25, 2019.
- ↑ "Screening – Craig Owens: An Interview". kunsthalle-bern.ch. Retrieved November 25, 2019.
- ↑ "Surveying the First Decade: Video Art and Alternative Media in the U.S. 1968–1980". vdb.org. Retrieved November 25, 2019.
- ↑ Ana Mendieta : fuego de tierra. OCLC 823591771 . Retrieved November 25, 2019– via worldcat.org.
