Kathy Lou Schultz is an American author and poet from Burke, South Dakota.
She was born on November 30, 1966, to Lewis and Jeanne Schultz, who soon after moved the family to Kearney, Nebraska. [1]
After graduating from Kearney High School, Schultz attended undergraduate programs at Columbia University and Oberlin College; [2] she was of the first generation in her family to attend college. [1] She also received an MFA in poetry and American literature at San Francisco State University and a PhD in English from the University of Pennsylvania, where her research interests included poetry and poetics, modernism, and African American literature.
Schultz spent a decade in the Bay area working on her poetry and prose, editing a journal of experimental literature titled Lipstick Eleven, [1] [3] and working in the publishing industry. She relocated to Philadelphia in 2000, where she completed a PhD in literature at the University of Pennsylvania in 2006. [4] Her monograph, The Afro-Modernist Epic and Literary History: Tolson, Hughes, Baraka was published in 2013 as part of the Modern and Contemporary Poetry and Poetics Series from Palgrave, edited by Rachel Blau DuPlessis. It was released in paperback in 2016.
Currently, Schultz is a professor in the English department at the University of Memphis, where she also is the Director of the Program in Women's and Gender Studies. Previously, she was Director of the English Honors Program. [2] Her areas of interest includes African American poetry as well as the poetry of the African diaspora. [2] She teaches courses in African American, American, and Afro-Diasporic literature; poetry and poetics; and modernism.
Schultz is an activist as well, working for a variety of feminist, anti-racist and peace movements since her youth, and actively organizing against the first Gulf War as part of the statewide, grassroots peace organization Nebraskans for Peace. [1] She also worked at shelters for battered women and children in Harlem; Elyria, Ohio; and Lincoln, Nebraska.
Poetry, also called verse, is a form of literature that uses aesthetic and often rhythmic qualities of language − such as phonaesthetics, sound symbolism, and metre − to evoke meanings in addition to, or in place of, a prosaic ostensible meaning. A poem is a literary composition, written by a poet, using this principle.
William Carlos Williams was an American poet, writer, and physician closely associated with modernism and imagism.
Hilda Doolittle was an American modernist poet, novelist, and memoirist who wrote under the name H.D. throughout her life. Her career began in 1911 after she moved to London and co-founded the avant-garde Imagist group of poets with American expatriate poet and critic Ezra Pound. During this early period, her minimalist free verse poems depicting Classical motifs drew international attention. Eventually distancing herself from the Imagist movement, she experimented with a wider variety of forms, including fiction, memoir, and verse drama. Reflecting the trauma she experienced in London during the Blitz, H.D.'s poetic style from World War II until her death pivoted towards complex long poems on esoteric and pacifist themes.
Modernist poetry in English started in the early years of the 20th century with the appearance of the Imagists. In common with many other modernists, these poets wrote in reaction to the perceived excesses of Victorian poetry, with its emphasis on traditional formalism and ornate diction. In many respects, their criticism echoes what William Wordsworth wrote in Preface to Lyrical Ballads to instigate the Romantic movement in British poetry over a century earlier, criticising the gauche and pompous school which then pervaded, and seeking to bring poetry to the layman.
Susan Howe is an American poet, scholar, essayist, and critic, who has been closely associated with the Language poets, among other poetry movements. Her work is often classified as Postmodern because it expands traditional notions of genre. Many of Howe's books are layered with historical, mythical, and other references, often presented in an unorthodox format. Her work contains lyrical echoes of sound, and yet is not pinned down by a consistent metrical pattern or a conventional poetic rhyme scheme.
Ai Ogawa was an American poet and educator who won the 1999 National Book Award for Poetry for Vice: New and Selected Poems. Ai is known for her mastery of the dramatic monologue as a poetic form, as well as for taking on dark, controversial topics in her work. About writing in the dramatic monologue form, she's said: "I want to take the narrative 'persona' poem as far as I can, and I've never been one to do things in halves. All the way or nothing. I won't abandon that desire."
James Emanuel was a poet and scholar from Alliance, Nebraska. Emanuel, who is ranked by some critics as one of the best and most neglected poets of the 20th century, published more than 300 poems, 13 individual books, an influential anthology of African-American literature, an autobiography, and more. He is also credited with creating a new literary genre, jazz-and-blues haiku, often read with musical accompaniment.
Harryette Mullen, Professor of English at University of California, Los Angeles, is an American poet, short story writer, and literary scholar.
Marjorie Perloff is an Austrian-born poetry scholar and critic in the United States.
