Kathelin Gray is an American director, writer and curator working across many forms. She has co-founded numerous projects which integrate ecology, science and culture. She writes and speaks on the intersection of art and the sciences.
Gray was a founder of the Institute of Ecotechnics in 1970 (incorporated in London in 1985) of which she is a director. The Institute was formed to harmonise Ecology and Technology by initiating collaborations between artists, scientists and explorers, as well as hands-on educational programmes and demonstration projects.
Gray is a member of the creative curatorial team of UK's Eden Project International..
Gray worked on the Biosphere 2 closed ecological system experiment in Arizona. She was on the Board of Directors for Biosphere 2. As Biospherian Trainer she researched small group behaviour in extreme environments and conducted workshops in group dynamics, speech and movement for the eight men and women who lived sealed inside the structure for two years. She appears in the documentary Spaceship Earth, about its history.
Gray helped build and worked with teams of the Research Vessel Heraclitus, a 25-meter ferrocement Chinese junk. Since 1975 its multicultural crew of explorers, researchers and artists have sailed the vessel over 270,000 miles, in every sea except the Arctic. She initiated a three-year expedition to study the changing port cultures of the Mediterranean entitled Lives and Legends of the Mediterranean Sea.
Gray co-founded the October Gallery in 1978, a charitable trust centred on showing the multicultural an avant-garde in Bloomsbury, London.
Gray was co-founder and artistic director of the Theater of All Possibilities from 1967 to 2009, which developed performances and strategies for long-duration interdisciplinary projects that, in some cases, spanned decades. It was based in Santa Fe, New Mexico and toured for 18 years. In 2009, with John "Dolphin" Allen, she co-founded the performance research initiative THEATRRR (Theatre for the Reconstitution of Reality).
She has produced and consulted on music and film. She produced Ornette: Made in America (1985), the documentary featuring musician and Free Jazz pioneer Ornette Coleman, directed by Shirley Clarke, [1] Coleman composed a piece called "Kathelin Gray" that was released on his 1986 album "Song X", co-led by Pat Metheny. She has collaborated with William Burroughs, Brion Gysin, Steina and Woody Vasulka, Gustav Metzger and Godfrey Reggio.
Gray is a Fellow of the London Institute of Pataphysics.
University of Arizona Biosphere 2 is an American Earth system science research facility located in Oracle, Arizona. Its mission is to serve as a center for research, outreach, teaching, and lifelong learning about Earth, its living systems, and its place in the universe. It is a 3.14-acre (1.27-hectare) structure originally built to be an artificial, materially closed ecological system, or vivarium. It remains the largest closed ecological system ever created.
Walter Dewey Redman was an American saxophonist who performed free jazz as a bandleader and with Ornette Coleman and Keith Jarrett.
Shirley Clarke was an American filmmaker.
Lynne Cooke is an Australian-born art scholar. Since August 2014 she has been the Senior Curator, Special Projects in Modern Art, at the National Gallery of Art, Washington, DC.
Honor Harger is a curator and artist from New Zealand. Harger has a particular interest in artistic uses of new technologies. She is currently the executive director of the ArtScience Museum in Singapore.
John Polk Allen is a systems ecologist, engineer, metallurgist, adventurer, and writer. Allen is a proponent of the science of biospherics and a pioneer in sustainable co-evolutionary development. He is the founder of Synergia Ranch, and is best known as the inventor and director of research of Biosphere 2, the world's largest vivarium and research facility to study global ecology. Biosphere 2 set multiple records in closed ecological systems work, including degree of sealing tightness, 100% waste and water recycle, and duration of human residence within a closed system. He is also involved with forestry and reforestation in Puerto Rico where he owns a 1000 acre Mahogany tree farm at Patillas.
Carl Nicholas Reeves, FSA, is a British Egyptologist, archaeologist and museum curator.
Irene Barberis, is an Australian/British artist, based in Melbourne and London. She is a painter primarily, working also with installation, drawing, and new media art. She is also the founding director of an international arts research centre, and is an international curator and writer.
Clémentine Deliss is a London-born curator, researcher and publisher.
Tarnya Cooper is an art historian and author who is currently the National Trust's Curatorial & Collections Director.
The Unfinished Conversation is a 2012 multi-layered three-screen installation directed by John Akomfrah, co-founder of the Black Audio Film Collective. Through his celebrated technique of juxtaposing and layering archive footage with text, music and photographs, Akomfrah crosses the memory landscape of Stuart Hall, Jamaican-born founder of British Cultural Studies, to reflect on the nature and complexities of memory and identity. The Unfinished Conversation was commissioned by Autograph ABP. It opened at Tate Britain, London, on 26 October 2013, following its premiere at Bluecoat during the 2012 Liverpool Biennial.
Theater of All Possibilities (TOAP), was an artistic practice network and touring theater founded in 1967 by John Allen, Kathelin Gray and Marie Harding in San Francisco, California, United States. The group worked with collaborators from the sciences, technology, history, and ecology, with the Institute of Ecotechnics as a partner organization on many projects.
The Institute of Ecotechnics is an educational, training and research charity with a special interest in ecotechnology, the environment, conservation, and heritage. With its U.K. headquarters in London, England and its U.S. affiliate in Santa Fe, NM, the institute was founded to "develop and practice the discipline of ecotechnics: the ecology of technics, and the technics of ecology."
Lisa Le Feuvre is a curator, writer, editor and public speaker. In 2017 she was appointed the inaugural Executive Director of Holt/Smithson Foundation, an artist endowed foundation that aims to continue the creative and investigative legacies of the artists Nancy Holt and Robert Smithson.
Filipa Ramos is a writer, lecturer and curator.
Céline Condorelli is an artist who works between London and Milan and is best known for her publications The Company She Keeps and Support Structures and her artworks which work across the spheres of art and architecture. Support Structures was a co-publication with Gavin Wade. She was shortlisted for the Max Mara Art Prize for Women in 2017.
Andrea Fatona is a Canadian independent curator and scholar. She is an associate professor at OCAD University, where her areas of expertise includes black, contemporary art and curatorial studies.
Stefanie Hessler is a German-born contemporary art curator, an art writer, and the current director of Swiss Institute in New York. From 2019 to 2022 she was the director of Kunsthall Trondheim in Trondheim, Norway.
Ludmila Christeseva, is a Swedish visual artist with Belarusian roots. She was born in 1978 in Mogilev, Belarus and received a Master's of Arts degree from The Faculty of Artistic Design and Technology at the Vitebsk State Technological University in Belarus in 2001. Christeseva then moved to Sweden and joined the creative team of the Swedish fashion designer Lars Wallin.
Maria Lind is a curator, writer and educator from Stockholm. Since 2023, Lind is the director of Kin Museum of Contemporary Art in Giron/Kiruna. From 2020 to 2023, she served as the counsellor of culture at the embassy of Sweden in Moscow. Prior to that, she was the director of Stockholm’s Tensta Konsthall, the artistic director of the 11th Gwangju Biennale, the director of the graduate program at the Center for Curatorial Studies, Bard College, the director of IASPIS in Stockholm and the director of Kunstverein München, Munich.