Kavavaow Mannomee | |
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Kavavaow Mannomee (also known as Qavavau Manumie) (born September 21, 1958) is an Inuit printmaker who lived and worked in Nunavut. [1]
He was born in Brandon, Manitoba, when his mother was hospitalized there for tuberculosis. [2] However, the family returned to Cape Dorset soon after, where Mannomee has stayed ever since. [2] [3] His mother Paunichea (1920-1968) and father Davidee were both artists. [4] His brothers Tukiki Manomie and Aqjangajuk Shaa are both sculptors. [4]
Mannomee was involved in the West Baffin Eskimo Co-op and the Kinngait Studios, first making lithographs and later stonecuts. [4] He also worked on graphite drawings. [1] Many of his works featured scenes from everyday life in Inuit culture, as well as Arctic animals and Inuit mythological figures. [1] [3]
His first solo exhibition, featuring his original drawings, happened in Toronto in June 2008. [2] His works are held in several museums, including the Ackland Art Museum, [3] [5] the Canadian Museum of Civilization, [3] the McMichael Canadian Art Collection, [3] the Montreal Museum of Fine Arts, [3] the National Gallery of Canada, [3] the Prince of Wales Northern Heritage Centre, [3] the University of Michigan Museum of Art, [6] the Minneapolis Institute of Arts, [7] and the National Museum of the American Indian. [8]
Kenojuak Ashevak, was a Canadian Inuk artist. She was born on October 3, 1927 at Camp Kerrasak on southern Baffin Island, and died on January 8, 2013 in Cape Dorset, Nunavut. Known primarily for her drawings as a graphic artist, she also had a diverse artistic experience, making sculpture and engraving and working with textiles and also on stained glass. She is celebrated as a leading figure of modern Inuit art and one of Canada's preeminent artists and cultural icons. Part of a pioneering generation of Arctic creators, her career spanned more than five decades. She made graphic art, drawings and prints in stone cut, lithography and etching, beloved by the public, museums and collectors alike. Kenojuak has mainly painted animals in fantastical, brightly-colored aspects, but also landscapes and scenes of everyday life, in a desire to represent them in a unique aesthetic, making them beautiful by her own standards, and conveying a real spirit of happiness and positivity. She has an intuitive and sensitive way of working : she begins her works without having a clear idea of the final result, letting herself be guided by her intuition and her own perception of aestheticism through colors and shapes. She painted throughout her life, never ceasing to seek out new techniques to renew her artistic creation. At the beginning of her life, her fantastical, seemingly simple works became more complex over time, taking on a more technical aspect. At the end of her life, the artist returned to simpler, more singular forms and even brighter colors.
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