Keith Hennessy | |
---|---|
Born | 1959 (age 64–65) |
Nationality | American and Canadian |
Known for | Dancer and choreographer |
Movement | Contemporary dance and Performance art |
Keith Hennessy (born 1959 in Sudbury, Ontario, Canada) is a [1] San Francisco-based dancer, choreographer, and performance artist regarded as a pioneer of queer and AIDS-themed performance. [2] He is known for non-linear performance collages that combine dance, speaking, singing, and physical and visual imagery, and for improvised performances that often undermine the performer-observer barrier. [3] Hennessy directs CIRCO ZERO, which has received commissions from Les Subsistances (Lyon) & Les Laboratoires (Paris), FUSED (France-US Exchange), as well as funds from the Zellerbach Family Fund, San Francisco Arts Commission, California Arts Council, Grants for the Arts, and The San Francisco Foundation. [4] Hennessy's performances are embedded in leftist and anarchist social movements; his career began in anti-nuclear juggling, acrobatics, and vaudevillian comedy. In 1982, he hitchhiked to California for a juggling convention, and stayed. [5] In his San Francisco living room he co-founded the grassroots performance space "848 Community Space," which later became CounterPULSE. [5] [6] [7] He was influenced by and has worked with Lucas Hoving, Gulko, Ishmael Houston-Jones and Patrick Scully, Terry Sendgraff, Karen Finley, Joseph Kramer, the collective CORE (Jess Curtis, Stanya Kahn, Jules Beckman, Stephanie Maher, Hennessy), and Contraband, a company directed by Sara Shelton Mann. [8] His work also developed from his participation in social and political activism inspired by Direct Action to Stop the War, Critical Resistance, ACT UP and Queer Nation. In San Francisco Hennessy's work has been presented at numerous venues including Dance Mission, Theater Artaud, [9] Mama Calizo's Voice Factory and Yerba Buena Center for the Arts. [7]
Hennessy is also known for his ability to fuse performance art with community organizing and activism. [10] In one early San Francisco work, Religare, by Contraband, he danced in the dirt in the ruins of a Mission district single-room-occupancy building that was burned down by the owner/landlord. As critic Paul Parish explained, "[I]t was an exorcism and a funeral for the winos who died there, and a healing for the neighborhood, and is perhaps the single greatest dance experience I've ever had." [5]
Awards include a Guggenheim Fellowship (2017), the Sui Generis Award (2017), a United States Artist Kjenner Fellowship (2012), a Bessie (2009 New York Dance & Performance Award), two Isadora Duncan Awards (2009) for Sol Niger, a Goldie (2007) and the Alpert/MacDowell Fellowship in Dance (2005). In 2009, Hennessy was awarded residencies at the MacDowell Colony, Yaddo, and Djerassi. Recent commissions include Arsenic, Lausanne (Crotch, 2008), Centre Chorégraphique National, Belfort (Sol Niger, 2007), Les Subsistances, Lyon (Sol Niger 2007, Homeless USA, 2005), Les Laboratoires, Paris (American Tweaker, 2006), FUSED (French-US Exchange in Dance), and Lower Left Performance Co, San Diego (Gather, 2005). Hennessy's 2008-09 teaching includes the University of San Francisco; University of California, Davis; Zipfest/Italy; imPulsTanz/Vienna; TSEH/Moscow; Circuit Est/Montreal; and IDA/Toronto. In 2012 Hennessy was named a Fellow by United States Artists. . [13]
Keith Allen Haring was an American artist whose pop art emerged from the New York City graffiti subculture of the 1980s. His animated imagery has "become a widely recognized visual language". Much of his work includes sexual allusions that turned into social activism by using the images to advocate for safe sex and AIDS awareness. In addition to solo gallery exhibitions, he participated in renowned national and international group shows such as documenta in Kassel, the Whitney Biennial in New York, the São Paulo Biennial, and the Venice Biennale. The Whitney Museum held a retrospective of his art in 1997.
Ross Bleckner is an American artist. He currently lives and works in New York City. His artistic focus is on painting, and he held his first solo exhibition in 1975. Some of his art work reflected on the AIDS epidemic.
Sylvester James Jr., known simply as Sylvester, was an American singer-songwriter. Primarily active in the genres of disco, rhythm and blues, and soul, he was known for his flamboyant and androgynous appearance, falsetto singing voice, and hit disco singles in the late 1970s and 1980s.
The Sisters of Perpetual Indulgence (SPI), also called Order of Perpetual Indulgence (OPI), is a charitable, protest, and street performance movement that uses drag and religious imagery to satirize issues of sex, gender, and morality and fundraise for charity. In 1979, a small group of gay men in San Francisco began wearing the attire of Catholic nuns in visible situations using camp to promote various social and political causes in the Castro District.
Lani Kaʻahumanu is a Native Hawaiian bisexual and feminist writer and activist. She is openly bisexual and writes and speaks on sexuality issues frequently. She serves on the editorial board of the Journal of Bisexuality. She is also working on the books My Grassroots Are Showing: Stories, Speeches, and Special Affections and Passing For Other: Primal Creams and Forbidden Dreams – Poetry, Prose, and Performance Pieces. In 1974, she divorced her husband and moved to San Francisco, where she originally came out as a lesbian. She was a student leader in the nascent San Francisco State Women Studies Department, and in 1979, she became the first person in her family to graduate from college. Kaʻahumanu realized she was bisexual and came out again in 1980.