Sonia Sanchez is an American poet, writer, and professor. She was a leading figure in the Black Arts Movement and has written over a dozen books of poetry, as well as short stories, critical essays, plays, and children's books. In the 1960s, Sanchez released poems in periodicals targeted towards African-American audiences, and published her debut collection, Homecoming, in 1969. In 1993, she received Pew Fellowship in the Arts, and in 2001 was awarded the Robert Frost Medal for her contributions to the canon of American poetry. She has been influential to other African-American poets, including Krista Franklin.
Latin American poetry is the poetry written by Latin American authors. Latin American poetry is often written in Spanish, but is also composed in Portuguese, Mapuche, Nahuatl, Quechua, Mazatec, Zapotec, Ladino, English, and Spanglish. The unification of Indigenous and imperial cultures produced a unique and extraordinary body of literature in this region. Later with the introduction of African slaves to the new world, African traditions greatly influenced Latin American poetry. Many great works of poetry were written in the colonial and pre-colonial time periods, but it was in the 1960s that the world began to notice the poetry of Latin America. Through the modernismo movement, and the international success of Latin American authors, poetry from this region became increasingly influential.
Houston Alfred Baker Jr. is an American scholar specializing in African-American literature and Distinguished University Professor of English at Vanderbilt University. Baker served as president of the Modern Language Association, editor of the journal American Literature, and has authored several books, including The Journey Back: Issues in Black Literature and Criticism, Modernism and the Harlem Renaissance, Blues, Ideology, and Afro-American Literature, and Workings of the Spirit: The Poetics of Afro-American Women's Writing. Baker was included in the 2006 textbook Fifty Key Literary Theorists, by Richard J. Lane.
Daniela Gioseffi is a poet, novelist and performer who won the American Book Award in 1990 for Women on War; International Writings from Antiquity to the Present. She has published 16 books of poetry and prose and won a PEN American Center's Short Fiction prize (1995), and The John Ciardi Award for Lifetime Achievement in Poetry (2007).
Allison Adelle Hedge Coke is an American poet and editor. Her debut book, Dog Road Woman, won the American Book Award and was the first finalist of the Paterson Poetry Prize and Diane DeCora Award. Since then, she has written five more books and edited eight anthologies. She is known for addressing issues of culture, prejudice, rights, the environment, peace, violence, abuse, and labor in her poetry and other creative works.
Cristanne Miller received her PhD in 1980 from the University of Chicago, and was for many years the W.M. Keck Distinguished Service Professor at Pomona College. Since 2006 she has taught at the University at Buffalo in New York, where she is SUNY Distinguished Professor and Edward H. Butler Professor of English.
Charles Fort is an American poet.
Erica Hunt is a U.S. poet, essayist, teacher, mother, and organizer from New York City. She is often associated with the group of Language poets from her days living in San Francisco in the late 1970s and early 1980s, but her work is also considered central to the avant garde black aesthetic developing after the Civil Rights Movement and Black Arts Movement. Through the 1990s and 2000s, Hunt worked with several non-profits that encourage black philanthropy for black communities and causes. From 1999 to 2010, she was executive director of the 21st Century Foundation located in Harlem. Currently, she is writing and teaching at Wesleyan University.
Virginia Walker Jackson is UCI Endowed Chair in Rhetoric at the University of California, Irvine. She is one of the founders of historical poetics and of the new lyric studies, and is credited with "energiz[ing] criticism" about Emily Dickinson in the twenty-first century. She is more recently credited with revising the racialized history of American poetics, as the poet Terrance Hayes writes, “If there is a kind of ‘poet’s poet,’ might there also be a kind of ‘poet’s scholar,’ someone a poet reads for lucid, explosive doses of insight and history? Yes: Virginia Jackson. Actually, she’s more than a poet’s favorite scholar, she is a poet’s favorite pathfinding detective. Her brilliant Before Modernism is a radical reorientation of American lyric literary assumptions. Virginia Jackson unearths the overlooked, undervalued Black poets at the root of modern American poetry, and every branch of contemporary poetry trembles with new fruit.” Her research includes nineteenth-century American poetry, the history of American poetry, comparative literature, lyric theory, the history of criticism, the history of poetics, and genre theory.
Miriam DeCosta-Willis was an American educator, writer, and civil rights activist. The first African-American faculty member at Memphis State University, having previously been denied admission to the school as a graduate student due to her race, she spent her career as a professor of Romance languages and African-American studies at a variety of colleges in Memphis, Tennessee, and the Washington, D.C., area. She published more than a dozen books throughout her career, largely dealing with Afro-Latino literature and Black Memphis history.
Maunrice Eulalee Bernard Little, known as Eulalia Bernard, was a Costa Rican writer, poet, activist, politician, diplomat, and educator. She is considered in her country as an icon of the African descent culture. Bernard was the first Afro-Costa Rican woman to be published in her country.