Kaywin Feldman | |
---|---|
Born | 1966 (age 58–59) Boston, Massachusetts, U.S. |
Education | BA, University of Michigan; MA, (archaeology) University of London; MA, (art history) University of London |
Occupation | Museum director |
Years active | 1994 to present |
Title | Director of the National Gallery of Art |
Term | 2008 to 2019 |
Kaywin Feldman is an American museum administrator and director of the National Gallery of Art in Washington, D.C. Named on December 11, 2018, Feldman took over from Earl A. Powell III in March 2019. She is the National Gallery of Art's first woman director.
Feldman was born in Boston, Massachusetts, in 1966. [1] Feldman's father was in the military, and the family moved often. They lived in or near Boston; Cleveland, Ohio; Washington, D.C. (she attended high school in Silver Spring, Maryland), and London in the United Kingdom. [2] [3] She was exposed to many museums in her childhood, [2] and developed an interest in archaeology. She obtained a bachelor's degree in classical archaeology from the University of Michigan and a master's degree from the Institute of Archaeology of the University of London. She also obtained a master's in art history from the University of London's Courtauld Institute of Art, writing her thesis on 16th-century Flemish art with a particular focus on representations of satyrs. [2] [4] While studying in London she worked at the British Museum. [2]
When she was 28, Feldman became director of the Fresno Metropolitan Museum of Art and Science. [5] From 1999 until 2007 Feldman was director of the Memphis Brooks Museum of Art. [3] In 2008 she became director and president of the Minneapolis Institute of Art. [6] During her tenure, she expanded the collection and attendance doubled. [7] Digital access was emphasized, and social justice and equity programs were adopted. [8] [9] Upon being selected by the National Gallery, she resigned her offices at the Minneapolis Institute with her last day set on March 1, 2019, [10] and assumed her new position in Washington ten days later. [11] She is the NGA's first woman director. [7]
Feldman previously served as president of the Association of Art Museum Directors and as chair of the American Alliance of Museums. [7] [12]
On February 4, 2020, Feldman participated in a public conversation at the Brooklyn Museum titled "Women Leaders in the Arts" during which she claimed that "art museums, the arts, and art faculties at universities" have become "so predominantly filled with women" that hiring men in these fields has become a priority. She added, "of course all studies show that when a profession becomes 'pink-collared,' whether you wear a pink collar or not, salaries go down." [13] [14] The Brooklyn Museum forum is one of at least four occasions when Feldman has stated publicly her view that too many women work in museums, where their growing presence threatens the status and compensation of museum professionals. [15] [16] [17] This fallacy has been disproved but persists in the museum field, where it reflects stubborn biases against women, and working-class women in particular. [18]
The National Gallery of Art is an art museum in Washington, D.C., United States, located on the National Mall, between 3rd and 9th Streets, at Constitution Avenue NW. Open to the public and free of charge, the museum was privately established in 1937 for the American people by a joint resolution of the United States Congress. Andrew W. Mellon donated a substantial art collection and funds for construction. The core collection includes major works of art donated by Paul Mellon, Ailsa Mellon Bruce, Lessing J. Rosenwald, Samuel Henry Kress, Rush Harrison Kress, Peter Arrell Browne Widener, Joseph E. Widener, and Chester Dale. The Gallery's collection of paintings, drawings, prints, photographs, sculpture, medals, and decorative arts traces the development of Western art from the Middle Ages to the present, including the only painting by Leonardo da Vinci in the Americas and the largest mobile created by Alexander Calder.
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Caroline Ransom Williams was an Egyptologist and classical archaeologist. She was the first American woman to be professionally trained as an Egyptologist. She worked extensively with the Metropolitan Museum of Art (MMA) in New York and other major institutions with Egyptian collections, and published Studies in ancient furniture (1905), The Tomb of Perneb (1916), and The Decoration of the Tomb of Perneb: The Technique and the Color Conventions (1932), among others. During the Epigraphic Survey of the University of Chicago Oriental Institute's first season in Luxor, she helped to develop the "Chicago House method" for copying ancient Egyptian reliefs.
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