Kathleen Thompson | |
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Born | Chicago, Illinois, US | September 12, 1946
Occupation | Writer, playwright, activist |
Subject | Women's issues, multi-cultural American history, young adult books |
Notable works | Against Rape (1974), A Shining Thread of Hope (1998), The Face of Our Past (2000) |
Website | |
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Kathleen Thompson (born September 12, 1946) is an American feminist, writer, and activist. She was first known for co-authoring with Andra Medea the feminist classic Against Rape (Farrar, Straus, 1974), the book that broke the silence about rape not only in the United States, but around the world. [1] She exposed the American diet industry's exploitation of women in Feeding on Dreams (MacMillanUSA, 1994), written with psychologist Diane Pinkert Epstein. She was co-author, with pre-eminent historian Darlene Clark Hine, of A Shining Thread of Hope: The History of Black Women in America. (Broadway Books, 1998), the first narrative history of black women in America. She then collaborated with Hilary Mac Austin on three print documentaries of groups underrepresented in American history: The Face of Our Past: Images of Black Women from Colonial America to the Present (Indiana University Press, 1999), Children of the Depression (Indiana University Press, 2000), and America's Children: Repicturing Childhood from Exploration to the Present (W. W. Norton, 2001). Thompson also served on the board of senior editors with Hine, Deborah Grey White, Brenda Stephenson, and other major scholars in the field on the second edition of the landmark encyclopedia Black Women in America (Oxford University Press, 2005). In addition to these adult trade books, she has written more than one hundred books for children and young adults [2] and has had eleven plays [3] produced in Chicago, New York City, and other cities.
Thompson's activism began in Oklahoma City during the Civil Rights Movement in 1963. She participated in anti-war activities that included the March on Washington for Peace in Vietnam in 1965. In 1969, she opened Chicago's first feminist bookstore, Pride and Prejudice, which later became the Women's Center of Chicago, of which she was a founding member. [4] The Women's Center offered consciousness-group organizing, pregnancy testing, abortion counselling, an artists collective, and a number of other services for women. The Women's Center co-sponsored, with Chicago Lesbian Liberation, the first public all-woman dance event in Chicago, the Family of Women. [5] Thompson worked with Medea to present one of the first rape conferences in the country, which took place in 1972 at the Chicago Loop Young Women's Christian Association (YWCA), [6] then under the leadership of feminist activist Diann Deweese Smith. She was also a founding member of Chicago Women Against Rape. With Austin, she co-founded OneHistory, an organization dedicated to making heard all the voices of American history. [7] More recently, she has been involved in anti-gang activism in the Logan Square neighborhood of Chicago.
In April 1972, Andra Medea organized the Midwest's first conference on the subject of rape, held at the downtown YWCA. Inspired by that conference, Medea and Kathleen Thompson wrote the book Against Rape, which went through seven printings before its official publication date, was serialized in hundreds of newspapers around the country, and remained in print for eighteen years. It was widely used in rape crisis centers and women's studies courses and was the primary text for the self-defense courses for women of Chimera, Inc. for more than a decade. The focus of the book was to analyze the causes and patterns of rape in order to a) reduce its power in the minds and lives of women; b) enable women and men to begin to change a society that engendered it; and c) help women avoid and/or survive the trauma of rape. It was where Medea's innovative self-defense methods were first developed and published. According to Thompson, the writers kept in mind two criteria for their work. First, the book must be readable by the women they went to high school with. Second, it must avoid the sensationalism and fear-mongering that keep women from being able even to think about rape. They succeeded in both those aims while presenting a powerfully feminist analysis that pulled no punches about the sources of rape within the culture.
Two other important books on the subject were published in 1974—Rape: How to Avoid It and What to do About It If You Can't, by June Bundy Csida and Joseph Csida (Books for Better Living); and Rape: A First Sourcebook for Women by the New York Radical Feminists (New American Library). [1] It was a time when women across the country were coming to terms with what Medea and Thompson call "all the hatred, contempt and oppression of women in this society concentrated in one act." Organizations similar to Chicago Women Against Rape were formed in other large cities and small towns. Women created and staffed rape crisis hotlines and worked to reform treatment of women in hospitals, by police and by courts. In 1975, Susan Brownmiller's Against Our Will added a profound historical and philosophical element to the discussion.