José Esteban Muñoz was a Cuban American academic in the fields of performance studies, visual culture, queer theory, cultural studies, and critical theory.
Willoughby Sharp was an American artist, independent curator, independent publisher, gallerist, teacher, author, and telecom activist. Avalanche published interviews they conducted with contemporary artists such as Vito Acconci, Dennis Oppenheim and Yvonne Rainer. Sharp also was contributing editor to four other publications: Impulse (1979–1981); Video magazine (1980–1982); Art Com (1984–1985), and the East Village Eye (1984–1986). He published three monographs on contemporary artists, contributed to many exhibition catalogues, and wrote on art for Artforum, Art in America, Arts magazine, Laica Journal, Quadrum and Rhobo. He was editor of the Public Arts International/Free Speech documentary booklet in 1979. Sharp received numerous grants, awards, and fellowships; both as an individual or under the sponsorship of non-profit arts organizations.
Bay Area Sex Worker Advocacy Network (BAYSWAN) is a non-profit organization in the San Francisco Bay Area which works to improve working conditions, increase benefits, and eliminate discrimination on behalf of individuals working within both legal and criminalized adult entertainment industries. The organization provides advice and information to social service, policy reformers, media outlets, politicians, including the San Francisco Task Force on Prostitution and Commission on the Status of Women (COSW), and law enforcement agencies dealing with sex workers.
Frank James Moore was an American performance artist, shaman, poet, essayist, painter, musician and Internet/television personality who experimented in art, performance, ritual, and shamanistic teaching since the late 1960s.
Arthur J. Bressan Jr. was an American director, writer, producer, documentarian and gay pornographer, best known for pioneering independent queer cinema in the United States during the 1970s and 1980s. He wrote and directed the 1985 feature film Buddies, which was the first American film to grapple with the subject of the AIDS pandemic. Other directorial endeavors include the largely influential 1977 documentary Gay USA, and the 1983 feature film Abuse. He died on July 29, 1987, at the age of 44 due to an AIDS-related illness.
The GLBT Historical Society maintains an extensive collection of archival materials, artifacts and graphic arts relating to the history of LGBTQ people in the United States, with a focus on the LGBT communities of San Francisco and Northern California.
Robert Triptow is an American writer and artist. He is known primarily for creating gay- and bisexual-themed comics and for editing Gay Comix in the 1980s, and he was identified by underground comix pioneer Lee Marrs as "the last of the underground cartoonists."
Contraband, a collection of artists led by director/choreographer Sara Shelton Mann, was a dance-based, live performance ensemble, working together from 1985 to the mid 1990s. Based mainly in San Francisco, the group became known for its lively, electrifying performances, often politically charged and community-engaging. By utilizing dance, music, set, text/spoken word, and site-specific work, Contraband came to develop a cross-disciplinary performance aesthetic, as well as approach to dance and dance training, that would have a profound influence on Bay Area dance, performance art, and culture, as well as performance practice abroad.
The lesbian, gay, bisexual and transgender (LGBTQ) community in San Francisco is one of the largest and most prominent LGBT communities in the United States, and is one of the most important in the history of American LGBT rights and activism alongside New York City. The city itself has been described as "the original 'gay-friendly city'". LGBT culture is also active within companies that are based in Silicon Valley, which is located within the southern San Francisco Bay Area.
Jerome Caja (1958–1995) was an American mixed-media painter and Queercore performance artist in San Francisco, California in the 1980s and early 1990s.
The AIDS pandemic began in the early 1980s and brought with it a surge of emotions from the public: they were afraid, angry, fearful and defiant. The arrival of AIDS also brought with it a condemnation of the LGBT community. These emotions, along with the view on the LGBT community, paved the way for a new generation of artists. Artists involved in AIDS activist organizations had the ideology that while art could never save lives as science could, it may be able to deliver a message. Art of the AIDS crisis typically sought to make a sociopolitical statement, stress the medical impact of the disease, or express feelings of longing and loss. The ideologies were present in conceptions of art in the 1980s and are still pertinent to reception of art today as well. Elizabeth Taylor, for example, spoke at a benefit for AIDS involving artwork, emphasizing its importance to activism in that "art lives on forever". This comment articulates the ability of artwork from this time to teach and impact contemporary audiences, post-crisis. This page examines the efforts of artists, art collectives, and art movements to make sense of such an urgent pandemic in American society.
Việt Lê is a Vietnamese-born American artist, writer, and curator. Lê is an associate professor at the California College of the Arts.
Strip AIDS and Strip AIDS U.S.A. are comics anthology volumes published in 1987 in the UK, and 1988 in the US (respectively). They combined short comics with educational and sometimes comedic themes, to educate readers about HIV disease and safer sex, and to raise funds for the care of people with AIDS.
Sean Dorsey is a Canadian-American transgender and queer choreographer, dancer, writer and trans rights activist. He is widely recognized as the United States' first acclaimed transgender modern dance choreographer. Dorsey founded his San Francisco-based dance company Sean Dorsey Dance, which incorporates transgender and LGBTQ+ themes into all of their works. Dorsey is also the founder and artistic director of Fresh Meat Productions, a non-profit organization. Fresh Meat Productions creates and commissions new work, presents performing arts programs, conducts education and engagement, and advocates for justice and equity in the Arts. The organization hosts Fresh Meat Festival in San Francisco, an annual festival of transgender and queer performance.
Kathleen Hermesdorf was a dancer, teacher, choreographer, improviser, producer, and curator, born in Wisconsin, USA, and a long-time resident of San Francisco.