The history of black women in America was long untold. In the last decades of the twentieth century, that began to change with books such as But Some of Us Are Brave (Feminist Press, 1982), edited by Gloria T. Hull, Patricia Bell-Scott, and Barbara Smith; Paula Giddings' When and Where I Enter (Harper Collins, 1984) and Deborah Gray White's Ar'nt I a Woman (W. W. Norton, 1985), as well as many others. In the 1990s, historian Darlene Clark Hine published widely in the field and encouraged the work of other scholars with publications such as the series Black Women in United States History. (Carlson Publishing, 1990) and Black Women in America: An Historical Encyclopedia (Carlson Publishing, 1992), which she edited with Elsa Barkley Brown and Rosalyn Terborg-Penn. After working with Hine on a young adult version of Black Women in America, Kathleen Thompson co-authored with her A Shining Thread of Hope. This was the first narrative history of black women in America and was hailed by Cornel West as "a canonical text for American historians." [8] Historian Nell Irvin Painter said, ""From time to time, a work of history itself makes history. A Shining Thread of Hope is such a book, marking a giant step in the creation of a more encompassing portrait of our nation's past." [9]
In 1980, Thompson co-founded The Commons Theatre with actors Michael (Mike) Nowak and Judith Easton. The Commons was one of the early entries in Chicago's dynamic theater scene of the 1980s. Although it did not advertise the fact, its mission statement included a commitment to feminism, as well as to new plays. As artistic director, Thompson was one of the first women and one of the first playwrights to hold that position in a Chicago theater. In the six years she remained with The Commons, she had eight plays produced by the theatre, including the very successful Dashiell Hamlet, which she co-wrote with Mike Nussbaum, Mike Nowak, and Paul H. Thompson. Her plays have also been produced in a number of other theatres in Chicago and New York. She also taught playwriting with Nowak at Chicago Dramatists Workshop for ten years.
Thompson was born in Chicago in 1946 and lived from the age of five in Oklahoma City. Her father, Les Thompson, Jr., was a Methodist minister, and her mother, Frances Tracy Thompson, was an English teacher and, later, a reading specialist. She grew up with her two brothers, Paul and Mike, and two sisters, Tracy and Sara. She attended U. S. Grant High School in Oklahoma City, where her interest in cultural injustice began to form. She graduated from Northwestern University with a degree in philosophy in 1968 and began working at a number of jobs in an attempt to support herself while writing. After the publication of Against Rape, she spent a few years touring and talking about rape. She then decided to get as far away from the subject as possible and began writing comedy. For more than thirty years she has written and edited educational material while writing her books and plays. She lives in Chicago, Illinois, with partner Mike Nowak, host of "The Mike Nowak Show" on WCPT Radio.
Gloria Jean Watkins, better known by her pen name bell hooks, was an American author, theorist, educator, and social critic who was a Distinguished Professor in Residence at Berea College. She was best known for her writings on race, feminism, and class. She used the lower-case spelling of her name to decenter herself and draw attention to her work instead. The focus of hooks' writing was to explore the intersectionality of race, capitalism, and gender, and what she described as their ability to produce and perpetuate systems of oppression and class domination. She published around 40 books, including works that ranged from essays, poetry, and children's books. She published numerous scholarly articles, appeared in documentary films, and participated in public lectures. Her work addressed love, race, social class, gender, art, history, sexuality, mass media, and feminism.
Susan Brownmiller is an American journalist, author and feminist activist best known for her 1975 book Against Our Will: Men, Women, and Rape, which was selected by The New York Public Library as one of 100 most important books of the 20th century.
Rebecca J. Cole was an American physician, organization founder and social reformer. In 1867, she became the second African-American woman to become a doctor in the United States, after Rebecca Lee Crumpler three years earlier. Throughout her life she faced racial and gender-based barriers to her medical education, training in all-female institutions which were run by the first generation of graduating female physicians.
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The feminist sex wars, also known as the lesbian sex wars, sex wars or porn wars, are collective debates amongst feminists regarding a number of issues broadly relating to sexuality and sexual activity. Differences of opinion on matters of sexuality deeply polarized the feminist movement, particularly leading feminist thinkers, in the late 1970s and early 1980s and continue to influence debate amongst feminists to this day.
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Andra Medea is an American writer and a project developer and theorist on issues of conflict and violence, specifically crisis prevention. She first came to prominence in 1974 when, with writer Kathleen Thompson, she wrote Against Rape, the book that broke the silence on rape internationally. She later founded Chimera, Inc., which for more than twenty years taught self-defense classes for women based on Medea's early theories of conflict. In the early 2000s, she developed Medea's Conflict Continuum, which she built upon in two books, "Conflict Unraveled" and "Going Home Without Going Crazy" and a number of courses, both online and on video, for veterans, lawyers, judges, psychiatric staff and others. Her video "Working with Emotional Clients: The Virtual Tranquilizer for Lawyers" has been a best-selling continuing education program for the ABA. More recently, she developed this work on the continuum even further in "Safe Within These Walls: De-escalating School Situations Before They Become Crises".
Deborah Gray White is the Board of Governors Professor of History and Professor of Women's and Gender Studies at Rutgers University, New Brunswick, New Jersey. In addition to teaching at Rutgers, she also directed, "The Black Atlantic: Race, Nation and Gender", a project at The Rutgers Center for Historical Analysis from 1997 to 1999. Throughout 2000-2003 she was the chair of the history department at Rutgers. White has been awarded the John Simon Guggenheim Fellowship, the Woodrow Wilson International Center Fellowship, the Carter G. Woodson Medallion for excellence in African American history, and has also received an Honorary Doctorate from her undergraduate alma mater, Binghamton University. She currently heads the Scarlet and Black Project which investigates Native Americans and African Americans in the history of Rutgers University.
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